Barda

This is one of the VERY few movies i couldn't stand till the end. Is it because the movie is bad? No, Not at all. May be the film was way too good that I Really felt the sorrow of the victims. What hit me for the first place was, the victims were just like people like me or my friends or my family. NORMAL, usual people. Not heroic or "angel-good" movie characters.

With a pure emphatic approach I felt that I would do exactly the same as the victims... Disturbing. A dark catastrophe surrounds you in the dark saloon of the movie. I couldn't stand it till the end. Not to spoil the joy of watching such a good handled movie I will not give any details of the violence but I can not pass prising the cast. The actors are amazing and well fit for their rolls.

If you decide to watch the movie i just wish you GOOD LUCK.

This movie depicts human relations.It shows the inevitable gaps between people and like the movie "Babel" it also shows how important communication is; because most of the things throughout the movie happen because of lack of communication. It also questions the judicial system in Turkey. People don't understand each other and in fact sometimes they don't want to. Most of the people evaluate others with the things they own, they wear or with their occupations. As if the Social status of a person has become the criterion of being a human. I mean if your social status is low, you are not respected, you are accepted as a "non-human" You see what one can do when he has nothing to lose. "It's only after you lose everything that you are free to do anything" (quote from fight club) Selim and his gang have nothing to lose, so they are free -actually they think they are free to do anything; because what else they can lose? People's non-existing respect? Money? What? The answer is nothing. You can't lose what you don't have. Torturing is their self-masturbation, destruction is their revenge. Yet this is questionable: "Do we have the right to take justice into our hands." Nothing is unreal in the movie. Loved it

The film is also known for its 'Haneke' style. It has very striking and realistic scenes that are not uncommon in Turkish cinema. However, I don't think such a film is for the benefit of society, and it's nothing new to discover cinematically. Some of you may find me ruthless with points, but as a Turk, I think movies like this are not appropriate.

The film must have a value that it will add to the person, it must be an emotion. At some points in the movie, an attempt was made to shed light on the inner world of the characters, especially for Selim, whom we see as the leader of the gang. However, I don't think this is fully achievable. A little more discussion would have been nice. I don't want to give spoilers. Yes, the acting etc are good, but I find it weak in terms of subject and scenario.

they think that if we show the violence in a different way we will be more creative ...but they do not respect to mother identity..and they don't want us to watch all the film because we couldn't stand it only one hour.... everyone left the place... No human being can afford to stay meanwhile those guys are having fun with the girls that will make you think if they were your girlfriends or anyone you know.We should not make producers think they are on the way to win with this film.We must think clearly that anywhere anything may happen to anyone but the way to be more conscious is not the way on this movie to watch.People that will be conscious by the help of the film are not much more than ones that will probably make those behaviours unconsciously or consciously on another people so this way is wrong to be object lesson

non-creative way of telling the story of violence of suburban youth in Turkey. No character is alive. They acts as in theater. There is endless violence without a cause or reason. Its main idea is that: "the judgment system is not enough for satisfying victims. Therefore they should use same violence to create justice" There should be revenge. And in this point, the victims become killers. Time mixing, giving role to famous directors (Zeki Demirkubuz, Cagan Irmak, and the director itself) can not keep away the film from being boring. It is excitement without excitement. The only creative idea is that while someone drinking tea or yogurt don't ask what time is it.