Painkiller Jane

It is a shame because I wanted to. The premise, while not necessarily great, did intrigue me, and oddly enough there were some interesting ideas that if explored well would've come off very nicely. Unfortunately, as much as I wanted to like it and saw all the episodes to give it a chance, I couldn't get into it. The idea was intriguing, I did like the strong leader character that Rob Stewart played and he played it well and for a show that would end after 22 or so episodes it did end on a good note rather than on an abrupt or cliffhanger one. However, I found myself not caring much from the filming, even within the genre the settings were colourless and drab and the photography lacked focus all too often. The music was generic and didn't add all that much to the show or to any exciting moments, while the writing constantly feels rushed through and trite. The story lines didn't compel me much, there were weaker episodes than others agreed(though that is true of a lot of shows), but for what promise the pilot did have nothing really takes off from it. There were some good ideas here, but sadly they are not expanded upon enough. The pacing was often dull for me. The characters, even with the clichés, did seem as though they did have potential if given a chance, however I never found myself properly caring for them and their motivations and they did feel like props. Apart from Stewart, the actors never looked as though they were connecting with their characters and came across as bland. I am including the lead Kristiana Loken here too, a gorgeous woman playing a grittier sort of character but an actress that would work better in a (softer) supporting role than a lead. Overall, I gave Painkiller Jane a chance and never found myself involved with it. Although the 2005 TV movie had a lot of problems I did find myself preferring it over the series. 3/10 Bethany Cox

After a very good and exciting pilot episode this series took a very deep dive! I don't know what happened but the pilot episode somehow doesn't connect with the later episodes I have seen! The fact that Painkiller Jane can heal quickly and even recover from death is an interesting subject! But to my regret this ability isn't used to my satisfaction! I haven't read the comics but surely the comics have more interesting stories than the ones they have shown! From what I have read on wikipedia Painkiller Jane (from the comics) is a skilled fighter,master of undefined martial arts and a master marksman! Combined with her special ability she is virtually indestructible! Apart from the pilot episode nothing of this is shown! In the show Painkiller Jane is more of an detective solving crimes! Another detective show,give me a break! The show is so boring that it becomes unbearable to watch! Kristina Loken is a beautiful woman and certainly is an important reason to watch the show! But that isn't enough to keep me interested! If the stories would be more exciting and if she would use her special ability more than for me it would be more interesting to watch the show!

Frankly, I'm surprised by the number of negative reviews of Painkiller Jane. It seems to me a competent, if not exceptional, sci-fi series with considerable entertainment value, interesting characters, and sometimes engaging plot lines. Some episodes are derivative but none are truly bad, except perhaps for the pointless clip show in episode 16.

It certainly focuses more on the emotional than the cerebral, but that's not really a criteria for judging a show, not even a sci-fi show.

The writing is solid and the main characters are competent actors. Kristiana Lokken is definitely more than just eye candy -- although the eye candy part does add to the watch-ability -- and she creates a sympathetic and occasionally complex character. (She is credited as a co-executive producer of the series, whatever that means in Hollywoodese). The other main characters are equally competent, although some of the supporting actors are 2nd tier.

It is a bit loose at times but it starts to tighten up toward the end of the season when the focus shifts toward following a story arc rather than the neuro of the week, episodic format.

I suspect many of the negative reviews arise from two things. The first would be viewers who might be comparing it to the comic book, which I have not read, and which should be irrelevant. The second would be production values which are generally based on budgets. There are no mind-blowing special effects in Painkiller Jane, nor should there be. It's not a space opera.

Overall, I think this show got a bad rap, and I would definitely recommend it to sci-fi fans for it's entertainment value.

It took me about 5 episodes to realize what was wrong with painkiller jane: nothing matters, nobody cares. every episode is just 40 minutes of watching a beautiful but somewhat dull kristanna loken solve a case involving -of course- some kind of a neuro. and the action isn't all that great either. what makes it bad is that there is almost no character building. there is no emotional depth. none of the team members matter to us. even jane won't really reveal much of herself, so why should we care? as an example: in one episode janes partner gets shot. there is of course a funeral (because there has to be) but one episode later its like she never even existed. nobody seemed to miss her, nobody mentiones her. thats just how shallow painkiller jane is. and its too bad, because there are some good episodes that show us how P.J. could have been.

Network: Sci-Fi; Genre: Action, Mystery, Sci-Fi; Content Rating: TV-PG (violence, language); Perspective: Contemporary (star range: 1-4);

Season Reviewed: season 1

Of all the show's I've watched this year so far, few are quite as punishing as "Painkiller Jane". To call it a "mess" or "sloppy" would not begin to do it justice.

Jane Vasko (Kristanna Loken) is an agent for a secret crime fighting agency that hunts "Neuros" – defined by Jane in the opening as "people who can do strange things with their mind". A Neuro is basically a catch-all that allows the show to do anything it wants. The show trots in villains who can see the future, can start fires, are banshees, machine controlling killers and, hell, maybe even ghosts. There are no set rules or consistent behavior to the Neuros, or if there are the show plays pretty fast and loose with them. The Sci-fi Channel should know one thing, if anything about their base: that sci-fi fans love keeping up with the rules of a new world.

Led by this complete lack of focus with the Neuros, the show slips and slides all over the road trying to plug itself into every genre and sci-fi story it can think of - possibly in the name of versatility, possibly because it has no personality of it's own. When a show can pull this off successfully you've got some wildly inventive TV heaven, but when it can't you've got a mess. A show without a backbone or its own original voice.

The superhero catch: Jane has an ability herself. She can heal, quickly, from anything. Even a fatal fall or a hit from a train. The show doesn't have the budget that, say, NBC's "Heroes" does (which includes a character with the exact same power) to allow us to really see Jane's bone-crunching skills in action. So most of the "stunts" are pieced together from a series of confusing shots leaving the viewer to decipher what the hell just happened and squashing any potential thrill or intensity from the show. The fundamental flaw with "Jane" is that while this may be based on a comic book of the same name, from Wolverine to Clair Bennett we've seen this ability ad nauseum and it is a hard thing to get excited about anymore.

On top of it all, Loken plays Jane as deadpan and emotionally cold as her cyborg villain in "Terminator 3". The woman either cannot act at all or somebody forgot to tell her than Jane should have emotions. But Loken is a gorgeous woman playing to a sci-fi crowd and the show makes the mistake of treating her like one of the boys. Knowing how silly it was and who it was playing to "Dark Angel" had the foresight to put Jessica Alba in skimpy clothes and have her go into heat every time sweeps rolled around. "Jane" has our main character covered up, trapped in a boring love life and musing over narration about how you never really know somebody… or something equally basic. It is as if the show is on a mission to keep her as sexless and dull as possible on every level. Will she get together with the bald emotionally distant jerk on the team? Even that might help. Come on, let's give the internet something to talk about.

If it didn't look like garbage or was written with one inane, confounding line following another, everything in "Jane" from the characters to the show's world is half (or never) explored or explained. For to do that might require the show to think something out or express itself in a voice that is something other than cheap, manufactured, assembly line stories. Could Jane be a Neuro herself? If not that would be quite a coincidence. I'm sure answers will come, but I for one, won't be sticking around any more to get them.

If any promise was made by "Eureka" to trend the Sci-Fi Channel out of its non-stop output of trash, "Painkiller Jane" reverses that with a vengeance.

½ / 4