Sophie sogna di diventare una scrittrice e si reca a Verona, in Italia, dove incontra i "Segretari di Giulietta".Sophie sogna di diventare una scrittrice e si reca a Verona, in Italia, dove incontra i "Segretari di Giulietta".Sophie sogna di diventare una scrittrice e si reca a Verona, in Italia, dove incontra i "Segretari di Giulietta".
- Regia
- Sceneggiatura
- Star
- Premi
- 6 candidature totali
- Donatella
- (as Lydia Biondi)
Recensioni in evidenza
"Letters to Juliet" is not an ordinary romantic comedy. It has the elements of a successful romantic comedy, but it is so much more than that. Despite the predictable ending, the plot is still engaging and is deeply touching. It shows two women, one longing to find a lost true love, and another that longs to find the true love. Their desire for true love is well portrayed, one can see that they do not just want love, but they want the kind of love that transcends and sublimes. And to wait for 50 years for that adds further emotional depth, making it a tearjerker. I think "Letters to Juliet" should earn its place as a modern day classic romantic comedy, on par with "The Notebook".
The story follows wannabe writer Amanda Seyfried, vacationing in Verona Italy with her busy fiancé. She goes to a wall where the heartbroken leave notes to Shakespeare's tragic heroine, Juliet. Finding a letter from 1957 she decides to write back to the now elderly author who then comes to Verona with her grandson. The trio set out to find Vanessa Redgraves long lost Lorenzo. A simple and enjoyable movie with breathtaking views, made me want to return to Italy.
A long time ago I realized that the way the best love stories work is to make the audience wish they could be the character on the screen. This movie does this in spades.
The major weight of carrying the film rested squarely on the shoulders of Amanda Seyfried. Other than being very lovely shoulders, she did an excellent job of portraying her character. She has a great range of endearing expressions. I've seen her in a couple of other films that I enjoyed her in, but none better than this; even considering the broader production values of "Mama Mia". She was radiantly beautiful and added just the right note of intelligence, warmth and charm. In one scene where her character described her excellent education, it didn't seem ludicrous coming from her as it has in the past from other actors. I'm looking forward to seeing more of her - and not just because of her radiant beauty either.
The rest of the cast did an admirable job as well. Gael García Bernal did well in his role of Seyfried's distracted workaholic fiancé. Later in the film, the arrival of Christopher Egan as counterpoint to Bernal was handled with better than average skill by Egan. His grandmother, played with subtlety by Vanessa Redgrave, was the focus of the story and has never seemed more sensitive and caring. But hey, fellas, whoever was wrangling the script (Rivera/Sullivan), she wasn't believable saying she was 65 when she's 73. But that was the only off note to me. Finally, Oliver Platt added an enjoyable aside as Seyfried's boss.
Finally, the rest of the productions elements, sets, costumes, locations, etc are all right on the money for the theme and feel of the film; nothing out of place of awkward looking. Excellent entertainment all around.
The film starts off strong and doesn't let up. It's brilliantly played out by the actors and actresses and it becomes more entertaining with each second. I loved the whole concept and found myself smiling at so many scenes for how endearing it was. The characters, while not the most excellent characters ever conceived, are very believable and likable to an extent. The actors and actresses make them seem sincere and the directing is good too, as well as the writing.
Really what makes me enjoy this film so much is how entertaining and compelling it ends up being at every turn. I always enjoy Amanda Seyfried's performances and the movie itself is a really adorable and amusing adventure. I laughed, I felt compassion, and I walked out of the theater feeling refreshed and rejuvenated because of how sweet it was and how much it moved me. Really the only downside is that there was a Taylor Swift song used around the end.
While it's certainly not a masterpiece, I praise it for being able to go way past the average "rom com" or "tearjerker" and just be a simply pleasing experience with very fun scenes and a great sense of romance and happiness that I was touched by. It was a job well done, and a breath of fresh air from a lot of trash heaps that are passed off as Romance films nowadays. I suggest anyone who can enjoy this light-hearted, fun and delightful adventure see it right away!
Lo sapevi?
- QuizNot only are Dame Vanessa Redgrave and Franco Nero married in real life, but they played the famous lovers Lancelot and Guenevere in Camelot (1967).
- BlooperWhen driving around Italy, looking for Lorenzo, they are alternately shown driving on the left and right sides of the road. In Italy they drive on the right side of the road. This may be due to some frames being flipped (left-to-right).
- Citazioni
Claire: [reading out the letter written by Sophie] Dear Claire. "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What... if? What, if? What *if*...? I don't know how your story ended, but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - a love to leave loved ones for, a love to cross oceans for - but I'd like to believe if I ever were to feel it, that I'd have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet.
- Curiosità sui creditiSpecial thanks to Lise Friedman and Ceil Friedman for their book "Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona and the Power of Love."
- Colonne sonoreYou Got Me
Written by Colbie Caillat and John Shanks
Performed by Colbie Caillat
Courtesy of Universal Republic Records
Under license from Universal Music Enterprises
I più visti
Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 53.032.453 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.540.486 USD
- 16 mag 2010
- Lordo in tutto il mondo
- 79.293.444 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1