Godzilla

In 1998, Roland Emmerich attempted to reignite the eponymous film franchise by creating the critically-panned flop 'Godzilla', 16 years on and we are now faced with one of the best adaptations of the iconic monster's adventures. Gareth Edwards created 'Monsters' in 2010 on a mere budget of £500,000, barely 4 years on and Warner Brothers offered him the chance to create a $160 million adaptation of 'Godzilla'. All the aspects from 'Monsters' are employed in this action/sci-fi adventure, but on a much grander scale. This is a treat for all Godzilla fans and a very respectable adaptation that stays true to the 1950s Japanese classic rather than wandering away like Emmerich's one did. Packed with stunning cinematography, vast special effects and a sweeping spectacle of giant monster battles, 'Godzilla' has been a fantastic start to 2014. Bryan Cranston and Aaron Taylor-Johnson's performances are outstanding and there is a certain chemistry that makes their relationship that bit more believable. Whilst at time there are some cheesy and over-the-top scenes, 'Godzilla' is nonetheless an enjoyable action romp that restores the franchise's original glory.

Oh, the trailers looked so good. I had hope, and, for the most part, my only criterion was that it be better than Pacific Rim, Hollywood's attempt at the kaiju genre last year. I liked that one, but was disappointed (with Guillermo del Toro, I expected something with a little more meat). Godzilla does not clear that hurdle. It has the same major problem that all these kinds of films do: the human element is lacking. Severely here. And what a fantastic cast to waste! Bryan Cranston, Juliette Binoche, Sally Hawkins, David Strathairn, Elizabeth Olsen, Ken Watanabe! Every single one of them utterly wasted. Hopefully they all got a big check. We have all these people, but instead we're saddled with charisma black hole Aaron Taylor-Johnson (of Kick-Ass fame), who isn't even adequate. Thankfully, the big monster fights deliver, for the most part. There could maybe be more monster action, but when it's there, it's a lot of fun. I also thank the filmmakers for restraining themselves and keeping the film at only two hours (it runs a tad over that if you stay through the credits).

When this came out, people were upset that it did not have enough creatures in it. I agreed back then but now after the sequels I realize that Gareth Edwards was trying to focus on the story and not just a CGI fest. I really enjoyed Bryan Cranston's character and wish I could have more of that too. While I left wanting more, sometimes that is better than having too much.

During the 1950s, creatures are awaken from the deepest depths. Dr. Ishiro Serizawa (Ken Watanabe) believes that ancient creatures exist that lives in radiation. As the radiation faded from the earth's surface, these creatures retreated to the lower depths. In 1999, miners uncover a vast cavern with a giant skeleton in the Philippines. They also find one of the spores broken open. In Japan at the Janjira Nuclear Power Plant, manager Joe Brody (Bryan Cranston) loses his wife in a freak incident. Fifteen years later, Joe is still investigating the incident with the city around the plant quarantined. He is arrested once again for trying to breach the quarantine. His son Ford (Aaron Taylor-Johnson) has to leave behind his wife Elle (Elizabeth Olsen) in San Francisco to go pick him up from jail in Japan. Joe convinces Ford who is now a US Navy ordnance disposal officer to join him to go to the plant. They discover that there is no radiation leak. Instead the spore from the Philippines named MUTO (Massive Unidentified Terrestrial Organism) has settled in the plant sucking up all the radiation.

This is always going to be a great monster movie. The CGI is terrific and Godzilla has a great time smashing things up. That part seems like a no-brainer. I still give director Gareth Edwards credit for doing a great job. He doesn't disappoint. The problem is once again the human story. The beginning is just too long before it gets to a monster. The Joe Brody story doesn't have the bite. In another movie, his story would be a fun mystery. The problem is that the audience knows it's a monster even if it's not Godzilla. So there is no tension from the mystery since it's not really a mystery. The other problem is that Ford just happens to be at the right place in all of those situations. It's a situation that a lesser movie would rely on. I hoped for better. The final problem I have is that the movie cuts away from the monster action time and time again. It's funny the first time but it gets annoying quickly. Despite all the problems, there is still a fun monster movie and lots of stuff get smashed.

I saw the trailers for this a year ago while I attended a screening for Aronofsky's NOAH . I didn't fancy it much . GODZILLA conjures up memories of the big budget blandfest from a decade and a half ago . Just put some CGI on screen and voilà you've a Summer blockbuster . This version did get a very good average rating when it opened , something in the region 8.1 but progressively got lower and it now has a rating of 6.6 indicating something average . To be fair I went in with an open mind and did find myself enjoying things more than I probably expected

The original GODZILLA from 1954 was of a course a Japanese film that used the monster as a metaphor for the bomb . It did quickly abandon this subtext and just became a long running franchise where the titular monster got involved in all sorts of battles with other giant monsters . In its favour Gareth Edwards version of GODZILLA does keep the ethos of this . Radiation is very much to the fore of the story and while Godzilla might not be the hero he's certainly not the villain and this is reserved for "Massive Unidentified Terreistial Organism" a sort of hybrid between a giant praying mantis and a dragon . You know at one point they're going to be meeting in a climatic battle

Of course two hours of giant CGI creatures getting in to a punch up isn't going to resonate with an audience so Edwards includes a very human backdrop as the story takes place through the eyes of serviceman Ford Brody . You got to love that name , it's sounds like a character John Wayne was born to play , a man's gotta do what a man's gotta do , get off your horse and drink your milk etc . It wasn't until I found out after seeing the film that I found out Brody is played by English actor Aaron Taylor-Johnson who I was totally convinced was one hundred per cent Uncle Sam . That said this isn't an actors type of film and I'm speculating that the casting of Cranston and Binoche might have led to the backlash by many people . If you want to see Binoche try not to be blink because you will literally miss her . It's also difficult not to notice that there's a strong streak of manipulation as to how the characters play out . It's also yet another film where a little kid is used in a scene to keep the audiences emotions on tenterhooks

Regardless of this people watch a film like GODZILLA for action set pieces and you can't really fault Edwards for what he's done here . He doesn't have a idiosyncratic quirk to his directorial style and the film does have that kind of Summer blockbuster look but he also previously directed MONSTERS and that movie featured a couple of aliens mating and here the MUTOs have a similar though much more shorter sequence . If you need a film calling for alien reproduction I can see Gareth Edwards being a natural auteur