Standard Operating Procedure - La verità dell'orrore
Titolo originale: Standard Operating Procedure
VALUTAZIONE IMDb
7,4/10
4168
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaErrol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
- Premi
- 3 vittorie e 20 candidature totali
Christopher Bradley
- Military Police
- (as Chris Bradley)
Joshua Feinman
- Military Police
- (as Josh Feinman)
Jeff L. Green
- Military Police
- (as Jeff Green)
Recensioni in evidenza
In 2004 the media was full of accounts of the abuse, torture, and even murder of prisoners in the Abu Ghraib prison by Military Police. Photographs surfaced depicting prisoners naked and wearing cloth hoods, and being forced to masturbate, stand on boxes for fear of electrocution, and forming human pyramids. Twelve soldiers were convicted, and the commanding officer at the prison, Brigadier General Janis Karpinski, was demoted to the rank of Colonel. Errol Morris' documentary Standard Operating Procedure attempts to examine the atmosphere surrounding the abuse, the people involved, and whether it was all down to a few "bad apples", or if it was reflective of the American military as a whole.
Morris keeps his authorial influence to a minimum, instead allowing his subjects to speak for themselves. He has interviewed several of the soldiers involved, including Lynndie England, who can be seen in many of the photographs smiling, pointing, giving a thumbs up. She and the other soldiers interviewed describe, with remarkable candour, what it was like living in Abu Ghraib prison, their relationships with each other and the prisoners, and the events and tensions surrounding those incidents depicted in the photographs. It all paints a picture of the prison as a dark and stifling environment, one just waiting to bring out the worst in people.
The real centrepiece of the film, though, are the photographs. Even four years after they dominated every front page and bulletin, they have lost none of their power to appal and disgust. Some, like the picture of a man forced to stand, arms outstretched, on a box with a cloth bag on his head, are surreal. Others, like a photograph of Sabrina Harman giving a thumbs up over a dead prisoner, are simply disturbing.
And hovering above all of this are the OGA, or Other Government Agencies, an often used euphemism for the CIA. It was during the CIA-led interrogations that the most heinous of human rights infractions were most likely carried out. But there are no photographs of these incidents. Standard Operating Procedure raises the point that it is these individuals who should have received the full brunt of the punishment, but it was simpler to lay the blame on lower ranking officers like England and Harman.
It is here that the main point of contention with Standard Operating Procedure arises. It is true that no one above the rank of Staff Sergeant was convicted. And it is true that this should not be the case, that those higher-ranking officers who let this abuse play out under their noses should be held accountable. But Morris tries to divert too much of the blame away from those who were convicted. While England, Harman and the others were just following orders and living in a deeply affecting environment, they are also human beings endowed with free will. They could have said no at any time, and just walked away.
That Standard Operating Procedure raises these arguments means that it is worthy of our time. It presents the facts as perceived by those involved, never itself commenting or judging. It leaves that to us, so that we can make up our own minds. So that perhaps we can learn from the mistakes made by others, and prevent them from happening again.
Morris keeps his authorial influence to a minimum, instead allowing his subjects to speak for themselves. He has interviewed several of the soldiers involved, including Lynndie England, who can be seen in many of the photographs smiling, pointing, giving a thumbs up. She and the other soldiers interviewed describe, with remarkable candour, what it was like living in Abu Ghraib prison, their relationships with each other and the prisoners, and the events and tensions surrounding those incidents depicted in the photographs. It all paints a picture of the prison as a dark and stifling environment, one just waiting to bring out the worst in people.
The real centrepiece of the film, though, are the photographs. Even four years after they dominated every front page and bulletin, they have lost none of their power to appal and disgust. Some, like the picture of a man forced to stand, arms outstretched, on a box with a cloth bag on his head, are surreal. Others, like a photograph of Sabrina Harman giving a thumbs up over a dead prisoner, are simply disturbing.
And hovering above all of this are the OGA, or Other Government Agencies, an often used euphemism for the CIA. It was during the CIA-led interrogations that the most heinous of human rights infractions were most likely carried out. But there are no photographs of these incidents. Standard Operating Procedure raises the point that it is these individuals who should have received the full brunt of the punishment, but it was simpler to lay the blame on lower ranking officers like England and Harman.
It is here that the main point of contention with Standard Operating Procedure arises. It is true that no one above the rank of Staff Sergeant was convicted. And it is true that this should not be the case, that those higher-ranking officers who let this abuse play out under their noses should be held accountable. But Morris tries to divert too much of the blame away from those who were convicted. While England, Harman and the others were just following orders and living in a deeply affecting environment, they are also human beings endowed with free will. They could have said no at any time, and just walked away.
That Standard Operating Procedure raises these arguments means that it is worthy of our time. It presents the facts as perceived by those involved, never itself commenting or judging. It leaves that to us, so that we can make up our own minds. So that perhaps we can learn from the mistakes made by others, and prevent them from happening again.
I'm a proud American despite all the people going on vacation saying their Canadian. (grow up take some responsibility & know at least SOME of what's going on in the world huh? Unless your teenager because you are terribly self-centered and can't really help it, thanks hormones!) Anyway this is just another example of the 2 sides to a story and how the lowest rank are always the ones that take the fall. Nobody above a Staff Sargent was ever charged, that's non-commissioned officer's. Imagine that?! This is a very revealing portrait that shows just how screwed up the military can be in times of war & in general. The investigator made a couple outstanding points: 1. if there were never any pictures, we never would have heard of this. 2. The Colonels/Generals can be extremely intimidating to a young 18 year old just out of his parents house for the 1st time. Hell you don't have to have a High School education to get in the military anymore, so these kids don't really have an understanding that a hardened military man has who has seen everything. I don't care what anyone says, this is a pretty good look & is pretty fair in it's portrayal of everything & everyone involved. The people seemed to be puppets more than anything & the higher ranks KNEW what was happening. When people are going to learn that TORTURE DOESN'T WORK is beyond me. People will say anything under the right condition to get out of the pain they are being in. This is interesting documentary & maybe it will keep a few from getting involved in things that are beyond there comprehension or capability. I'm not a politician nor want to be, (they make me sick) but getting out of the war is going to be mess just like every other war & it is going to be a no-win issue no matter what we do which is really sad. Give this doc a try & try not be moved by the issues.
Standard Operating Procedure (2008) ***1/2
What's in a picture? They say its worth a thousand words, but how many words are what's not in a picture worth. How about thousands of pictures? That conundrum is one of the major foci of Errol Morris, the eccentric genius documentarian's new project, Standard Operating Procedure. Although I was not engaged as I was with Morris's other works, Standard Operating Procedure is still a brilliant and fascinating look at the Abu Ghraib photo scandal.
Morris interviews through the interrotron numerous members of the staff at Abu Ghraib prison. They give their thoughts on their complicity in acts of torture, and reflect back on their experiences. One of the film's major attractions is Lynndie English, that now infamous young woman so maliciously captured on film.
What comes across most intently is that they were just doing what they were told. Those orders always come from off camera left or right. No one above Staff Sergeant was ever charged with anything. This is a point the documentary tries to drive home. In any bureaucratic structure, the big dogs never take the fall. You always sacrifice your little men, your pawns. If people knew what was really going on at the top, they would most surely revolt, or at the very least make a stink, and that would be it for you.
Morris interviews one person who claims she took pictures because she knew it was wrong, to show the world. Is she telling the truth? Well she also discusses how it was "kinda fun" sometimes. She is probably guilty and innocent on all counts.
Morris delves into his subject matter with his usual detective style. He says very little, and of course never ever dares show his face on camera. He only prompts from time to time. He has a style that is uniquely his own in the documentary world. I did not find Standard Operating Procedure to be on the same level as say The Fog of War or Gates of Heaven. But then again how many are? This is a more than worthy addition to the Morris repertoire.
What's in a picture? They say its worth a thousand words, but how many words are what's not in a picture worth. How about thousands of pictures? That conundrum is one of the major foci of Errol Morris, the eccentric genius documentarian's new project, Standard Operating Procedure. Although I was not engaged as I was with Morris's other works, Standard Operating Procedure is still a brilliant and fascinating look at the Abu Ghraib photo scandal.
Morris interviews through the interrotron numerous members of the staff at Abu Ghraib prison. They give their thoughts on their complicity in acts of torture, and reflect back on their experiences. One of the film's major attractions is Lynndie English, that now infamous young woman so maliciously captured on film.
What comes across most intently is that they were just doing what they were told. Those orders always come from off camera left or right. No one above Staff Sergeant was ever charged with anything. This is a point the documentary tries to drive home. In any bureaucratic structure, the big dogs never take the fall. You always sacrifice your little men, your pawns. If people knew what was really going on at the top, they would most surely revolt, or at the very least make a stink, and that would be it for you.
Morris interviews one person who claims she took pictures because she knew it was wrong, to show the world. Is she telling the truth? Well she also discusses how it was "kinda fun" sometimes. She is probably guilty and innocent on all counts.
Morris delves into his subject matter with his usual detective style. He says very little, and of course never ever dares show his face on camera. He only prompts from time to time. He has a style that is uniquely his own in the documentary world. I did not find Standard Operating Procedure to be on the same level as say The Fog of War or Gates of Heaven. But then again how many are? This is a more than worthy addition to the Morris repertoire.
"Standard Operating Procedure" is without a doubt one of the most terrifying films to come out in the last few years. It is a bold documentary which may be at times too gut-wrenching for some people to watch, not that this should ever prevent anybody from seeing it. It was a good decision to look at the events at Abu Gharib mainly through the eyes of the convicted military officers; and of course the photographs speak for themselves. Apart from the depth of the material, the filmmakers have done an outstanding job with the enactments, the visuals and the brilliant music by Danny Elfman. Although the documentary does point out and emphasize that high-ranking officers were never imprisoned for the depicted crimes, in my opinion, the film does fail to ask many essential questions that I feel should have been included in this documentary. Such as: Why do we insist seeing these events as more of an embarrassment on the part of the U.S. than an insult on the Iraqi prisoners? Since the soldiers frequently mention that they are "just following orders", who exactly are these orders coming from? Why will the U.S. Military not allow Charles Graner to be interviewed? What kind of a system is this that can categorize a completely naked "detainee" handcuffed backwards to his bed or another prisoner made to stand for a long time in a difficult position by the fear of being electrocuted as "standard operating procedure"? I am aware that the answers to these questions would stretch the format the director has chosen for this documentary, but I still believe that Errol Morris should have looked more openly into these territories in order to have made an even bolder film; and bold, courageous and very well made this film certainly is.
Respectful silence from the audience throughout. Not a word spoken by anyone exiting the theatre afterwards. Standard Operating Procedure is the film no one is talking about.
Errol Morris' documentary on the abuse of detainees at Abu Ghraib prison is smart and informative. While talking head interviews with the people directly and indirectly involved provide the backbone, cinematic reconstructions of 2003s grizzly events coupled with the well known photographs taken by soldiers work successfully at pulling an emotional response from the viewer.
Though intriguing, SOP doesn't really benefit from the big screen treatment and would probably have just as much impact if viewed on TV.
Dark and depressing, shocking and enlightening: SOP is 2008's must see documentary.
Errol Morris' documentary on the abuse of detainees at Abu Ghraib prison is smart and informative. While talking head interviews with the people directly and indirectly involved provide the backbone, cinematic reconstructions of 2003s grizzly events coupled with the well known photographs taken by soldiers work successfully at pulling an emotional response from the viewer.
Though intriguing, SOP doesn't really benefit from the big screen treatment and would probably have just as much impact if viewed on TV.
Dark and depressing, shocking and enlightening: SOP is 2008's must see documentary.
Lo sapevi?
- QuizFirst documentary ever to be nominated for the Silver Bear at the Berlin Film Festival (2008).
- Citazioni
Tim Dugan, civilian interrogator (as himself): You gotta consider yourself dead, and if you come back, you're just a lucky bastard, you know. But if you're there, and you consider yourself already dead, you can do all the shit you have to do. I wouldn't recommend a vacation to Iraq anytime soon.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Standard Operating Procedure
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 229.117 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.108 USD
- 27 apr 2008
- Lordo in tutto il mondo
- 324.217 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Standard Operating Procedure - La verità dell'orrore (2008) officially released in India in English?
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