Not Going Out

When I saw the write-up for 'Not Going Out', I was dubious - Friday evening on BBC1 isn't usually fertile ground for good comedy. I actually watched it almost by accident, but it turned out to be a happy accident, because 'Not Going Out' is an underrated gem.

Lee Mack ("always cheeky, never blue") is perfect and strangely charming as unambitious slacker, Lee, and Tim 'The Joke Machine-Gun' Vine is also excellent as his accountant best friend. Their friendship is really well-observed, even if they do spend much of the time trading in jokes and insults. Up against a pair of stand-up comedians, Megan Dodds has a tough job, but more than holds her own playing Lee's landlady (and Tim's ex-girlfriend) Kate. Dodds and Mack have a natural chemistry, and make you believe quite easily that an ultra-healthy Californian publisher could fall for an unemployed northern dosser. (It's interesting that comedian Catherine Tate was in the original pilot as Kate - somehow, I can't imagine it working so well without Megan Dodds. She and Mack play off each other so well.)

At times 'Not Going Out' seems like it's a framework for a bunch of stand-up jokes (and Mack does recycle some one-liners from his BBC radio show), but as the series goes on the story lines are getting better and the characters more engaging. It has genuine laugh-out-loud moments that stay with you for the next few days, and it's just refreshing to watch a comedy that doesn't mind being daft and isn't attempting to be political or subversive.

'Not Going Out' deserves a second series, because I know that Lee Mack and Andrew Collins have a lot more gags left in the tank - and I think the fall-out arising from a Lee/Kate romance could be pretty explosive, not to mention amusing!

Few and far between in the last decade; a British comedy that is funny. Lee Mack on top form, Tim Vine, less frenetic compared to his stand up but excellent nonetheless and Megan Dodds playing the role of the straight man(woman) perfectly. Anyone who has seen or heard Lee Mack will know that when he plays restrained in this he could be about to explode with even funnier lines. Ditto for Tim Vine but in terms of the speed of delivery of his jokes. Any complaints about the US style scene links - nice shots of London by day and night - are just carping. If you don't like this then go to the other end of the spectrum and watch My Family. Robert Lindsay and all those responsible for that turd of a "sitcom" should watch Not Going Out, realise that My Family is a crime against humanity and kill themselves. Lee Mack for PM!

Start with the first series. They are filled to the brim with Lee Mack's signature humour, there is also Miranda, and Tim Vine and later on the Daisy character. It is simply consistent. Good bread at the table of entertainment. Not too heavy, not superficial, because it manages to stay witty and clever most of the time. Then Tim leaves. The show goes a bit low, a bit more, but, hey, it is Lee Mack that carries it and so he does further. Enter new characters. Later on, the series makes a huge jump, in terms of premise and it feels somehow stuck for quite a few seasons. But hey, since it did not gave up, and because it became our friend, we can keep watching. Then it hits here and there a few better episodes. Too much bickering... a much waited Christmas special... a clever plot... a few stale episodes. Overall it is great that is goes on. Good news, the most recent series seems to have hit the jackpot with fresh jokes and fresh situational comedy. This sets up good expectations for the next one (series 12).

I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck.

Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.

I didn't expect much from this programme when it first aired and it was only on as I hadn't turned over from the previous programme. Now I'm glad I didn't! Not often is there a programme on that makes me literally laugh out loud - normally I'm just a smile-on-my-face kind of girl, but this was so so funny I couldn't help it! The jokes come thick and fast as one liners, with very clever word play which I think is reminiscent of the Two Ronnies. It sometimes borders on the very rude, but doesn't go too far into this territory as to spoil it.

The sexual tension between the landlady and her best friend/flatmate adds an extra dimension to the show, which is keeping me guessing as to how it will turn out: will she go with Lee or return to her ex-boyfriend (and Lee's best friend) Tim?

Not sure how this would play overseas as a lot of the jokes are very British and some centred around Lee's northern roots. But my congratulations to the writers and cast for a programme thats very funny and very original.