The Whistleblower

what is it that makes us human? the thing that separates us from the animals? the whistleblower doesn't answer these questions. in fact it asks the question even more. this movie was hard to watch but also hard not to. Weisz is outstanding as the woman that exposes the men with control and power over their weaker fellow man...or woman in this case. you must watch this movie for the human story. expecting to be "entertained" by drama and the like should not be your goal here, the director has done an excellent job ensuring that. if you want to be entertained then watch transformers... if you're not afraid to be moved by the real events on which this story is based, then this movie is for you.

The movie uncovers some truths which anybody wont feel better on seeing this.It shows the ugly side of UN and the peace keepers.Rachel weisz did a phenomenal acting. i strongly recommend to watch it to see the ugly truth of the peacemakers. For the director its a nice debut and a bold one. i guess Rachel weisz would get an Oscar nomination for this role.Sex trafficking in war beaten country and on those people whom they are supposed to protect were their to rape and sexually torture them.i don't know what really happened there and what are the real deal is but this movie is a glimpse of what would happened.if i am not wrong i can expect these kind of activities in other war affected countries, where these contractors and peace keepers went.

While the atrocities in the former Yugoslavia made a lot of news in the 1990s, less well known were the actions of military contractors in the region. "The Whistleblower" tells the story of Kathryn Bolkovac, a Nebraska cop who joined a private company to serve as a peace-keeper in Bosnia, only to discover that the company was complicit in human trafficking.

The really ugly scenes are when we see what is done to the trafficked girls. It almost seems as though the movie should have focused more on them. But what is equally important to understand is not only the atrocities committed with impunity by private contractors, but the risk that whistleblowers face even today (as shown by the WikiLeaks case).

Either way, this is something that everyone should see to understand the reality behind modern-day mercenary armies.

The previous reviewer obviously didn't know that this is a true story. The specific victims were fictionalized, but the overall story of what was happening and what Rachel Wiesz's character went through are true. They are not a contrived, or "generic" "CSI" story.

That said, as a movie, Whistleblower delivers in telling about this difficultand important event. Some of the scenes were hard to watch, but, as the director mentioned at the Q&A after the screening I saw, it was just scratching the surface of what was going on. Vanessa Redgrave's character, though her scenes were relatively brief, really shined. I appreciated that the cinematography didn't involve any fancy styles or overly dramatic music. The director let the impact of the story itself, and Rachel Wiesz's fine acting, carry the movie.

The Whistleblower (2010) is a movie based on the sad but true story of human trafficking by the employees of a firm contracted by the UN to provide security in Bosnia after the Dayton peace accord that put an end to the bloody conflict in the Balkans. Rachel Weisz plays Kathryn Bolkovac, a cop from Nebraska, who arrives in Bosnia to work for this firm and is seconded to the gender-affairs department. Weisz sees the stint as a much needed change of scene leaving behind a broken marriage, plus as an opportunity to improve her financial position given the compensation that comes with such a hardship-posting.

The times are tough and the residues of communal hatred still linger - one situation shows the apathy of the local policemen towards a victim of domestic-abuse given that she is from the "other side". Weisz stumbles upon a racket of human trafficking that lures young girls into slavery who are abused by ruthless sadists -- all with the active connivance and involvement of some employees of the firm. Wiesz lone voice is silenced by the firm -- despite the support she receives from a plucky UN officer for gender-affairs, played by Vanessa Redgrave.

Eventually, Rachel takes the sordid story, of protectors who have turned predators, to the media in the UK, where the firm is registered.

Fighting workplace conspiracy that is fueled by apathy and greed can be lonesome and Wiesz portrayal of a gritty professional is engrossing. One is reminded of the roles of Julia Roberts in Erin Brokovich (2000) and Laura Dern in Damaged Care (TV 2002), standing up for what is right despite being stymied by the perpetrators whose acts have the undertones of gender-bias, and suffering the indignation while staying the course with deep conviction.

The movie is spartan in production-value, driving home the truth that a good script and great performances are more than enough to tell a story.

The story makes one wonder of the risks that arise out of the involvement of private enterprises in security and policing, notwithstanding the mandates under which they operate.