Ghost Town: The Movie

If you type in Dean Teaster on IMDb you get the page for Dean West. Mr. West produced, co-wrote the story, co-directed, and acted in Dean Teaster's Ghost Town. Not only that but the major characters in the story are named Teaster as well! So I guess I can assume that this is Mr. Teaster/West's movie. Actually it's his first movie. He had a co- director but his name is not all over the credits like Teaster's. This all leads up to an important question: Does he know anything about film and story structure? Judging by this movie I would have to say no. But don't take my word on it. Check out most of the previous comments. If you do you will notice a very common theme running through all of them. Mr. Teaster/West does not have a clue as to how a film should be assembled. If the flow of individual scenes are not rough and jarring they are too long and vapid. There are cuts in the wrong places, no cuts where there should be, and disturbingly few masters used and when they are they are not in the correct position. Take it form a film school graduate, Mr. Teaster/West and his editor need to go back to film school. This time pay attention to film basics 101. Take notes

I fell in love with the story Heaven's Neighors quite a while ago. So naturally I kept my eyes open for anything Jeff Kennedy is associated with. Heaven's was a beautifully crafted story that tugged at your heart and stayed with you, rumbling around in the back of your mind for weeks. Unfortunately I cannot say the same for Ghost Town. The plot and characters are incredibly hard to follow. The storyline suffers from horrible editing. And it lacked that special touch that brought you in to the world that was created through the lens. To be honest, Heaven's, according to the credits was written and directed by Kennedy. And on Ghost Town he was only co-director. Dean Teaster/West was the other co-director as well as being involved in the story as well as producing. So I cannot say for certain how much of an impact Kennedy had on the movie, but judging by the end product it wasn't much. If Heaven's Neighbors is an example of his film making fingerprint, then Ghost Town was clearly not in his hands.

About 20 minutes into this movie you begin to wonder just what is going on. What should have been a straightforward western tale of revenge is muddied up by poor storytelling. Too many cuts back to the back story and confusing choices of shot selection constantly nag at the viewer. Just when you think you have an idea about what is going on, the editor throws something totally irrelevant on the screen and you are left wondering what happened? This is incredibly frustrating! I can "see" the story on a basic level. I can sense what the film is trying to do. But it as if the editor is purposely trying to throw a wrench into the works. I am left with a simple question: Why would he do that? Nothing is more straightforward than a western. The good guys and the bad guys are easily distinguishable. And the plot is usually quite linear. Why then would you take a simple story such as this and assemble it in such a dyslexic manner?

They may have tried hard,but there is a rash of inexperience both in front of the camera and behind it that kills the film almost immediately and makes the viewer wish he had chosen something else to watch.Even the more experienced actors like Rance Howard and Bill McKinney come away looking bad because of the painfully ridiculous dialog written for them by the film's inexperienced script writers.The story is interesting enough,though,and would probably have come out looking a lot better with a more seasoned crew in charge.While it might be true that this film was not intended to be a blockbuster,it still has to be entertaining,and it comes up painfully short.

First of all let me tell you I teach several film classes at a prominent university. One of those classes involves an emphasis on western archetypes in American film. So naturally I'm always interested in any new western that comes out. Ghost Town peaked my interest as it appeared to be a throwback to the classic western. Being as it is and independent film, obviously shot on a lower budget, it is not without it's faults, but unfortunately the major problems are not related to limited funds. The first thing you notice is that it is titled Dean Teaster's Ghost Town. This begs the question: Who is Dean Teaster? According to IMDb this is the first movie he has ever directed, and he did not direct it alone. If you are going to put your name on the title like this, you should actually be somebody. In other words it should be a selling point, not just an ego boost. Once I go into the movie I was pleasantly surprised at how it was shot. The angles, composition, and camera movement were all quite reminiscent of westerns of the 40's and 50's. As another commentator noted, I picked out several instances of whole scenes that were obviously influenced by pictures like High Noon and The Searchers. Bill McKinney, the perennial western bad guy for the last 50 years turned in a very good performance. Herbert Coward, DJ Perry, and Rance Howard all turned in credible performances that added to the classic atmosphere of the movie. The one major problem that Ghost Town had, and judging by previous comments I am not alone in this, was the lack of coherent storyline. It was, at times, difficult to follow the plot. There were so many times when the scenes were apparently pieced together with little regard for the story. The most glaring aspect of this was the constant cutting back to an image of the "dead Suzie Teaster." After several viewings and a close perusal of the credits it became clear that Suzie Teaster was played by Tammy Stephens Teaster. Yes, the main characters have the same last name as the director (who also plays Digger?) And this actress is somehow related to him as well. Confused? Nepotism in film is nothing new. Minor roles are often filled with wives, uncles, sisters and brothers. The problem here lies in the lack of restraint. Judicious use of minor characters is essential for a smooth flowing story. Unfortunately "Suzie Teaster", who does not have much of a full blooded Native Amercan look as much as a a Florida tan, appears way to often, and at inopportune times, which further muddies and confuses the plot.

Ghost Town has all the essentials for a good solid western. A better eye for editing, concentrating on the story, could make this into something very good. As it stands right now, it appears that one of the director's has an ego problem that spoiled what could have been a true classic.