Aggiungi una trama nella tua linguaYears after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 6 vittorie e 1 candidatura in totale
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
- Samir Masri
- (as Seena Jon)
- Casey Claybon
- (as M. Neko Parham)
Recensioni in evidenza
The point of the film is NOT some perverse fantasy about killing the current President of the United States of America, George Walker Bush Jr. People who say otherwise either haven't seen it or are wanting to purposely misguide you.
It is a drama in the style of a documentary (one that would air on television rather then a cinema screen) that looks at a possible run up to an assassination of the president, as well as how the investigation might be handled afterwards with the involvement of Dick Cheney (who would take over the Presidency if George Bush was assassinated).
The drama does not dwell or linger on the death of the president at all, in fact apart from Bush being crammed into his presidential car by secret service and whizzed away at high speed, that is all the viewer sees. You then find out about his death from mock news reports. Hardly a sordid gratification from a 'perverse' director.
The drama is convincing as a documentary by realistic interviews with decent unknown actors playing their roles just right without hyperbole as could quite easily be the case.
Without spoiling exact plot points, the drama makes a point in how the government may be more interested in finding a suspect and making the evidence fit the profile because it is more politically advantageous then actually running an investigation to find out exactly what happened, and draw suspects that way. Considering the current climate where seemingly the Geneva Convention is open to interpretation, and restrictions on Habeus Corpus, this suggestion is not far fetched in the slightest.
It aired on 'More 4' in the UK, a channel from Channel 4 television, and I'd imagine it would air on an American network at some point, or maybe a limited screening at cinemas if the US networks lose their bottle.
So for my US brothers and sisters, consider what I've written, and go SEE it and decide for yourself. That's what the freedom as a US Citizen entitles you to do.
That future time is portrayed with an escalation of the anti-war fervor and a growing concern over the dangers posed by North Korea.
The film flips between staged scenes, real footage & documentary style interviews. It does a fine job of seamlessly blending those pieces to create a very plausible "precreation".
It is interesting watching this film on October 9th, 2006... a day which began with news of North Korea's first nuclear test. The first twenty minutes of the film are dotted with mentions of that scenario.
There are some chilling scenes in this film... especially early on, when you get a real sense of the protesters being contained and beaten down by Chicago police in full riot gear.
After a political speech in the hotel, the President is ushered down a standard meet-and-greet rope-line. It is at this point that the film lives up to its name. Shots are fired and one of the most frenzied scenes of any film this year ensues. Bush is thrown into a waiting limo, which speeds off to the nearest hospital. The crowd at the rope line is panicked beyond recognition. The FBI launches into gear. The media machine revs its engines. And the Chicago skyline lights the night air as an eerie sense of history-in-the-making takes hold.
Later that night, newscasters announce the death of George W. Bush and the film transposes into an FBI procedural... A virtual whodunit for us viewers. It feels very much like a David Mamet plot crossed with an Oliver Stone concept. It truly is a wonderfully imaginative idea played out with great skill and cinematic artistry.
***
OK - The secondary question in reviewing this film is this... Is it wrong? Is it morally questionable to have such a premise be the focal point of a film? Is it in bad taste?
Well, I have always been one to follow Roger Ebert's mandate that, "It is not always what a film is about, but how it is about it." I try not to pass judgment on the subject, but on the skill of the film itself.
However, this is a very brazen subject. Even for a Bush-hating liberal like me, this approaches the line, if indeed it doesn't cross it. It comes dangerously close to going too far.
That being said, I think it stops short of that line and delivers a legitimate scenario that merits people's attention. I believe this film earns the right to touch on this subject. It is a quality film and should not be thought of as a sensationalistic attempt to shock audiences.
***
Back to the plot... The film analyzes the hunt for suspects and forensic evidence. It follows the investigation all the way to a murder trial. I will not detail the story any further.
What this film does brilliantly is to shade the discussion toward issues like the Patriot Act, Homeland Security futility, the right to privacy, the right to a fair trial, and the apathy of the American public to seek truth and justice. It hints at Governmental manipulation, a wag the dog mentality. It tells personal stories of civilians and soldiers and suspects and Presidential aides. This film has a tremendously broad scope considering the budget.
"Death of a President" meanders patiently toward a conclusion you will probably not expect. This is a very thoughtful film that wants us to think carefully about the consequences of future terrorism. It asks us to contemplate the futility of such a crime and the repercussions it would have on future generations. In fact, it very much condemns this scenario as the worst thing that could happen.
I was riveted by this film. It is not just a scream for attention with a daring title. It has something very important to say and it says it very eloquently. That it dramatizes the assassination of a sitting President only adds to the palpable tension and urgency of its message. I think that "Death of a President" is one of the best and most important films of 2006. Go out of your way to see it as soon as you can!
© Written by TC Candler IndependentCritics.com
For this particular European, who has visited most of the US States at one time or another and who has many American friends, the film was another reminder of how worrying the United States has become. Still a great nation but hard to think of it as "Leader of the Free World" now that it allows cruel and degrading treatment of enemy suspects and indefinite imprisonment without a fair trial. Perhaps US viewers will find this movie in bad taste, but they should find some of the policies and actions of their current government a lot more distasteful.
I am impressed by the film's presentation of events. It cleverly mixes fictional footage with news footage, mixing interview with "facts" and the re-enactment of events are so real that it seems like a real documentary. The film allows the different sides to speak, which makes it more all rounded. Not only government officials, but the suspected assassin's wife get to be "interviewed" as well touches me. Many a times, these voices are silenced or suppressed. In this way, the various views and feelings get balanced.
It also approaches what truth really is. Is truth really the truth? Is it what people want to believe? Or is it what the authorities want you to believe? The twist ending reminds me of another powerful film, "The Life of David Gale".
This film is very powerful. It is deep and thought provoking. i truly recommend it.
I'm happy to report: I was wrong. "Death of a President" is a very well written, performed and directed drama in the style of a modern (and hardly opinionated) documentary. And most surprisingly, it isn't really a movie about George W Bush.
It was a very smart move to make it a "mock" documentary, since it keeps the viewer on a skeptical distance to all the protagonists, so the movie doesn't push the audience into immediately placing the characters into the "good" and "bad" categories like it would be the case with a drama done in a conventional narrative. That gives room to examine the characters different motives and actions without having to rely on pressing the emotion-buttons too much. Of course this approach relies on convincing performances from all actors involved (mabybe even more so than with a conventional drama) to keep the illusion alive of actually watching a documentary.... over-acting could have been a disaster for this movie, and i'm very glad cast and director avoided that pitfall. Fine performances all around.
Now, to the obvious elephant in the room (and the reason why this movie is so controversial): Why did the makers of the movie not just have a fictional president killed? Shock value? Some kind of perverse joy in getting rid of the real President? I don't think so.
First of all, having the real President Bush in the movie obviously makes this theoretical exercise just more authentic and convincing. And more importantly, the viewer is forced to place himself somewhere among the characters, to place his sympathy and antipathy bets just based on preconceived notions, so to speak. I doubt there are many people who don't have a clear opinion about George W Bush and his administration (I certainly have mine. And in the interest of full disclosure, I'm no fan, to say the least). But that opinion (whatever it is) is important for the movie to get it's point across: it's the setup to play effectively with the viewers prejudices.
"Death of a President" manages to make you look beyond the stereotypes and makes a solid point about the misleading force of preconceived notions (for the viewer as well as the characters in the movie). The tag line "Do not rush to judge" is well chosen. The movie in particular makes a valid point about the worrying tendency in the US (and the world in general, I cant think of any society that's not to some degree affected by this "disease") of more and more dumbing everything down to "us versus them".
Be it the inflation of the word "Terrorist" as a magic opinion maker, (and drifting away from the movie for a second) be it Republicans versus Democrats, be it the insane shouting matches that pass as talk shows these days or be it the bizarre notion of an inevitable "clash of the civilizations".
The movie isn't perfect though. For example, the character of Bushs speech writer was a bit over the top in her praise for the man, while the protesting crowds remained rather stereotypical. Also, some doctored shots didn't quite live up to the otherwise impressive technical level of this production.
Yet "Death of a Presindent" offers a bit of much needed perspective on the Terrorism-issue; it sure does it by rather drastic means but it doesn't fail to deliver. Of course for me, as a distant observer of the USA, the fact that the actual President gets "assasinated" in this movie doesn't have quite the emotional punch as it must have for Americans. So I can understand the very mixed reactions it gets from reviewers.
But if you feel up to it, go see it yourself and then make up your mind, instead of rushing to judgment based on title and plot outline.
Lo sapevi?
- QuizThe majority of the actors in the film were not told the premise of the movie. The working title for the film was "D.O.A.P.," and the actors were not told what the plot was, except for their specific scenes.
- BlooperWhen Eleanor Drake addresses the North Korean conflicts she calls the dictator "Kim Il-jung" instead of "Kim Jong-il", mixing his name with his father's (Kim Il-sung) together.
- Citazioni
[end title cards]
Title card: One year after his conviction, Jamal Abu Zikri has still not been granted leave to appeal.
Title card: He remains on death row in Stateville Correctional Center.
Title card: Since recording the interview for this film Robert H Maguire has resigned as Head of the Chicago Field Office of the FBI.
Title card: USA PATRIOT III, introduced in the days after the assassination, has since been turned into permanent law.
Title card: It has granted investigators unprecedented powers of detention and surveillance, and further expanded the powers of the executive branch.
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 519.086 USD
- Fine settimana di apertura Stati Uniti e Canada
- 281.778 USD
- 29 ott 2006
- Lordo in tutto il mondo
- 869.352 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1