Seuseung-ui eunhye

Tartan's new release, Bloody Reunion (a.k.a. To Sir, With Love) is not a remake of the 1964 classic starring Sidney Poitier. It is a grimy, sadistic, South Korean foray into the slasher flick genre. In ways it is very reminiscent of early 80's Horror flicks like Jason or Sleepaway Camp. And just as those films are considered cinematic trash, Blood Reunion might also fit the same description. Fortunately for my viewing pleasure, I love Asian Trash Cinema! Bloody Reunion tells the story of a group of elementary students who return years later to visit their former teacher-who has recently took ill-in the countryside. Once the group arrives, the film briefly jumps back and forth between the past and present, showing us that this sweet teacher (Mrs. Park) had a cruel side to her. In fact as the film progresses we find out that most of her former students have murderous intentions towards the teacher. And their not the only ones with murderous intentions, as we soon find out. Someone in the group is systematically bumping off the students one by one in the most gruesome fashion possible.

That's pretty much the story, as the film's narrative kinda sputters out after the first 30 minutes and then degenerates into a slasher flick (literally). The film than takes you through a series of murders each more horrid than the next. This goes on for awhile, and if the film was just this,I would have probably liked it less. But just when you thought you've figured it out, the film twists into a way that you don't expect. And is pleasantly surprising.

The film has a lot of faults and loose ends. For one, the sub plot about Mrs. Park's deformed child never really pays off. The acting is substandard (but does anyone really expect good acting in a slasher flick?). And as I mentioned before the story kinda just stops and the viewer is left with a lot of unanswered questions. I guess it all depends on what your frame of mind when you watch it. Don't go into this with high expectations and you just might come out liking it. Also, if gore and violence aren't your thing, STAY AWAY from this film.

All in All, a decent horror flick with some genuine creepiness. Not as good as I had hoped, but it's nice to see a director depart from the long-haired ghost girl movies that Asian Cinema seems to puts out over and over

The appealing combination of words "korean" and "slasher" pulled me into this one, and indeed it's quite the saucy slasher, but not in the best of senses. Via an unapologetically fast intro we learn that a teacher gives birth to a deformed child, who they don't love and keep in basement, until her husband commits suicide in front of the kid. Sounds like a slasher alright. Cut to present day, a class of that time is visiting the now old and wheelchair-bound teacher, and this dinner party will bring out old grudges. The script of "Bloody Reunion" tries hard to twist a bunch of borrowed tropes, and explore a high count of characters too deep too quickly, establishing plot-points frequently with little behind them. The movie is sort of 50/50 plot/slasher violence driven, and the plot involves serious matters, like psychological trauma through abuse, but as opposed to more acclaimed, focused movies on similar themes, "Bloody Reunion" doesn't allow time or space for substantial development and construction, and rather takes leaps. Visually, the movie is very well serviceable, but unimpressive, and the constant zooming in some dialogue scenes didn't work very well. When it comes to special effects, however, they're gruesome alright. It's a slasher that definitely speaks some effort, and is a decent attraction to the fans of the genre. 6/10.

Korean horror movies are taking break from haunting-spirit-possessed-unanimated-object or long-haired-ghost. Instead, in To Sir, With Love (TSWL), director I'm Dae-wuong is revisited the 80's slasher intact with the very formula. Throw in some contemporary Korean thrill and drama, TSWL is surely to entertain and trust me, this nothing to do with Sidney Poitier's classic.

The story revolves around some twenty something people, groups for a reunion with their former teacher in a small countryside cottage. Most of the student obviously has a serious grudge against their teacher who's now is wheel-chair bound. As the event continues, the grudge slowly unfolded, even the teacher seems doesn't remember. When the night comes, someone wearing a paper cut rabbit mask start making bloody carnage, one by one, in a grisly body count. Anyway, you know the drill! If you watch a lot of horror movies, you will easily constructing the plot and even though there are hint of Jason Voorhees-like tale, where the teacher keeps his deformed child in the basement, you still able to figure out the killer is and it's including the twist the end.

Therein lies the problem with TSWL. The genuine story does never exist while some genuine scares are building well enough. Yes, the positive aspects are TSWL succeed in build the tension with some interesting set-ups. The gore it self is nicely done. Somehow we expect it just could be much better. The last Korean slasher I watched is 'Bloody Beach', which is fairly good. But it years ago. Now, comes the match, TSWL.

Despite the flaws, TSWL is definitely worth to watch, especially if you fans of Korean Horror. After some tired Sadako's clone invading the Korean cinema-scene, it's time for something new.

Woah. Like seriously, wow. I bought this movie at Borders Books a couple weeks ago because the cover looked cool and it's been shitting on my shelf since then building up a good weeks worth of dust before I decided to put this into my DVD player tonight and by god, I wasn't expecting to be hit this hard by this film.

This movie, no, masterpiece managed to hit me at every level possible. It was gripping, it was scary, it was gory, it was disgusting, it was suspenseful, it was daring. I haven't felt this amount of uncomfortable edgyness while watching a movie in a long time. It really scared me. The strange part about this? All it simply is is a slasher movie. At it's core, that's what the movie tries to be... But it manages to be so much more than simply your cut and dry slasher movie.

It manages to defy slasher movie convention at every turn. Instead of a bunch of assholes who you could never care about at all, this movie is casted with characters that each manage to go through their own ups and downs throughout the film and each manage to come together to form a cohesive whole of a character. They aren't cut and dry jocks or cheerleaders like you'd find in a modern, every day slasher. No, no, no. These are people, people with problems, people with lives, people who are tortured by their own lives. I managed to be gripped with each of their stories as they were told, including that of the most despicable of them.

Then the ending occurs, and really manages to surprise me. I wasn't expecting it. I thought it had already gone through it's "twist" by then, but that twist turned out to be a red herring. I'm being vague simply because, well, I don't want to spoil it for anyone else who decides to pick up this brilliant slasher masterpiece. I'd say it's the best slasher I've seen since Halloween, my personal favorite horror movie and one of my two favorite movies ever made. It's that damn good. I'm definitely adding it to my top 10 horror movie list. I recommend you all pick this up, it was one of the best damn blind buys I've ever had.

When it comes to horror, it is my opinion that Asian cinema knows how to go for the jugular. Possibly due to the fact that they have less restrictions than North America - what with the MPAA able to make or break you depending on their rating and all. Asian cinema has no boundaries and if you want scares, blood and those scenes which have you turning your head away just to catch your breath, South Korea and Japan are two of the trendsetters in the industry.

So when the copy of Bloody Reunion was placed in my mail slot for viewing, I was expecting a slaughter of cringe inducing deaths. Instead, what I got was a relatively routine film about revenge that was watchable but did not provide me with scenes that I wanted to run to the water-cooler at work the next day to try and explain.

Bloody Reunion is about a bunch of students who go back to visit their dying teacher who, as we find out in flashbacks, was as insensitive a mentor as Don Rickles would be at a celebrity roast. The class reunion takes place some sixteen years after they all left the school and each of the former students have a moment of screen time to explain to us why they are so angry (then why did they go back?).

As we would hope, once everyone is settled, the killing begins and like most horror films, anyone who leaves the pack and goes somewhere on their own is pretty much done for.

The killing in the film is a mixed bag. Someone is forced to eat razor blades which is somewhat cool and original. Yet another gets an office desk utensil applied to their eyeball and the third gets his tortured by ants running into in through his ears. I couldn't help but think of the ceramic 'Hear no Evil. See no Evil. Speak no Evil" monkey's that I have sitting on my end table upstairs as each of the three victims were paraded out in gruesome form.

The whole movie is actually a flashback with a detective trying to piece together what happened to the poor young visitors to the cottage. All signs lead to a deformed child that was the property of the teacher back when they were all children. Looking like the son of the monster from The Goonies, this poor kid wore a paper rabbit's mask to hide his hideousness. As the story is described to the detective, the killer also donned a rabbit's mask. Hmmmmmmmmm.

I wanted to enjoy Bloody Reunion and with quotes such as "The best Korean Horror film in years" and "The best slasher pic to come along in a while.", I was more than expecting the ho-hum response that it solicited out of me.

To note, it wasn't a complete disaster. The killings were more original than anything produced for the North American mass audiences and the ending is somewhat interesting even if it is unnecessary.

On a whole though, I can't give the film a recommendation. There are just too many better Korean horror films on the market and this one failed to make its mark.

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