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7,5/10
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Una rivisitazione animata ambientata nella suite di Prokofiev.Una rivisitazione animata ambientata nella suite di Prokofiev.Una rivisitazione animata ambientata nella suite di Prokofiev.
- Regia
- Sceneggiatura
- Vincitore di 1 Oscar
- 6 vittorie e 2 candidature totali
Recensioni in evidenza
Peter and the Wolf is one of Prokoviev's best and most accessible works, one of my first introductions to classical music as well. This animated short film is just outstanding(even better than Disney's version and the excellent ballet production with if memory serves correct Anthony Dowell as the grandfather), highly acclaimed and wholly deserving of it. The animation is great, very professional and detailed if not quite as refined as other animations seen. The atmosphere it evokes too is naturalistic, charming, sinister(but not too scary) and very Russian. The characters are modelled very well, standouts being the cat and the wolf. Prokoviev's music is fantastic as expected, the orchestra perform it beautifully and bring out the different personalities of their characters through the different instruments very successfully. The strings and horns are particularly good. The story has been tinkered a little, but the spirit is there as are the basic details, and it's still engaging and touching. The characters are very well-defined, Peter's a likable hero and the wolf is a very scary nemesis. In conclusion, an outstanding short film. 10/10 Bethany Cox
In interviews on the DVD, Templeton says that hers is a darker Peter & The Wolf than others. Compared to Templeton's other work (the brilliantly crafted, deeply moving, but thoroughly distressing "Dog" and the creepy "Stanley", for instance), and considering the way she ends her "Peter", I'm not sure it's as dark as she thinks it is.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
A careful crafted version of Prokofiev composition, in which the wolf, the grandfather, the goose, the crow, the hunters , the names of shops and the crow are pieces of a clever crafted story about courage, determination, wisfome, curiosity and empathy.
Being an animation by Suzie Templar, the real surprises are far to can be many.
But, like The dog, the traits of Peter are just admirable, reflecting his states, condition and energy of age in beautiful manner.
A nice portrait of friendship and bravery and precise defined attitute about life.
Delightful can sound too much but, served by music of sergey Prokofiev, the film is just beautiful in profound sense, for each detail and nuance.
Being an animation by Suzie Templar, the real surprises are far to can be many.
But, like The dog, the traits of Peter are just admirable, reflecting his states, condition and energy of age in beautiful manner.
A nice portrait of friendship and bravery and precise defined attitute about life.
Delightful can sound too much but, served by music of sergey Prokofiev, the film is just beautiful in profound sense, for each detail and nuance.
I recently caught the PBS showing of this Oscar winning short and was engrossed by the terrific stop motion puppet animation. It is among the finest animation I've seen and shows animators are still using many of the old techniques (non computerized) to good use.
Not only was the animation first rate, but I felt it offered a perfect accompaniment to Sergei Prokofiev's composition. I have fond memories listening to Peter and the Wolf as a child on my parent's record player. This adaptation provides a wonderful visual for the story that I only could imagine as a youth.
I also found the additional filmmaker's comments on how this project came together insightful. I have very minor qualms with this production as I have tried to reconcile my imagination of how the story should look with the creative vision of the directors of this film. Overall, it is a fine piece of work and was well deserving of its acclaim.
Not only was the animation first rate, but I felt it offered a perfect accompaniment to Sergei Prokofiev's composition. I have fond memories listening to Peter and the Wolf as a child on my parent's record player. This adaptation provides a wonderful visual for the story that I only could imagine as a youth.
I also found the additional filmmaker's comments on how this project came together insightful. I have very minor qualms with this production as I have tried to reconcile my imagination of how the story should look with the creative vision of the directors of this film. Overall, it is a fine piece of work and was well deserving of its acclaim.
This film earned the Oscar it got. Some very excellent traditional stop motion animation, combined with modern editing techniques.
The story is placed in a more modern world and given some new twists. A modern but deteriorating Russia set against an almost primal wilderness. The main character, Peter, has lost his Disney-like cuteness. And that's a good thing! He's a more streetwise but daydreaming Peter. Tough but lonely. The animation on the characters is simply superb. They even animated the fur of the wolf and cat!
Go see this animation as well as Dog, another one of Suzie Templeton's great little shorts.
The story is placed in a more modern world and given some new twists. A modern but deteriorating Russia set against an almost primal wilderness. The main character, Peter, has lost his Disney-like cuteness. And that's a good thing! He's a more streetwise but daydreaming Peter. Tough but lonely. The animation on the characters is simply superb. They even animated the fur of the wolf and cat!
Go see this animation as well as Dog, another one of Suzie Templeton's great little shorts.
Lo sapevi?
- QuizAt 32 minutes, this is the longest film to win the Best Animated Short category in the Academy Awards through 2010.
- ConnessioniFeatured in Troldspejlet: Episodio #36.7 (2007)
- Colonne sonorePeter and the Wolf Op. 67
Written by Sergei Prokofiev
Played by The Philharmonia Orchestra conducted by Mark Stephenson
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- Budget
- 2.000.000 £ (previsto)
- Tempo di esecuzione
- 32min
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