Aggiungi una trama nella tua linguaWhen her boyfriend dies, a video editor finds solace in watching video of him. When he communicates through that video, she must decide if it's real.When her boyfriend dies, a video editor finds solace in watching video of him. When he communicates through that video, she must decide if it's real.When her boyfriend dies, a video editor finds solace in watching video of him. When he communicates through that video, she must decide if it's real.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
I just saw this movie on Showtime last night and found it interesting (not good or bad, just interesting). I became a fan of Elizabeth Rohm from watching endless reruns of Law and Order on TNT. So when I read that she was starring in this movie I had to see it. Rohm, I thought, gave a very good performance of a woman hanging on to her sanity. Was she seeing ghosts or was it all in her mind. The rest of the cast should have taken acting lessons, or just watch Rohm and they would have gotten it right. Roma Maffia is a better actress (see Nip/Tuck) than her performance in this movie. Overall, if you have nothing else to do watch this just for Rohm's acting. I hope producers will use her talents wisely in the future and not let her just fade away like many other good, now forgotten, actors have.
Several other "reviewers" have mentioned how badly acted this movie was!? What?? Elisabeth Rohm, who has always been pretty stoic, and stunningly beautiful, really gives it a fabulous effort. She did 2 years of "Angel" and 5 years of "Law and Order" with basically a raised eyebrow and a blink of those incredible eyes. Here she makes up for lost time with as emotional a performance as you will ever see. She must have been an emotional wreck thru out the whole shooting of this. Watch it and you will know what I mean.
The movie itself and the other performances are OK. Psychological thrillers require a "suspension of belief", and the attempt at that and a kind of procedural police investigation, do not make for thrilling pacing. Slow, but well plotted (if you do the "suspension" thing), it makes for good viewing and a chance to see the "new", improved Elisabeth Rohm.
The movie itself and the other performances are OK. Psychological thrillers require a "suspension of belief", and the attempt at that and a kind of procedural police investigation, do not make for thrilling pacing. Slow, but well plotted (if you do the "suspension" thing), it makes for good viewing and a chance to see the "new", improved Elisabeth Rohm.
I caught this movie this morning and was shocked by how terrible the acting was. The plot was probably mediocre, but you'll have a hard time following it due to the poor acting, cheap imaging (ie: dead boyfriend), awful delivery (Elizabeth Rohm) and just another cheesy twist. Several times I had to look at the movie information just to verify this movie was not done in 1985. At some point during the movie, I zoned out wondering if actors could get paid for such a terrible movie.
I'm rating this movie a 3 because I just saw the worst movie ever, Vampire in Vegas and Ghost Image deserves a 3 because they did not blur images on clothing and spent more than $500 on location.
I'm rating this movie a 3 because I just saw the worst movie ever, Vampire in Vegas and Ghost Image deserves a 3 because they did not blur images on clothing and spent more than $500 on location.
Although this is a low-budget film, one would never know it given such a good story with solid acting. You'll see a few familiar faces and a few news ones that play a convincing roll. I was impressed with the cinematography. Great cityscapes and good locations were chosen wisely. It is clear that the director of this film has a solid grasp of the important elements of making good films! Impressively, you won't find a cheesy 'canned' soundtrack either. The music fits nicely with the storyline. I couldn't find any flaws that often plague low-budget movies.
You'll want to check this out on DVD for sure. The special features are just one more nice bonus for a good film. It also includes a video for the ending song. What could be better ?! Overall a film worth seeing. I would highly recommend this film to anyone!
You'll want to check this out on DVD for sure. The special features are just one more nice bonus for a good film. It also includes a video for the ending song. What could be better ?! Overall a film worth seeing. I would highly recommend this film to anyone!
After about 45 minutes of developing characters that we don't care about, the director, writer, and editor seem to run out of ideas. Lots of red herrings are set out. Then they tie it all together with some voice over and flashback. Rohm tries hard, and probably does what the director asks, but she comes out looking like a pretty bad actress. It is hard to tell if the problem is her or the outtakes. Each individual scene is decent, but linked together they are inconsistent and contradictory in tone and emotion. I finished with the feeling that this film could have been a lot better if the crew had worked a little harder.
Lo sapevi?
- BlooperWhen Jennifer reviews the tape with the group shot, the actual film shot with the camera recording is shown, instead of what would have been recorded with Wade's camera. Note there's a cut in between where they zoomed in to take out the camera's display to make it look like it was a shot from Wade's consumer camera.
- Citazioni
Tucker: You gonna be okay?
Jennifer Zellan: [mirthless chuckle] Yeah. What other choice do I have?
- ConnessioniReferences Un uomo da marciapiede (1969)
- Colonne sonoreLeft In The Dark
Written and Performed by William Lynn
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Dettagli
Botteghino
- Budget
- 3.200.000 USD (previsto)
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Proporzioni
- 2.35 : 1
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