Durante una lunga estate inglese nei primi anni '80, due ragazzini di diversa estrazione sociale vogliono realizzare un film ispirato a Rambo.Durante una lunga estate inglese nei primi anni '80, due ragazzini di diversa estrazione sociale vogliono realizzare un film ispirato a Rambo.Durante una lunga estate inglese nei primi anni '80, due ragazzini di diversa estrazione sociale vogliono realizzare un film ispirato a Rambo.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 3 vittorie e 10 candidature totali
- Mary Proudfoot
- (as Jessica Stevenson)
- French Teacher
- (as Emile Chesnais)
Recensioni in evidenza
Will is a young boy who appears to be about 8 years-old who is very sad and lonely. This is because his family are members of an ultra-religious sect and Will isn't allowed to do many of the things other kids do. However, oddly, his mother sends him to school with other kids....kids who are NOT from this same religious order. But being an oddball, he's mostly alone...that is until he meets Lee Carter, the kid who's been voted most likely to go to prison before he reaches puberty!
So what do these two boys have in common? Well, they both want to make a movie....a sequel to "Rambo: First Blood"...and making films and hanging with this 'bad kid' is a serious breech of the rules for Will. And, what does a weird French foreign exchange student have to do with all this?
The film has some charming moments and the child actors did a very nice job. But the final portion of the film, while enjoyable, makes no sense and seems more formulaic than intelligently made. Still, it's a cute little film....and there aren't too many like it.
The performances by all the children were exceptional, especially Carter who is the movie's sparkplug and provides comic relief frequently. As well as Didier the french exchange student who is a text book example of how absurd the whole new wave trends of the day were, his appearances are all wildly amusing. The movie also has a fair amount of quirky animations and dream sequences that offer visual pleasures for the eyes and bring childhood doodles to life. The movie is just a brilliant little idea and it plays out so very well in all the settings and the characters are extremely likable in all manners, the movie should play great for almost all ages
If you can't relate to being in awe of a 'cool' French exchange student; or the thrill of being allowed in the hallowed ground of a 6th form common room; or dancing to The Cure, Duran Duran & Gary Numan, then you're unlikely to feel much of a connection with the characters in this film. It has so many uniquely 1980's British cultural references I suspect a lot of overseas audiences will be left just scratching their heads.
I also don't understand why they had to have so much bad language & blasphemy in it otherwise it would have been a really good family film. Why do British film producers do that? :o(
Will Proudfoot (Bill Milner) and Lee Carter (Will Poulter) are a chalk and cheese pairing, thrown together by chance after being summoned to detention at school. Will, from a fatherless family in the grip of the austerely religious Brethren, is a heart-warmingly polite boy harbouring a boundlessly artistic imagination; Carter, from a parentless household, is a lonely rebel with a total lack of respect for everyone except his astoundingly self-absorbed brother, marvellously played by Ed Westwick. And yet, following their chance encounter, the situation where naïve and amiable Will is exploited by sharp-witted and seemingly cynical Carter is replaced by mounting empathy and friendship between the two, alternately spurred and severed by their family backgrounds and their turbulent film-making.
The two leads are remarkable debut actors, making the story touching and believable and realising the film's comic potential. Poulter is hilarious in the role of Carter, delivering stinging wit and outraged putdowns with aplomb. The shooting of the film provides some hysterical contrasts between grown-up pretensions and childlike absurdity, with gun-battle sequences ripped straight from 'Rambo: First Blood' interspersed with footage of a flying dog attack.
The overlapping secondary story, portraying the school-playground infatuation with the New Wave style of French exchange student Didier, is also a rich seam of humour; the stinging parody of teenage culture culminates in Will and Carter's visit to the school common room, populated by posing, pogoing teens. The supporting cast of adults also includes some fine comic actors, including Jessica Stevenson (notably of TV comedy Spaced) and Adam (of the Adam and Joe Show fame).
Writer-director Garth Jennings skilfully weaves together the overlapping worlds of children, teenagers and adults in this film with excellent dialogue and cinematography. The camera-work is striking in many places, particularly the opening montage of front gardens, with Lee riding his bike past and casually causing havoc. The film also benefits from its bubbly soundtrack, composed by Joby Talbot. This is a superb comedy and definitely the best Rambo film ever.
Attended a preview screening this week, and can't wait for the weekend so I can go back and watch it again. The screening was packed, and the general reaction definitely agreed with my own.
There are several 'laugh-out-loud' moments, from the opening titles, to the touching climax, and at many points in between, in a well written, perfectly paced film. I am someone who goes to a lot of movies, and sometimes find myself checking my watch, but this draws you in from the start, and it never loses you.
Probably has most appeal for those , like myself, who were in the UK in the 80's but I'm sure it has appeal for all, and hope the two leads go on to further success in the future. There is an innocent charm about the lead pairing, and the movie as a whole, that should transcend national and cultural boundaries.
Lo sapevi?
- QuizOne of Didier's entourage is wearing sun glasses because as director Garth Jennings puts it at 22:50 in the DVD commentary "He could not stop looking directly into the camera."
- BlooperSiouxsie And The Banshees' "Peek-A-Boo", which was released in 1988, plays at a school party.
- Citazioni
Lee Carter: I don't care what you and your so-called mates say about me, but don't you ever, ever call my brother a scab! You know, at least he's there for me! At least he cares about me, which is more than I can say for you, blood brother. You're a two-faced fake like the rest of them and I'm gutted it took me this long to work it out. I'm gutted I fell for it, Will. Lawrence is better than all of you and all that lot put together and he's all I've got, alright? He's all I've got.
[sobs]
Lee Carter: I didn't come back for you anyway. Where's my camera?
- Curiosità sui creditiAt the very end of the closing credits Carter's voice-over says, "By the way, you spelled the title slightly wrong; there's no 'w' in Rambo". Will replies, "Oh, okay" and Carter then says, "It's still good though".
- Colonne sonoreI Can't Wait
Written by John Smith (as John Robert Smith)
Performed by Nu Shooz
Licensed courtesy of Rhino UK
Published by Poolside Music
Courtesy of High Fashion Music - Beat that Music Limited (IMG), UK
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El hijo de Rambow
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 1.785.505 USD
- Fine settimana di apertura Stati Uniti e Canada
- 53.789 USD
- 4 mag 2008
- Lordo in tutto il mondo
- 10.871.449 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1