Blindness - Cecità

It has brought a different perspective to the outbreaks leading to the end of the world. Unlike other post apocalyptic films, the incapacitated side was evaluated differently.

An adaptation of the allegorical eponymous novel by Jose Saramago. It tells the story of a group of people who are confined in an old abandoned asylum by the Government after the spread of a global pandemic of a strange contagious white blindness.

The movie follows well the book story, but completely forgets the human and social critique, and the philosophical and political questions embedded in it. In fact, the original title of the book is Essay on Blindness, and it is part of a series of philosophical-literary essays on different themes related to humanity, social and political structures. In other words, the soul and insight of the book are lost in translation.

The book is confronting, shocking and much harder and darker than the movie. The movie is a succession of weird shocking events that have no point, a confrontation between good and evil in an apocalyptic world... Wrong and simplistic. This is so because the scriptwriter and the director missed the most important elements of the book, or, simply, thought that the viewer would not want or understand more complexity.

Part of my disappointment has to do with the acting. Most of the actors are uninspired and badly directed, and some of them miscast. I did not believe them at all in their roles, especially Ruffalo and Moore, who seem not to believe the roles they are playing or the circumstances in which they are placed. I found stereotypical and offensive the use a Hispanic -played by Gael Garcia Bernal- as the bad guy; I mean, that's typical of mainstream stupid Hollywood movies, and it was not in Saramago's book.

It is great that we can experience the white textured involving blindness that the characters suffer, which is beautifully portrayed in the movie. However, there is too much clarity and whiteness in the movie, which is overwhelmingly white and on-purpose blinding, so we, the viewers, become a little blind too. I did not thing that was necessary. I think the director could have shown the white blindness from the point of view of the people getting blind, so the viewer can imagine what it is like, and then make the movie darker and moodier. The viewer is going to watch the movie, but cannot be part of it.

Miralles shows his savoir-faire in some of the most difficult scenes, the ones involving the women going to ward 3, shot with great sensitivity (they are raw and disturbing in the book), more suggesting than showing, creating and atmosphere that shows the drama but not the raw facts. It works perfectly. I also found great the depiction of the desolated city, the chaos and dirtiness the city -unnamed- is reduced to, and the life of the gangs of blind people and dogs in the streets. The music is beautiful -a mix of ethereal, quirky, strange and delicate elements- and serves the story very well. To add another positive element, Saramago's book is not easy to read, among other things, because of his literary style, so the movie is an easier approach to the story and it is still interesting.

Saramago, who never agreed to sell the rights of any of his books to any film producer, did so in this case and after a long negotiation. Miralles directed the movie always having Saramago in mind, and what he would think about his cinematographic options while adapting the novel. Saramago attended, side by side with Miralles, the premier of the movie. A video in Youtube (watch?v=7XzBkM_LdAk), shows the end of the movie, in which Saramago is visibly moved, and says that he feels as happy at watching the movie as he did when he finished his book. Well, as a reader, I can't disagree more.

The movie has bad reviews in general and, in this case, I think they are deserved. To me, is the lack of depth and soul, the mediocre acting and the poor direction in major subjects ruins the interesting premises and storyline. Not all viewers are morons, and it is up to the director to direct and edit the movie, and lead the actors to the point in which they become the characters they are playing. Don't expect the viewer to fill the gaps and inconsistencies of any movie and make an essay on blindness from a bunch of apocalyptic events.

First I have read the book and couldn't stop my self watching it's movie. Movie is good , liked it but seriously book was better. Even though it will be my recommendation to who wants to watch a dramatically interesting movie.

"If it can be written, or thought, it can be filmed", said the great Stanley Kubrick, who adapted most of his films from novels and turned them into his own films, rather than being too literal (or faithful, if you prefer) to the source material (and often turning authors and fans of the adapted novels crazy – Stephen King, anyone?). I agree with his statement. No literary work is "unfilmable" – which doesn't necessarily mean any literary work, good or bad, can be turned into a good movie. However, in spite of a few flaws, "Blindness" is a very efficient adaptation of a brilliant (and very complex) novel by Portuguese author José Saramago, "Ensaio Sobre a Cegueira" (literally, "Essay About Blindness"), and doesn't deserve all the bad reviews it's been getting.

The negative reaction towards the film doesn't surprise me at all, though. Fernando Meirelles, after getting world acclaim with his neoclassic "City of God", made a very successful transition to an international project with the beautiful "The Constant Gardener". His sophomore English project is very daring and dark, uneasy to watch at times, but also compelling and thought-provoking.

César Charlone's exquisite cinematography sets the tone for the story of an unexplained "white blindness" epidemic. It's also a huge asset to have such a phenomenal actress like Julianne Moore to play the film's heroine: as always, she has a strong presence and is extremely expressive, making everyone believe and feel for her character's cross of being the only one who can see in a chaotic quarantine, where people have to submit to violence and rape in order to survive.

My only major complaint is about the uneven first 20 minutes or so: some sequences seem a little disjointed and the acting somewhat amateurish, but once the first act is done the film finds its own pace and strength. Roger Ebert called it "one of the most unpleasant, not to say unendurable, films" he's ever seen. For a start, it would be stupid to assume a film with such a dark premise would be uplifting (and if Ebert had the slightest knowledge about the material it's based on, he'd realize what he was up for), so his comment is unintelligent and atrocious like the majority of everything he's ever written (but he's a widely popular Pulitzer-winning film critic, so unfortunately lots of people trust his opinion before going to see a movie). Even though I still prefer the outstanding novel to the film, I admire director Fernando Meirelles and writer Don McKellar's adaptation for what it is: smart, daring and respectful to its source material, without being overtly faithful or afraid of taking risks. And Saramago himself approved the film, so who are we to criticize? The man knows what he's talking about; if you want to see it for yourself, read his novel now and then compare it to this film, appreciating it not as a literary work, but as the good piece of cinema it is. 8/10.

The movie I watched was actually taken with a very loyal mind to original José Saramago's book. When we look at the lower IMDb score that movie have taken, we realize that it is not often overlooked that this film deserved by the viewer. Sad but we are not surprised. Because it's a literary adaptation. Blindness is not suitable for young minds waiting for the story of post-civilization apocalyptic worlds like 'Mad Max' 'Waterworld' and 'God of Flies'. This is not the action that this generation expects, but the dark desperate world that goes bumpy in the feces is something beyond the comfort standards even for young people. I advice people to read the book first and than watch Julianne Moore acting.