Mercury Man

At the time of its release, MERCURY MAN, Thailand's first foray into the superhero genre was one of the more expensive movies ever made in the country, but it's dismal box office performance there didn't bode well for its producers' hopes that it would "go international" or have the box-office muscle of Sam Raimi's SPIDERMAN, the film it's most obviously been modelled on, right down to the lead character's sinewy-rubbery costume, which can be easily duplicated in a computer for those dazzling flights of fancy across urban landscapes.

The film is flawed enough that it probably never stood a chance of cracking the international market anyways. Glossy production values aside--and they're often rare in Thai cinema--there's a weird sense that the whole thing is some kind of thinly-veiled propaganda.

After having part of a mystical "Solar Mercury" amulet embedded in his chest, a hot-shot fireman (Vasan Kantha-u) must learn to control his temper (in a country known for silencing dissent, no less, not to mention alienating religious minorities) if he's to defeat not only various hooligans around the city, but also a small band of Muslim extremists led by a dude named "Usama" who bears a rather unfortunate resemblance to Richard Lynch in the Chuck Norris classic INVASION U.S.A.

The terrorists need the amulet, paired with it's sister--the "Lunar Mercury"--to aid their plans to attack the literal and symbolic American interests around the country (Helloooo, massive McDonald's & Hard Rock Cafe product placements!!). Interestingly, the film features a little boy with psychic powers who opens the film by demonstrating his ability to stop a stopwatch at will. Funny that they'd need a scene like that...

For the money the filmmakers spent (which still wasn't much by American standards), everything looks pretty good, but the computer effects are hobbled on occasion by a clear misunderstanding of the laws of physics on the part of their creators, such as those that would govern the car Mercury Man kicks into a billboard, where it becomes stuck rather than crashing through! Yes, I know it's a fantasy, and I can accept Mercury Man's metal-based powers allowing him to "fly" between metal objects without the aid of machinery or ropes or webs, but billboards can't stop cars! The cast is generally quite dull, but I've come to expect that in Thai cinema. Pretty faces, but not much expression, including the ones Mercury Man's boyish alter ego must suppress for fear of catching on fire, as his crotch nearly does when he cops a few glances at a Penthouse magazine tucked away in his drawer.

The action choreography, by Prachya Pinkaew and his ONG BAK/TOM YUM GOONG team, are the main reasons this is watchable, but there's a certain recycled feeling about them now, with only the more expensive costuming and modern-looking locations differentiating them from those seen in the earlier Tony Jaa films and virtually everything else that Pinkaew has touched to date. On top of that, there's one hell of a lot editing going on in these sequences. Every connected blow is followed by an immediate cut to a closeup or a long shot, which tends to make you wonder just how many stunt doubles are being disguised with every splice. Fans of BEAUTIFUL BOXER, the life story of trans-gender Muay Thai boxer Parinya Charoenphon, might enjoy watching her, largely undoubled it would seem, kick the snot out a batch of evildoers in white lab shirts.

And the final fight between Mercury Man and the villain's right hand babe, who's absorbed the power of the Lunar Mercury amulet, is worth watching for any number of reasons, notably the latter's transformation into a semi-naked frost warrior.

Though undoubtedly intended as an A-list picture in its homeland, and indeed, with its slick visuals and breezy pace, feeling and looking much more like one in comparison to a lot of the sloppily made crap that passes for populist cinema there, MERCURY MAN is nonetheless best viewed with lowered expectations, particularly if you aren't familiar with Thai cinema, otherwise you'll inevitably be tempted to actually compare it to the American superhero films it so brazenly dares you to.

Apart from 1 or 2 good action scenes this movie has nothing to offer! I wasn't expecting anything special! But what I did get was far below average! I can't imagine that this movie will appeal to anyone! The biggest problem of this movie is that it takes itself to seriously! They could have done so if they at least delivered on the action front! This movie could have used more humor which would have improved the badly choreographed action scenes immensely! Also what bothered me a lot wasn't the bad acting or the plot and even the bad choreography! It was the inconsistency of the use of superpowers! At one time he is able to fly and suddenly he can't! At one time he is able to use some form of telekinesis and just like that he isn't able to and just keeps on jumping and kicking like a muay Thai fighter! The very few special fx are OK, but nothing you haven't seen before! My guess is that this movie is made for children! But trust me even children would like this movie! Avoid "Mercury Man" at all costs!

Good basic story with obvious differences if made in America. Improved "Production Value" would have helped the distribution, worldwide!

Note: The Charlton Comic Book Character "Mercury Man" and all the characters of the Mercury Man Adventures in the comics of the early '60's is now owned, copyrights and Trademarked by Producer, Tommy G Warren & Spiderwood Franchise!

Development plans are in the works to publish a new and up-dated Comic Book, then go into animation and live action productions for TV and possibly Motion Pictures.

Mercury Man and his Robotic friend, "Zoom" are from a far away Galaxy of Mercury and was forced to earth when their space craft malfunctioned after being hit by a Meteorite. He has taken on a human Comic friend, Dr. Erika Penn.

I hate giving movies low ratings. Makes me feel like one of those professionals who bash movies. In fact if a movie is bad, I don't write reviews. But I had to write one for this movie.

Story was absolutely, needlessly, mind numbingly bad. I guess they couldn't decide on what plot to make the movie on. There's everything in this movie from thugs to terrorists who not only hate thailand but the whole world.

The movie had a budget of 60 million baht ($1.6 million), which is quite a lot for their currency. I guess they spend most of the budget on the fx. All the FX redering was very well done considering the budget. Probably the only positive thing in the movie.

The director mentioned that the goal of the movie was to appeal to the international movie audience. Well..... FX isn't just enough to appeal to audience. With FX one needs good acting. "Good Acting" this movie does not have. Even if you are watching this movie in thai, you can tell that the actors are quite bad.

The movie's crew involved a lot of people from the crew of Ong-Bak and Tom Yum Goom. Ong-Bak was good. Tom Yum Goom sucked but Mercury Man is better than that. Maybe their next movie will be better.

Mercury Man (2006) is a Thai movie I recently watched on Tubi. The storyline follows a fireman who comes into contact with a strange substance while putting out a fire. He transforms into a super hero and finds himself fighting crime as a vigilante when he isn't fighting fires...

This movie is directed by Bhandit Thongdee (The Unborn) and stars Libby Brien (Don't Close Your Blinds), Philip Hersh (Red Cliff), Metinee Kingpayome (Province 77) and Anon Saisangcharn (The Second Site).

The best part of this movie are the women fight scene, particularly at the beginning and end. The dialogue and acting is terrible. The special effects are pretty crazy and many scenes feel like you're watching a bad Spider-Man movie. The super hero elements are not done well but most of the hand to hand combat scenes are entertaining.

Overall this is a below average addition to the action genre that I would score a 4/10 and recommend skipping.