99 francs

I never read the book of Beigbeder and so I was eager to see the movie after hearing many positive views on the book and knowing that the visuals of a Kounen Movie will be great. I didn't expect this movie to be so much of a comedy because the subject is rather tough. Anyway I think "99 francs" works really good on the level of a satire and it captures the deeply rooted cynicism that is implanted in the world of marketing and PR (in my opinion you can't work in this industry without becoming a total cynic) very well. I just loved the honesty in how the meetings and decisions were described as "masturbation" and how the main actors spend most of their time being high on drugs and their ego. Since the subject is so damn messed up I think approaching and ridiculing it with comedic elements made the movie more enjoyable. You will get many good laughs as well as following the comedy some direct punches to the stomach. All served in perfect visuals with loads of great ideas melting the flashbacks and development of main character Jean Dujarding together. The movie starts of practically with its end and then fast-rewinding to the beginning of how Jean ended up in Marketing but Jeans back story is shown in a very superficial way. You don't really know too much of him and rather see him on his job with his over-the-top cynic boss Marc and his slacker colleague Charlie. Like in every movie it takes a woman in the form of trainee Tamara to get the humanity out of Jeans character. They start an affair but when Tamara gets pregnant things get too serious and Jeans cynical world starts to implode leading to more and more harsh pictures breaking up the colorful advertising world.

Until the first ending I think the movie already made its point by presenting a fake world of cynics with their ridiculous everyday life and how they feel like gods. Unfortunately someone had the messed up idea of presenting the movie with an alternate ending, so you get a very long second version... I get the idea of making fun of how things usually turn out in Hollywood movies and in a perfect ad-world but I think 99francs really messes up its whole intention. Guess what, you get an alternative ending in which Jean finds his humanity and moves to a tropical island finding his peace and love. Yes, we know that advertising and Hollywood clichés are superficial but that point was made before and by playing with the rules even when making fun of them the movie gets entangled in what it wants do criticize and to my understanding falls flat on his face, not even stopping from letting you leave the movie with a preachy message printed on the screen.

Its kind of like making the whole movie again and then telling the viewer what to think and in that its more of what it criticizes than it was supposed to be. That is really a shame because the movie is filled with eye openers and visual gimmicks that make it fun to watch (although the last part kind of dragged for me). So still "99francs" is recommended viewing especially for everyone who doesn't work in or near the marketing industry. But I wished the movie left the viewer with a hard and direct punch to the face and thoughts spinning in his head to come to his own conclusion and not some "hahaha"-fun ending with a preachy moral presented like in a "World Aid" spot.

This movie was made like a giant advertising with very rhythmic effects and fast moving pictures. At least, it will keep the eye entertained during the whole movie but there's more in it.

It describes in a fun way what everybody knows is a sad world. Drugs, sex parties, late work hours, pretentious people, and meetings with stupid people, this is the way it works in the advertising industry.

It's a very funny criticism of advertising and the way it's made. I feared it would not do justice to Beigbeder's excellent book but in fact it's quite good.

Most of all, Jean Dujardin is very good in his role. He could be one of those mens you see working at Publicis on the champs Elysees !

Some people may not like the movie because there is a lot of sex and drug taking inside the movie. Yet, it's a good social depiction of this world. Don't go with the children's (the rating is not very explicit about the real content of the film) and enjoy yourself.

This is a satirical black comedy about the hedonistic excesses of the prima donnas of the advertising world. Octave (Jean Dujardin) is the king of this world, feted and pampered, idolised by his entourage, showered with drugs, women and money, his life is one long over indulgent party, punctuated by the occasional brush with reality.

He comes down to earth with a bump when his girlfriend announces that she is pregnant, but unable to deal with the consequences of this real life problem, he takes flight into even more excessively decadent diversions. More parties, more drugs, more indolence. However his body inevitably calls "time out" from this constant abuse, and when he is hospitalised with an overdose, he begins to take stock of his life.

The film is full to bursting, overflowing with creative ideas. The imaginative, highly original and sometimes shocking imagery is rivetingly good. There are psychedelic graphics, animations, dreamlike fantasies, and collages of advertising slogans and magazine clippings all used to great effect.

Billed as a comedy, there is little humour, and what there is is very dark indeed. Whilst this film excels in raw creativity and inventiveness, it lacks a story. This probably explains why there are two endings, neither of which, in my opinion, works adequately. But it doesn't really matter, as there is so much on offer visually, that I was completely transfixed.

The name of the yoghurt manufacturer "Madone" is coincidentally similar to another well-known yoghurt "Danone" but also reads in English "Mad One". A tongue in cheek parody of the absurdities of the modern world of advertising which regrettably rings true on many fronts.

A clever, thoroughly modern film, which even a grumpy old man like me could enjoy!

I pretty much hated the movie right from the start. You just know quite fast when you start watching a film, any film, whether the film rings true or whether it's full of sh*t. 99 francs was the latter.

The film was full of clichés and bad jokes. Probably some of the "funny" stuff was France-centric and don't mean that much to others, but that can't really explain the staggering dumbness I had to witness. I felt like I was treated like a 10 year old who has never seen a film or read a book, or really knows nothing about the realities of the world. Actually it felt like the makers were 15 year old teens who felt like they wanted to set the record straight of what the advertising world reaaalllyyy is like. But the problem is that there was absolutely nothing new here. We've seen this stuff million times before.

Like other reviewers have pointed out here this was apparently a successful book transformed to film. That explains a lot, because usually it's really hard to achieve the atmosphere successfully. And this film tried really just too much. In a way I appreciate the franticness of the film, and of course I do appreciate the obviously high production values, but to me it was all just a waste. The knowledge of those can't erase the disappointing feeling the film gave me, and that's why I only give it 3 stars.

If you can imagine what an episode of "Mad Men" might've been like if they let Quentin Tarantino direct an episode, that's what you get with "99 Francs," an extremely ambitious and darkly funny assault on modern capitalist consumer culture and our advertising-obsessed age.

As a guy who's worked on and off in advertising for years, I almost shut off the film in the first half-hour, because it seemed like a bunch of things I've seen before -- vain, handsome, narcissistic drug and sex obsessed self-hating ad agency Creative Director's career ascends as his personal life falls apart --- Been there, seen that, over and over.

But I stuck with it and as the movie goes on, it becomes increasingly ambitious and, finally, profound. The last half hour or so is INTENSE, and I recommend sticking through the credits. The point the film tries to make connects, if maybe a bit too obviously at the end, but it's still pretty powerful.

Not surprised this subversive, well-made film didn't get a US theatrical release. Hollywood would never dare make a picture like this.