Sea Change - Delitto perfetto

Tom Sellewck, (Chief Jesse Stone) assumes the role as Police Chief in a small local town in Mass. and finds himself getting bored with talking to his ex-wife and drinking a entire bottle of scotch during the evening while his companion, the dog keeps him company and watches every move Jesse makes. Jesse gets himself involved with a Cold Case of a woman who was killed during a robbery in 1992 and finds out there was a great deal of money involved with this robbery and some big time mob bosses were laundering money. While this investigation is going on, Jesse solves a rape case that happened to a young girl on a schooner in the harbor. There are many twists and turns to this film and it will keep you guessing right to the very end of the film. Great entertaining film with a cast of great actors.

The other review "Being a longtime mystery lover, but never having read Robert B. Parker or seen a Jesse Stone movie, I really looked forward to watching Sea Change. But it was almost a complete disappointment. First, the principal characters have been given colorful histories or eccentricities seemingly only to keep them from being completely uninteresting otherwise or to fill time (for example, Luthor's post-coma extrasensory power). Why does anyone have his or her peculiarities? Dude please you have never read Robert B Parker and you a mystery lover. Get off with more jokes. To claim and be a mystery lover and not have read Robert Parker is like being a Christian and not reading the Bible. You comments. The beauty of parker is the eccentricities of the characters.

This is a great movie listen to someone who really reads and loves mystery books not this guy. Watch this movie and watch the entire series they are excellent but for the intelligent viewer only. Much goes on so unlike action movies to really enjoy you must watch the movie. Not boring ,,, just the opposite excellent. jp

While some may find the pace plodding and grow impatient, real enjoyment follows for those who focus on the subtleties of character development through facial gestures, incremental relationship growth between characters, and the economical dialogue. All the Jesse Stone movies provide refreshing change from movies relying excessively on frenetic car chases, lengthy foot pursuits, protracted shoot-outs, high body counts, sixteen camera views of the same explosion, badly contrived conflict between partners, and tiring vocabulary abuse (profanity). Watch these in order because there are larger story threads that connect from movie to movie especially concerning the central characters. When you find yourself able to relax and have a story with depth gradually and carefully laid out before you, you'll be in the right frame of mind to enjoy this. As a peripheral character in Sea Change tells Jesse, "listen to Brahms."

Selleck does not get enough credit for this series.

On the one hand this whole series can be dismissed as the efforts of yet one more "older" actor to keep stirring the pot, to stay in the game, and at the same time get to play in his favorite sandbox on the planet (Nova Scotia, standing in for Maine).

But if you dig deeper and consider the series as a whole what you find is remarkable control, and craftsmanship.

The same people appear in every movie, both in front of and behind the camera. Ignoring the regional Canadian accents, they are not bad.

Selleck is brilliant. Stone could be the best work of his career. He has trumped Clint Eastwood in his mastery of the two-word piece of dialog. He stands a fragile but unwavering force for law enforcement. There is minimal violence or action in these entries but they hold interest nonetheless.

And that damn dog with the stoic face steals every scene he is in.

Robert Parker, like novelist Georges Simenon, was a master of his craft. Both men knew how to say just enough, and no more, allowing the reader to fill in the blanks. Parker's books are really acts of collaboration between writer and reader. It is rare for a film to capture the spirit of the book it sprang from, and rarer still for the film to be faithful to the writer's method. The Jesse Stone films are the wonderful exception. They are true to the books, and faithful to Parker's lean, spare style. Less is always more, like a Japanese line drawing. These films are beautifully crafted little gems. High marks to all who had a hand in their production.