Aggiungi una trama nella tua linguaA phenomenal discourse on why poverty exists when there is so much wealth in the world. A must see for anyone wanting to understand not only the US economic system but the foundations of tod... Leggi tuttoA phenomenal discourse on why poverty exists when there is so much wealth in the world. A must see for anyone wanting to understand not only the US economic system but the foundations of today's global economy.A phenomenal discourse on why poverty exists when there is so much wealth in the world. A must see for anyone wanting to understand not only the US economic system but the foundations of today's global economy.
- Regia
- Sceneggiatura
- Star
Álvaro García Linera
- Self - Vice-President, Bolivia
- (as Alvaro García Lineras)
João Pedro Stédile
- Self - Landless Movement Leader, Brazil
- (as Joao Pedro Stedile)
Recensioni in evidenza
This documentary explores poverty as it exists today, and takes us through a historical account of how it came to be, as it is today(it does not go into the larger discussion of there having been different status levels and each having specific benefits(or limitations) as long as there have been even barely organized communities - this would require its own feature-length piece), across the world, not only in the US. It does so with personal interviews with economists with the perspective and who've studied the subject, and the individual workers and their families, who are living with the consequences of the irresponsible and callous actions of corporate leaders, banks and politicians. This engages with a healthy mix of facts and accounts(to keep it from getting dry or letting it become too theoretical, we have to remember that there are actual people suffering, and many of them, no less), and it keeps a nice pace throughout. It's well-edited. This really gets you wanting to solve the problem, and few will keep holding on to the opposing opinion after watching this. There is disturbing content in this. I recommend this to everyone. 7/10
Global poverty did not just happen. Yet the overwhelming magnitude of poverty seems unsolvable. Can we really end poverty within our current economic system?
In this award-winning documentary, narrated by Martin Sheen, we see the historical foundation that, for over five centuries, laid the groundwork for today's financial crisis. It began with military conquest, slavery and colonization (often in the spirit of missionary zeal) that resulted in the seizure of land and minerals and in forced labor. Today, the problem persists because of the structuring of debt, trade and tax policies. The "End of Poverty" (2009) reveals a co- dependency in which the southern hemisphere provides cheap resources for the northern hemisphere without a way out of financial indebtedness and towards economic independence. The dependency is necessary to prop up the industrialized nation's standard of living. Read my detailed review at: www.unhealedwound.com (July 27, 2014)!
In this award-winning documentary, narrated by Martin Sheen, we see the historical foundation that, for over five centuries, laid the groundwork for today's financial crisis. It began with military conquest, slavery and colonization (often in the spirit of missionary zeal) that resulted in the seizure of land and minerals and in forced labor. Today, the problem persists because of the structuring of debt, trade and tax policies. The "End of Poverty" (2009) reveals a co- dependency in which the southern hemisphere provides cheap resources for the northern hemisphere without a way out of financial indebtedness and towards economic independence. The dependency is necessary to prop up the industrialized nation's standard of living. Read my detailed review at: www.unhealedwound.com (July 27, 2014)!
A good documentary about the causes, including root causes, of world poverty. Chiefly, the world's natural resources are controlled by a small number of rich governments and corporations, and whatever is necessary is done to maintain the status quo.
A solution to world poverty is beyond the scope of the film. It's beyond the power of everyone with such an ambition since ... whatever is necessary is done to maintain the status quo. The film does argue that the taxation of personal income needs to be vastly reduced in favour of increased taxes on land, particularly land containing natural resources; or the privatization of world's natural resources would need to end. But no-one sees this happening anytime soon.
It's possible to criticize the use of statistics which, without a tiresome definition of terms, comes across as a series of sweeping statements.
A solution to world poverty is beyond the scope of the film. It's beyond the power of everyone with such an ambition since ... whatever is necessary is done to maintain the status quo. The film does argue that the taxation of personal income needs to be vastly reduced in favour of increased taxes on land, particularly land containing natural resources; or the privatization of world's natural resources would need to end. But no-one sees this happening anytime soon.
It's possible to criticize the use of statistics which, without a tiresome definition of terms, comes across as a series of sweeping statements.
The longer I live the more I value history.
I am less distracted with the tiny incidents of current events when I understand the historic context.
Our current reality is the result of thousands of chains of events that stretch back in time.
I have come to especially value videos that tell the stories that go back hundreds of years.
This offers a summary of major events over the globe during the centuries.
I do not agree with all that is said here but many major parts of the mural of history are presented well.
I am less distracted with the tiny incidents of current events when I understand the historic context.
Our current reality is the result of thousands of chains of events that stretch back in time.
I have come to especially value videos that tell the stories that go back hundreds of years.
This offers a summary of major events over the globe during the centuries.
I do not agree with all that is said here but many major parts of the mural of history are presented well.
I'm not really sure why those who made "The End of Poverty?" felt compelled to include a question mark in their title, since around 90% of the movie is devoted to defining the problem and only about 10% to offering solutions.
For much of the movie, director Philippe Diaz and narrator Martin Sheen keep hitting us with a litany of shocking and depressing statistics: that over 9,000,000 people die of starvation each year, that millions around the world earn less than a dollar a day, and that 60 to 80 million people work for nothing but room and board, making them virtual slaves in a 21st Century world. And that's just for starters. And just as you're about ready to throw in the towel and declare there's no hope for the world, the interviewees begin exploring possible answers (a fairer tax structure, returning land ownership to indigenous peoples, etc.), but it still seems an insurmountable task overall.
On an instructional level, the movie traces the roots of modern poverty to the colonial era that began with the discovery of America, when countries - and now mega-corporations with no moral compass beyond the bottom-line - could exploit someone else's resources and amass huge stores of wealth at the expense of the lower classes. And that doesn't even include the robbing of the culture and the feeling of self-worth from the indigenous peoples of these lands.
Diaz shows how the "haves" in the Northern Hemisphere have built and continue to build their fortunes primarily on the backs of the "have-nots" in the Southern Hemisphere. He interviews both economic theoreticians and common folk struggling for survival in both South America and Africa to drive home his point. He provides example upon example of how the policies of First World nations - neo-liberalism, unfettered free trade, multinational corporatism - have devastated the economies and peoples of the Third World.
It's a depressing experience sitting through this film, but the shards of hope it provides towards the end do provide some comfort. And you might even be inspired enough to rouse yourself off the sofa and work on doing something about the problem. Now, if only anyone knew what that solution was.
For much of the movie, director Philippe Diaz and narrator Martin Sheen keep hitting us with a litany of shocking and depressing statistics: that over 9,000,000 people die of starvation each year, that millions around the world earn less than a dollar a day, and that 60 to 80 million people work for nothing but room and board, making them virtual slaves in a 21st Century world. And that's just for starters. And just as you're about ready to throw in the towel and declare there's no hope for the world, the interviewees begin exploring possible answers (a fairer tax structure, returning land ownership to indigenous peoples, etc.), but it still seems an insurmountable task overall.
On an instructional level, the movie traces the roots of modern poverty to the colonial era that began with the discovery of America, when countries - and now mega-corporations with no moral compass beyond the bottom-line - could exploit someone else's resources and amass huge stores of wealth at the expense of the lower classes. And that doesn't even include the robbing of the culture and the feeling of self-worth from the indigenous peoples of these lands.
Diaz shows how the "haves" in the Northern Hemisphere have built and continue to build their fortunes primarily on the backs of the "have-nots" in the Southern Hemisphere. He interviews both economic theoreticians and common folk struggling for survival in both South America and Africa to drive home his point. He provides example upon example of how the policies of First World nations - neo-liberalism, unfettered free trade, multinational corporatism - have devastated the economies and peoples of the Third World.
It's a depressing experience sitting through this film, but the shards of hope it provides towards the end do provide some comfort. And you might even be inspired enough to rouse yourself off the sofa and work on doing something about the problem. Now, if only anyone knew what that solution was.
Lo sapevi?
- ConnessioniFeatured in Fandor: Cannes You Dig It? | Fandor Spotlight (2022)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Progress vs. Property
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 57.805 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.593 USD
- 15 nov 2009
- Lordo in tutto il mondo
- 57.805 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was The End of Poverty? (2008) officially released in Canada in English?
Rispondi