Le colline sanguinano

In an age where most horror films are either sequels or remakes; one should rejoice when original slashers worth a damn pop up.

"The Hills Run Red" has a knockout hook that sets up quite a decent story. A mysterious "lost" slasher film, called "The Hills Run Red", has many horror fans obsessed with finding it. Such is the case with Tyler, a horror buff, who sets out with his friend and girlfriend to visit the film's locations in order to make a documentary. Along for the ride is the film's notorious director's daughter, Alexa, and once on location the group gets to enliven some true horror.

Good story, solid acting and some decent grue ensure "The Hills Run Red" has some definite highlights and the first half works very well. Present are the irritating "fast-cuts" that have invaded all horror films, it seems, but a decent atmosphere is built and the old "woods-scenario" in slashers never fails when well executed.

A fair amount of jokes and "rulebreakers" enter the film and work surprisingly well (the cell phone bit and the gun (guns are never present in slasher films)) and avoid going over the top. But despite the short running time the film loses steam and goes for one ending too many; both of which aren't too good (don't turn off after the first end credits appear).

"The Hills Run Red" is a solid slasher film for fans of the genre. Most can appreciate the fact that many things are well done here, the film remains faithful to the genre while poking fun at some obvious faults inherent with it and it's quite the gory feast as well. The only ones yawning are not slasher fans to begin with, I think.

Perhaps I went into it expecting a bit too much having been swept up by the hype train, but aside from a strong third act and a show stealing performance by William Sadler, its hard for me to recommend The Hills Run Red as much more than a movie night rental with friends - even if it is a cut above your typical direct to video horror flick.

The stories premise revolves around Tyler (Tad Hilgenbrink), a film aficionado on the hunt to find a completed print of a lost and legendary 80's slasher film, The Hills Run Red, rumored to be the most brutal and gory little horror gem ever created. Enlisting the help of his girlfriend and best friend, Tyler ventures out into the backwoods in search of the holy grail of gruesome, only to soon discover (as it usually goes with movies in this fine genre of ours) that things aren't quite all that they seem. To say much more would be to potentially give away what story there is and ruin a twist or two that The Hills Run Red works itself up to in the first hour of run time.

Many have compared THRR to a cross between Scream and Wrong Turn, but I'm more inclined to argue it has more in common with John Carpenter's Masters of Horror Episode, Cigarette Burns, than the aforementioned Wed Craven franchise. Fans of the now defunct Showtime series will immediately recognize the not too subtle similarities in the story between Cigarette Burns and THRR, as well as the over the top gore sequences which stand out as big pluses in both films (even if shoddy CGI threatens to ruin a few scenes in the latter). Furthermore, despite being somewhat of a love letter to the horror genre, THRR never quite goes as far in its self awareness and fan boy masturbation as Scream, and quite honestly, this movie is much better off for it. Aside from that, there isn't anything done particularly well here, or at least not better than anything you haven't already seen in any of the source material the film pays homage to. Even the movie's protagonist, "Babyface," looks a bit too inspired by the killer in Dark Ride.

On a positive note, the movie's hands down highlight is William Sadler (most will remember him as Death in Bill and Ted's Bogus Journey), who absolutely steals every scene he is in, even if he isn't given enough to do as the lost film's, reclusive and maniacal director. Sadler alone makes the film worth watching, though I'd be hard pressed to recommend The Hills Run Red as more than a rental to be enjoyed with a few friends and a couple of beers. Like other recent direct to video slashers like Hatchet and Laid to Rest, this one comes with a lot of promise but does little to separate itself from the rest of the crop.

Review by Mr. Chainsaw For more of the best genre film reviews, news, opinion articles, and forums, check out www.FromDuskTillCon.com.

I could not stop watching this movie and really I never wanted it to end. From the opening titles beautifully underscored by a very creepy sounding version of "Hush little baby" this film dragged me in with is beautiful style and how creepy it was (I'm not gonna give away the first scare but it's incredibly well done and while at first seems random and pointless they do explain why it's there towards the end.

The story uses one of the new standards of horror cinema, the idea of a movie that was made in the 80's but had to stop production due to murders on set. While this isn't a new concept, Cut did it 9 years ago, both the Short film and the feature length with the same title played on the idea of horror films becoming reality, it is a refreshing spin on the tale.

The cast consists of your stock set of horror film characters, from the junkie to the slutty girl but really if you come to a horror movie for characters then you really don't belong here. This film is about the scares, and they come rapid fire.

Sophie Monk in particular delivers a performance that I never thought I'd see her deliver after I saw Date Movie. She makes you love her from the moment she pop's on screen and you root for her the whole way through. She proves how smart she can be with choosing a role with her performance in here and really I reckon if she chooses more roles like this she'll prove she's an actress and not just a great body.

For you gore-hounds, there's blood and gore galore from pretty much start to finish. One of the things that this film does better than a lot of others like it is make the gore scary. Some times you can tell that gore is there just cos they can but that doesn't happen here. Every piece of blood is needed to make the story work like it does and add's to the effectiveness of the movie.

If you can get a copy of this movie do it, don't sit around and wait for a friend to loan it to you go and get it now. One of the few films I really wanna see a sequel for.

Tyler (Tad Hilgenbrinck) is obsessed by the horror movie "The Hills Run Red", considered by those that had seen it the scariest movie ever made, with the deranged serial-killer Babyface (Danko Iordanov) in the lead role. However, the director Wilson Wyler Concannon (William Sadler) and the movie vanished many years ago and there is no available print. His research is affecting his relationship with his girlfriend Serina (Janet Montgomery) that is needy and feels neglected. When Tyler discovers that Concannon's daughter Alexa (Sophie Monk) works in a night-club, he decides to meet her and asks about the missing movie. The woman tells that the movie might be in her father's house in the middle of the woods, and Tyler decides to travel to the spot with Alexa, Serina and their friend Lalo (Alex Wyndham). Along their journey, Tyler films and interviews some locals. During the night, they are attacked by the rednecks, but they are saved by Babyface that kills the assaulters and is controlled by Alexa that runs away from him. Tyler, Serina and Lalo get rid off the ropes, but Tyler decides to help Alexa, disclosing fate of the movie.

The gore "The Hills Run Red" is a movie with potential of cult for fans of slasher movies. The gruesome story is original regarding the search of Tyler for the movie and has a great surprise when he discovers the secret about the Concannon's family. William Sadler has a great performance in the role of the insane director and Babyface is a scary character. The conclusion is extremely macabre and dark, and I believe that fans of this genre will like this movie very much like I did. My vote is seven.

Title (Brazil): "Colinas de Sangue" ("Hills of Blood")

Tyler (Tad Hilgenbrink), a film student, hopes to track down a legendary film, the titular "Hills Run Red", which was lost and is rumored to be the most violent horror film ever. He finds Alexa (pop star Sophie Monk), the director's daughter, and they go on a hunt to the very heart of cinematic evil.

Director Dave Parker (best known for Full Moon's "The Dead Hate the Living!") has done it, making the film of his career. I don't mean to discourage Parker from making more films, but I find it hard to believe he could match this level of intensity again. The action, the violence, the gore... as far as slashers go, this was the pinnacle. There were a few good ones in the past few years ("Hatchet" was alright, "Behind the Mask" was very good, "Hack" was amazing). This may be the best yet.

For horror fans in my generation, the last great decade for horror was the 1980s. Anything since then has been largely rubbish. In "Hills Run Red", we have people who know this, that emulating the 80s is the best way to make a successful and enjoyable picture. The added story of tracking down an obscure film from the 80s is even better.

You may think the slasher film is dead, especially if your name is Adam Rockoff. But the "Friday the 13th" remake tried to prove otherwise, and this film sealed the deal. The days of "torture porn" are coming to an end, though "Hills" does give a nod to that subgenre, too. The only thing missing is the hand-held subgenre, but I can personally do without that, as I can only recall one good film of that sort (Ruggero Deodato's "Cannibal Holocaust").

I have to point out this is William Sadler's darkest role ever, and he plays it well. Quite a difference from Death in "Bill and Ted's Bogus Journey". But the real honor goes to Sophie Monk (who, I can personally attest, is a sweetheart). She plays a stripper, a heroin addict, the daughter of a demented auteur. With a past in pop music, this is a big departure and she rides it like a pro. While I don't suspect Sophie will be a horror regular, she'd be welcome if she wanted to come back.

See this movie. Worth owning, but if nothing else, rent it. Great addition to any collection, this is what horror fans crave.