Barda

When the crime happened in a descent neighborhood of the capital city of Turkey, i was a university student in Ankara. We were all shocked, i remember the exact place of the crime. Years later, the movie came out. The true story is even worse than portrayed on the film. Brief, it is one of the best movie of turkish cinema history. I highly advise you to watch it, but be prepared for anxiety, violence and stress, like in Gaspar Nohe's Irreversable. The actors are well known turkish artists, mostly coming from drama theater and drama education.

The 2nd movie is not as good as the 1st one. It's a bad remake, very violent but rather empty and amateurish compared to this one. But still watchable.

This is not a Haneke film, they are not in the same league. This fact doesn't harm this special film. It's special because it gives the universal brutality of human nature in a local way. Bad guys are doing wonderful job in their particular performances. Nejat Isler, playing brutal yet charismatic gang leader in a very convincing way. Other bad guys were also doing wonderful job, they are so hateable! Many of movie goers didn't like the "tgg"(reconsider) philosophy in the movie. I don't agree, this is some kind of call for sanity, even after such a brutal experience. Being human or just not being... I highly recommend this hard hitting film, makes you go hmm...

This is one of the VERY few movies i couldn't stand till the end. Is it because the movie is bad? No, Not at all. May be the film was way too good that I Really felt the sorrow of the victims. What hit me for the first place was, the victims were just like people like me or my friends or my family. NORMAL, usual people. Not heroic or "angel-good" movie characters.

With a pure emphatic approach I felt that I would do exactly the same as the victims... Disturbing. A dark catastrophe surrounds you in the dark saloon of the movie. I couldn't stand it till the end. Not to spoil the joy of watching such a good handled movie I will not give any details of the violence but I can not pass prising the cast. The actors are amazing and well fit for their rolls.

If you decide to watch the movie i just wish you GOOD LUCK.

they think that if we show the violence in a different way we will be more creative ...but they do not respect to mother identity..and they don't want us to watch all the film because we couldn't stand it only one hour.... everyone left the place... No human being can afford to stay meanwhile those guys are having fun with the girls that will make you think if they were your girlfriends or anyone you know.We should not make producers think they are on the way to win with this film.We must think clearly that anywhere anything may happen to anyone but the way to be more conscious is not the way on this movie to watch.People that will be conscious by the help of the film are not much more than ones that will probably make those behaviours unconsciously or consciously on another people so this way is wrong to be object lesson

Turkish cinema is constantly maturing. This is one of the best explorations of the social divide and culture of envy present in modern Turkey. Inevitable comparisons are made to works of Haneke, particularly to Funny Games. The film does not have the virtuosity of Haneke, but it also does not have Haneke's patronising, barely disguised sermons against bourgeoisie. The middle class young people are not hedonistic, divorced from reality buffheads. They exist within a different reality from the nether class hoons that invade their world. Some left-leaning Turkish viewers that would like to see any city-dwelling Turk from a non-working class background as vermin will not be pleased. However, social strata in Turkey is not black and white anymore - if it ever were...

It won't be a spoiler to state that the violent scenes are difficult to watch and some might find those out of place in a film that is decidedly anti-violence. To me, the uber-realism of those scenes carried the subtext of the film: Do not kid yourself. Violence is ugly, brutal and it never leads to anything positive. There is no justification for it.

Thanks to the viewer that had recognized the directors at the end of the film. I would have missed that message if it weren't for him/her. Not that it would have made any difference to my assessment.