VALUTAZIONE IMDb
7,6/10
1558
LA TUA VALUTAZIONE
Nel Giappone degli anni '30, una madre affronta difficoltà per crescere i suoi figli quando il marito accademico viene marchiato come nemico dello stato e imprigionato.Nel Giappone degli anni '30, una madre affronta difficoltà per crescere i suoi figli quando il marito accademico viene marchiato come nemico dello stato e imprigionato.Nel Giappone degli anni '30, una madre affronta difficoltà per crescere i suoi figli quando il marito accademico viene marchiato come nemico dello stato e imprigionato.
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Recensioni in evidenza
Actually one particular person/character isn't "right there", but my summary line is referring to the power of the movie. And this is all achieved without any fancy camera moves and/or big production sets, but with a great story and very (believable) and good actors conveying the story (arc).
You could call it a companion piece to great japan movies/cinema (such as Tokyo Story etc.), not so much story-wise of course, but more mood-wise! Great acting, nuances in the performances that are truly gems. If you're eager to experience a touching story and want to see a movie touching you emotionally, than this is the one to go. As you have noticed (as with many of my reviews), I'm not getting into the story. There are places here at IMDb where you can look those up, I'm not one to spoiler the story whatsoever!
You could call it a companion piece to great japan movies/cinema (such as Tokyo Story etc.), not so much story-wise of course, but more mood-wise! Great acting, nuances in the performances that are truly gems. If you're eager to experience a touching story and want to see a movie touching you emotionally, than this is the one to go. As you have noticed (as with many of my reviews), I'm not getting into the story. There are places here at IMDb where you can look those up, I'm not one to spoiler the story whatsoever!
Yoji Yamada's Kabei — Our Mother begins in the late 1930s after Japan had initiated what later became known as The Second Sino-Japanese War. The film begins with Kayo Nogami's husband, a respected intellectual who teaches at the University, writing an article protesting the war with China. Seeing this as a betrayal, the Japanese government brutally arrests him in front of his family for a "thought crime." Yamada is best known for directing a trilogy of Samurai films, especially The Twilight Samurai, which was nominated for an Academy Award for Best Foreign Film and won an unprecedented 12 Japanese Academy Awards, including Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay (written by Yamada). His later films remind me of Akira Kurosawa, not just for their Samurai themes, but for their sensitivity and deep humanity, and Kabei is no exception. Born in 1931, Yamada would have been about the age of the youngest daughter Teryu, who narrates the story as an older woman looking back. After "Tobei" is imprisoned, his wife Kayo, played by the beautiful Sayuri Yoshinaga, struggles to provide for her family, including two daughters aged around six and twelve I would guess. This exquisitely filmed movie follows the mother's heroic efforts, with only a few sympathetic supporters, to survive in a completely hostile environment. Kabei has been called "dark" for the harsh treatment Kayo and her daughters receive, but Yamada's tender depiction of the family and Yoshinaga's astonishing performance lift it from tragedy to triumph. Usually, a younger actor progressively plays an older one, but in this film Yoshinaga, around 65 when she made Kabei, starts out playing a young mother!
Yoji Yamada is one of today's most brilliant directors. I have really enjoyed his period pieces, which have brought back fun memories of classic Samurai movies. Yamada has a subtle and quiet voice which he usually uses well. Kabei: Our Mother seemed like it came from a different director altogether. Set out like a series of memoirs, the film relied heavily on an intrusive narration and episodic structure. I never felt at ease, or intrigued, by the films pace. There were segments I enjoyed, most involving Asano, who kept his emotions in the open without making them obvious. The end was also very melodramatic, with screaming and crying forcing their way in. It was all very 'bitty', but each individual 'bit' had something to enjoy.
The film is as warm as water, and it erupts just right in the rapids. Before the characters cry, the audience will cry. Wars are politicians playing tricks on real people, so-called traitors, usually deeply in love with a country run by demons. In a sense, both thought criminals and traitors are honors.
The past Showa era is the same as today's new era of Xitler (Xi Jinping). Xitler will takes China to war. Chinese who oppose Xitler are true patriots.
The past Showa era is the same as today's new era of Xitler (Xi Jinping). Xitler will takes China to war. Chinese who oppose Xitler are true patriots.
A Chinese scholar who criticizes harshly the arrogant nationalist, warmongering policies of the ruling clique around the emperor in pre-war Japan, is accused of being a 'communist' and jailed for life. His loving wife, who supports totally her husband and his ideas, is left alone to save her family from starvation. This movie is a huge statue erected in praise of the role of the mother in the history of mankind. Sayuri Yoshinaga is not less than sublime in the title role and it was a monumental scandal that she didn't get an Asian Oscar for the best female role in 2009. It went to a young girl with very limited acting potential.
This deeply moving and most 'human' feature is a must see for all 'true children' on earth.
This deeply moving and most 'human' feature is a must see for all 'true children' on earth.
Lo sapevi?
- QuizBased on the autobiography of writer Teruyo Nogami.
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- Our Mother
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Botteghino
- Lordo Stati Uniti e Canada
- 14.416 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3072 USD
- 10 mag 2009
- Lordo in tutto il mondo
- 18.385.964 USD
- Tempo di esecuzione2 ore 13 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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