VALUTAZIONE IMDb
5,6/10
2432
LA TUA VALUTAZIONE
Hannah è una neolaureata che sta svolgendo un tirocinio presso una società di produzione di Chicago. Ha una cotta per due scrittori al lavoro. Una relazione con uno di loro interromperà il d... Leggi tuttoHannah è una neolaureata che sta svolgendo un tirocinio presso una società di produzione di Chicago. Ha una cotta per due scrittori al lavoro. Una relazione con uno di loro interromperà il delicato equilibrio della loro amicizia?Hannah è una neolaureata che sta svolgendo un tirocinio presso una società di produzione di Chicago. Ha una cotta per due scrittori al lavoro. Una relazione con uno di loro interromperà il delicato equilibrio della loro amicizia?
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
Hannah is so self-absorbed, she doesn't even realize she is. She laments that the world is full of self-absorbed people and that everyday gestures of friendliness are rooted in fear of the dark side of others. And yet she seems to give nothing worthwhile of herself and seems oblivious to the needs of others or the ramifications of her actions. She is drifting aimlessly, momentarily amused by the affections of men with whom she rapidly bores. Nonetheless, she is fascinating to watch. Excellent acting with brilliant unspoken subtext, which is critical, since Hannah is largely inarticulate. If you know any lost 20-somethings, you will recognize them in this. Many scenes go on too long, the dialog is bland and mundane. The men are cute and like to cuddle. The women confused and uninspiring.
Looking at the comments on this film on this and other websites it is clear that this is a rather polarising affair – it is difficult to find a balanced review as people seem to love it or hate it. I'm not sure why because for me it is an OK piece of cinema vérité that has some strengths but ultimately doesn't work unless your requirements are for it to be "natural". Some have said that the film is unrealistic but I think this is unfair because to me Hannah does ring true – and if you doubt this then I would suggest you go onto Tumblr (the current "trendy" blog platform) and subscribe to any one of the countless blogs maintained by young professionals working their first jobs in the creative sectors. This comes over like a criticism and perhaps it is because for me the film is fairly bang on the money when it comes to Hannah – although I guess she is as representative of her generation as much as any one person can represent a group of millions (ie they can't).
The film follows her through a period of time and many conversations with her partners, colleagues and friends and nails her in how rather self-centred and selfish she is when it comes to her relationships. Some of this is clunkingly obvious to the point of being a bit irritating but mostly it feels natural. It seems this is mostly down to Gerwig, who is utterly convincing in who she is, a feat that is more impressive due to the lack of script (although I suppose she may be this person but I shall assume she is not). The problem is that, given how rather annoying Hannah is, the film seems happy to let the viewer wallow in her life without a lot of interest going on once her character has been established as much as it will be (which is early on). Without much happening we are left with only the characters to hold the viewer in the film – in particular Hannah. The problem is that this is not something that appeals and, even if it does, the lack of any sort of destination (thematically, emotionally, narratively – you name it) means that you get little back from the film.
Ultimately, for all its naturalism and the appeal this offers me, the film goes nowhere and just leaves me with people that I have no reason to have patience with and, although I gave the film the time it wanted, I find myself taking nothing away from it other than a sense of time wasted. As an experiment it is interesting and Gerwig is a big part of the film working at all but it amounts to very little and has the further downside of suggesting that this is somehow the standard for independent little dramas now. Ignore the hyped praise and ignore the scathing criticism – the truth is somewhere in the middle albeit it more towards the critical end of the spectrum.
The film follows her through a period of time and many conversations with her partners, colleagues and friends and nails her in how rather self-centred and selfish she is when it comes to her relationships. Some of this is clunkingly obvious to the point of being a bit irritating but mostly it feels natural. It seems this is mostly down to Gerwig, who is utterly convincing in who she is, a feat that is more impressive due to the lack of script (although I suppose she may be this person but I shall assume she is not). The problem is that, given how rather annoying Hannah is, the film seems happy to let the viewer wallow in her life without a lot of interest going on once her character has been established as much as it will be (which is early on). Without much happening we are left with only the characters to hold the viewer in the film – in particular Hannah. The problem is that this is not something that appeals and, even if it does, the lack of any sort of destination (thematically, emotionally, narratively – you name it) means that you get little back from the film.
Ultimately, for all its naturalism and the appeal this offers me, the film goes nowhere and just leaves me with people that I have no reason to have patience with and, although I gave the film the time it wanted, I find myself taking nothing away from it other than a sense of time wasted. As an experiment it is interesting and Gerwig is a big part of the film working at all but it amounts to very little and has the further downside of suggesting that this is somehow the standard for independent little dramas now. Ignore the hyped praise and ignore the scathing criticism – the truth is somewhere in the middle albeit it more towards the critical end of the spectrum.
No, "Hannah Takes the Stairs" is NOT a perfect movie, or even a great movie, or even a movie that I feel the desire to ever watch again. But, it still is worthwhile, it still has plenty of entertainment value, humor, heart, sadness, happiness, and so on and so forth.
The film takes the typical "mumblecore" approach to things; the cast is made up of quirky, often romantically involved twentysomethings, the budget is extremely low, the dialogue feels improvised, but still clever, the comedy is awkward, the drama is slight, but still impactful. This film in particular embodies all of these characteristics to its own advantage, and felt stunningly realistic. Although the production value is blatantly low, the acting is strong, particularly Greta Gerwig's performance, which is at least somewhat responsible for kickstarting her career, which has obviously developed quite a bit over the past ten years! Her character is flawed, but she is also always likable. She and the rest of those populating the screen feel like real, well developed human beings. These are characters who I feel like I've met before...I've passed by them in life, I may have even befriended them. And now, on an unbiased screen, I can witness their rises, their falls, their good times, and their bad ones.
Hannah (Greta Gerwig) is a twenty something starting an internship at a Chicago production office working under writing partners Matt and Paul. Her boyfriend Mike (Mark Duplass) quits his job. She contemplates breaking up and Mike decides to do it himself. She starts to fall for his co-workers which causes friction among the trio.
This is Joe Swanberg, mumblecore, and the indie circuit. Gerwig is starting out her partnership with Swanberg. She definitively has a star quality to her. She is very much the IT girl of the movie. On the other hand, Matt and Paul are not being played by IT guys. It would help to have Duplass play one of the guys. There is real tension happening between Hannah and Mike. It gets really uncomfortable and dark at times. The love triangle needs that kind of tension and darkness. Without it, the film goes limp. They struggle to get to that same level. It doesn't put Hannah in the best of light either. The movie falters to the finish.
This is Joe Swanberg, mumblecore, and the indie circuit. Gerwig is starting out her partnership with Swanberg. She definitively has a star quality to her. She is very much the IT girl of the movie. On the other hand, Matt and Paul are not being played by IT guys. It would help to have Duplass play one of the guys. There is real tension happening between Hannah and Mike. It gets really uncomfortable and dark at times. The love triangle needs that kind of tension and darkness. Without it, the film goes limp. They struggle to get to that same level. It doesn't put Hannah in the best of light either. The movie falters to the finish.
When the movie started, with the amateur filming and uninteresting boobies scene, I almost turned it off right away. I ended up watching more, and really got into it. Of course it's nothing special, it's filmed like a low-budget TV series, but what makes it interesting is that it feels real. The characters are real, the story is real, the problems are real. I felt like I was watching a reality show with people who have relationship issues that I could relate to. Obviously, if you don't like reality shows, chances are you probably won't like this. Hannah was fun to watch, although she's a bit annoying at times. Overall I really enjoyed this simplistic home movie, it was very pleasant and real. The only thing I disliked was how it ended so abruptly, I wanted more!
Lo sapevi?
- QuizShot without a script.
- ConnessioniFeatured in Brows Held High: Tiny Furniture (2014)
- Colonne sonore1812 for 2006
Composed and Performed by Kevin Bewersdorf
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Hannah Takes the Stairs?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 22.815 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5901 USD
- 26 ago 2007
- Lordo in tutto il mondo
- 26.923 USD
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti