Segui la storia di due fuorilegge e di un cacciatore di taglie nella Manciuria degli anni '40 e della loro rivalità per il possesso di una mappa del tesoro, mentre venivano inseguiti dall'es... Leggi tuttoSegui la storia di due fuorilegge e di un cacciatore di taglie nella Manciuria degli anni '40 e della loro rivalità per il possesso di una mappa del tesoro, mentre venivano inseguiti dall'esercito giapponese e dai banditi cinesi.Segui la storia di due fuorilegge e di un cacciatore di taglie nella Manciuria degli anni '40 e della loro rivalità per il possesso di una mappa del tesoro, mentre venivano inseguiti dall'esercito giapponese e dai banditi cinesi.
- Premi
- 12 vittorie e 27 candidature totali
Recensioni in evidenza
Influences aside, the ingenuity in crafting the action scenes in this film makes it a joy to watch. Photography is great. The lead actors are good and the story while a little daft is easy to follow for the most part.The music is good but nowhere near the Leone films. The violence is typical for Korean action and might be a little hard to watch at times. Long but pure fun for the most part.
This is probably the best action film I've seen in a while.
As with all of Jin-Woon Kim's films i have very little criticism to give this film, from its fantastic and totally relentless action opening to the suspenseful ending, i was completely entertained.
The cast, as expected from three of South Korea's most most talented actors were superb with in my opinion exceptionally notable roles from Lee Byun Hun and Song Kang-Ho. Lee Byung Hyun pulls off a villain superbly and fills this role with style and terror without fault. Song Kang-Ho in my opinion is the main force of the film, pulling it along with humour and perhaps the most interesting story as the film progresses. Woo-Sung Jung plays his 'good' role well but feels like the character with least depth. The film contains fantastic make-up and costume design, notably in my eyes, Lee Byung Hun's character, who looked fantastic and the on screen presence of this smart darkly dressed character set against the sandy desert was stunning.
The cinematography in this film was superb with plenty of great flying panoramic desert shots, high octane action camera maneuvers, fast cuts and perfect editing as expected from the director of such fantastic action/thriller films.
The soundtrack is fun and reminiscent of old western films with a new, modern twist to keep things up to pace. Although the story has been noted as being weak, the film really does not offer itself as an in depth period drama in the first place. The film is exactly what it calls for... Fun, fast and funny entertainment and what you can expect from some of the finest noted stars and workforce in South Korean cinema.
The problem with the film is that it lacks depth. The director uses archetypes from the Italian Westerns of the 1960s and 1970s. Some of the dialogue and action is lifted directly from Sergio Leone's "man without a name" opus. Most obviously The Good, The Bad and the Ugly; but also a heavy splattering of the others. The problem is not the reworking of Leone's work, but I do not think the director quite understands how to work subtext into his script. In fact, the director leaves far too much exposition to the end which makes the movie drag at the end of the epic battle scene (I thought this might be a cultural issue, but I do not know if it is).
Another thing that bothers me (and here comes my western sensibilities), I know stunts.... and there were horses hurt during the filming of the battle scene. The reason I say this is that I could see trip wires. So for the photography I give this film 6 points out of 10. I also suggest that the director rent some of the Ford Westerns. As good as Leone was Ford was better.
Lo sapevi?
- QuizDirector Kim Jee-woon says he'd like this to be called a "kimchee western", after the Korean food made with fermented cabbages. He says he thinks the plot and film are spicy and vibrant, like the Korean culture and people.
- BlooperWhen Park Chang-yi throws the knife and impales the centipede, he is wearing modern boxer brief underwear.
- Citazioni
Man-gil: The bounty on your head is 300 won.
Yoon Tae-goo: What? I'm only worth a piano?
Man-gil: A used one at that.
- Curiosità sui creditiBe sure to watch the credits, as they show great movie stills as well as behind the scenes movie stills.
- Versioni alternativeThe UK release was cut, cuts were required to remove sight of real animal cruelty, in this instance three cruel horse falls, in line with the requirements of the Cinematograph Films (Animals) Act 1937, in order to obtain a 15 classification. An uncut classification was not available.
- ConnessioniFeatured in Kain's Lists: Top 12 Favorite Westerns (2013)
- Colonne sonoreDon't Let Me Be Misunderstood
Composed by Bennie Benjamin, Gloria Caldwell and Sol Marcus (uncredited)
Published by Warner/Chappell Music Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Good the Bad the Weird
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 128.486 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4775 USD
- 25 apr 2010
- Lordo in tutto il mondo
- 44.261.209 USD
- Tempo di esecuzione2 ore 19 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1