Inside - À l'intérieur

'À l'intérieur' pulls off a surprising feat: it manages to take a concept that is, by its' very premise, provocative, and make it remarkably uninvolving. It performs this reverse alchemy by an unrelenting series of missteps, in both minor details and choices that the characters make, or don't make. Every time you get close to being sucked in by the action, you are suddenly ripped out of it by something that draws attention to the contrivance and implausibility.

Having said that, I still enjoyed the film due to the performance of the two leads and the remarkable, atmospheric direction. In fact, all of the actors were fine, doing their best with what they had to work with. In the end, this is a gore-fest, and at that the creators succeeded in spades.

I can't recommend this to anyone looking for an involving story or the kind of suspense that demands that you lose yourself in the film, but if you're looking for an 82 minute ride through a great looking charnel house, you could do a lot worse.

No doubt, Alexandre Bustillo and Julien Maury are skillful directors but what's way more dominant here is the visual experience. The team responsible for the lighting does an amazing job, perfectly complemented by cinematographer Laurent Barès, a name that will be worth paying attention to in the future. The real edge are the gore effects though. The make-up department simply outdoes itself, as far as I'm concerned, this is as good as it gets. Also the performances by the two leads don't leave any room for complaints. This truly is an exceptionally well executed movie.

Still, it didn't work for me. As a scriptwriter, director Bustillo leaves a lot to be desired. First off, the movie has next to no plot. The setup and the climax are suitable for a flick like this, but there is really not much in between, leaving you utterly uninterested in where this is going, or why it is not going anywhere at all, ever. Nor does Bustillo really try to produce any character development. The protagonist is a depressive, bad-tempered woman who doesn't care about anything (including the child in her womb, making it little more then a plot device for reduction of her mobility) and the fact that her agony is justified doesn't make her any more interesting as a lead either. The antagonist on the other hand has about one line of informative dialog all together. Nevertheless, the death toll is over the top as Bustillo mindlessly throws one puppet after the other into the blender to be slaughtered within minutes to seconds without ever giving us the slightest reason to shed a tear for them. They really are just sacks of blood wandering up and down a set of stairs before tearing open, spilling their content on the walls. If nothing else, this fact makes the movie feel like a film-school experiment concerning make-up effects.

Now watching the last shot, I can't deny, at this level, the visual experience does to some degree substitute for the lack of script. With all the gore, the seas of blood, the perfectly composed lighting and shots, the agonizing atmosphere and generally the direction itself the movie has a certain poesy about it, which probably was the directors goal.

Verdict.

If you are a rather sensitive person, the visceral stimulation might blow your mind and you won't care too much about a plot all together. If you are a fan of horror flicks, the movie really has the gore and some uniqueness going for it. "Experienced" audiences might feel a bit too much to be desired. Nevertheless, an interesting experience.

Just one knifing/ stabbing or shooting after another with lots of blood and a decent story. There are a few scenes that made me look away and I can tolerate a lot of violence. YOU WERE WARNED.

Of course I have seen films like MARTYRS, FRONTIER(S) and JACK KETCHUM'S THE GIRL NEXT DOOR but I have to say INSIDE was in a class by itself in terms of the ending, it was so bloody and violent I had trouble wrapping my head around what I just saw.

At first I wanted to hate the film and kick myself for buying it but later on I couldn't stop thinking about it, especially about the ending, very few films have had that effect on me, so in the end I thought maybe it was a good film, because I can't even remember the last film that had this particular effect on me, so I'll go ahead and say among all the graphic violence and all the intense moments there was actually a very unique experience.

If I could give good advice to all male horror fans, don't think of this as the ideal date movie, it might cause a few problems in your relationship.

... although the ones that follow aren't that shallow.

What would you do, a stranger's coming after you, just a day before you birth, with a rather heavy girth; finds a way into your home, from room to room she walks and roams, like a demon after blood, of which there ends up quite a flood (or a torrent or a deluge, take your pick).

The fantastic Béatrice Dalle, who gave us one of the most outstanding performances of her career in the brilliant Betty Blue, gives us another intense interpretation, as a stalker/house breaker intent on causing chaos and carnage, while wreaking havoc and mayhem - which she achieves with some aplomb and more.