VALUTAZIONE IMDb
6,9/10
20.525
LA TUA VALUTAZIONE
Sono passati quattordici anni dal vicino terzo impatto. La maggior parte del mondo è cambiata tranne Shinji Ikari che si risveglia, non invecchiato in un ambiente nuovo e strano.Sono passati quattordici anni dal vicino terzo impatto. La maggior parte del mondo è cambiata tranne Shinji Ikari che si risveglia, non invecchiato in un ambiente nuovo e strano.Sono passati quattordici anni dal vicino terzo impatto. La maggior parte del mondo è cambiata tranne Shinji Ikari che si risveglia, non invecchiato in un ambiente nuovo e strano.
- Premi
- 2 candidature totali
Megumi Ogata
- Shinji Ikari
- (voce)
Hiro Yûki
- Makoto Hyuga
- (voce)
Miki Nagasawa
- Maya Ibuki
- (voce)
Akio Ôtsuka
- Kouji Takao
- (voce)
Anri Katsu
- Hideki Tama
- (voce)
Mugihito
- Keel Lorenz
- (voce)
Recensioni in evidenza
This film loses all the momentum of the first two installments. It takes an interesting arc and just devolves into a bunch of empty moments. Before, there was intense drama and stakes serving a wider plot. Here it just feels forced. Everyone hates Shinji, sure, but it never seems convincing or meaningful.
After watching the 2.0 rebuild I was hyped to see the 3rd part. 3rd part of the rebuild series came off as a major disappointment and look no further than that.
The stroy was just atrocious, a 15 year time skip! And the number of flaws and inconsistencies. For like 27 min we don't get any exposition and even after we got some details alot of my questions were still answered. The pacing was really bad. The final battle was like half the movie. And we get these usless dialogues and scenes which don't even mean anything. And lastly for the plot it doesnt even make sense, after I watched 2.0 I thought it would go in any interesting direction but no it just hit a dead end. Oh my the characters what in the world did they do to the lineup. They skipped 15 years of character development and we don't get any background details deep enough for it to make much sense. The characters are shells of their former selves.
The constant mix of CGI with hand drawn animation was really annoying, there was too much CGI at times and the animation production dipped a bit compared to the prequel. The music composition and sound choices were similiar to the prequel.
Never watching this movie again...
The stroy was just atrocious, a 15 year time skip! And the number of flaws and inconsistencies. For like 27 min we don't get any exposition and even after we got some details alot of my questions were still answered. The pacing was really bad. The final battle was like half the movie. And we get these usless dialogues and scenes which don't even mean anything. And lastly for the plot it doesnt even make sense, after I watched 2.0 I thought it would go in any interesting direction but no it just hit a dead end. Oh my the characters what in the world did they do to the lineup. They skipped 15 years of character development and we don't get any background details deep enough for it to make much sense. The characters are shells of their former selves.
The constant mix of CGI with hand drawn animation was really annoying, there was too much CGI at times and the animation production dipped a bit compared to the prequel. The music composition and sound choices were similiar to the prequel.
Never watching this movie again...
10dedrew0
"Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer. In other words, we're offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the 'all-about Eva' manuals, but there is no such thing. Don't expect to get answers by someone. Don't expect to be catered to all the time. We all have to find our own answers." - Hideaki Anno
End of Evangelion released on July 19th, 1997 in Japan Evangelion 3.33 released on November 17th, 2012 in Japan.
The story of 3.33 begins 14 years after 2.22's conclusion. Ultimately, the plot does not matter. The story was never meant to be about the lore, or the EVAs, or the Angels. The story is one of Japanese society, and those who reject society and seek ways to escape their lives. 2.22 was an idealised version of the original series by the fans, and in Eva's irony, Eva's characters have become caricatures on which Otaku and Hikikomori can escape reality, Rei in particular. 3.33 is Anno talking to the audience.
End of Evangelion released on July 19th, 1997 in Japan Evangelion 3.33 released on November 17th, 2012 in Japan.
The story of 3.33 begins 14 years after 2.22's conclusion. Ultimately, the plot does not matter. The story was never meant to be about the lore, or the EVAs, or the Angels. The story is one of Japanese society, and those who reject society and seek ways to escape their lives. 2.22 was an idealised version of the original series by the fans, and in Eva's irony, Eva's characters have become caricatures on which Otaku and Hikikomori can escape reality, Rei in particular. 3.33 is Anno talking to the audience.
Finally new material after years of remakes and recycled material and reshuffled scenes.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
Ah look, the black sheep of the rebuilds.
Look, this film was just ok when I watched it. It's dramatically improved by the sequel, which makes a lot of this film (notably not all) make actual sense. The goal of Anno it seems, is to show the plot from Shinji's perspective. So basically, confuse the hell out of the viewer to make us empathise with this kid. This is an interesting, but flawed decision I think. Why not trust the viewer to empathise with this traumatised, anxiety filled teenager that's forced to risk his life constantly? Is your target audience children?
Regardless, knowing what comes next does improve this aspect.
The film does start out strongly, with a fight on a scale not before seen in Evangelion. The 3D, while looking a bit cheaper, does allow for this to happen. I liked it quite a bit, and the general sense of overwhelming information at first is refreshing.
It's important to note that we are so far detached from the main series at this point, this is a fresh new experience with slightly different versions of characters that you probably love from the original series.
Don't let the feedback of this film scare you away. It's probably due to how confusing it is, and the 9 year wait people had to endure to actually get some answers.
For me, I just had to wait 5 minutes.
Look, this film was just ok when I watched it. It's dramatically improved by the sequel, which makes a lot of this film (notably not all) make actual sense. The goal of Anno it seems, is to show the plot from Shinji's perspective. So basically, confuse the hell out of the viewer to make us empathise with this kid. This is an interesting, but flawed decision I think. Why not trust the viewer to empathise with this traumatised, anxiety filled teenager that's forced to risk his life constantly? Is your target audience children?
Regardless, knowing what comes next does improve this aspect.
The film does start out strongly, with a fight on a scale not before seen in Evangelion. The 3D, while looking a bit cheaper, does allow for this to happen. I liked it quite a bit, and the general sense of overwhelming information at first is refreshing.
It's important to note that we are so far detached from the main series at this point, this is a fresh new experience with slightly different versions of characters that you probably love from the original series.
Don't let the feedback of this film scare you away. It's probably due to how confusing it is, and the 9 year wait people had to endure to actually get some answers.
For me, I just had to wait 5 minutes.
Lo sapevi?
- QuizThe post-credits preview for the next film, featuring EVA Unit 8+2 fighting, was created by motion capturing stuntmen rather than traditional animation.
- BlooperDuring the scene when Rei attacks Wunder, there is a close up shot of Shinji screaming, during the close up we didn't see his collar attached to his neck, however, after a flash of explosion, the collar magically appears.
However, this mistake only appears in the home video version.
- Curiosità sui creditiUnlike the previous two movies, where the original Japanese title cards showed in the beginning or after the prologue, in 3.0/Q the title card shows up when the film runs 30 minutes of its duration.
However, the English title card still shows up at the halfway point of the movie.
- ConnessioniFeatured in ScrewAttack's Top 10s: Top 10 Piloted Mechs (2017)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 174.945 USD
- Fine settimana di apertura Stati Uniti e Canada
- 110.825 USD
- 12 gen 2014
- Lordo in tutto il mondo
- 60.648.662 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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