Out of the Blue
- 2006
- 1h 43min
VALUTAZIONE IMDb
7,1/10
4101
LA TUA VALUTAZIONE
Basato sul massacro di Aramoana avvenuto il 13 novembre e il 14 novembre 1990.Basato sul massacro di Aramoana avvenuto il 13 novembre e il 14 novembre 1990.Basato sul massacro di Aramoana avvenuto il 13 novembre e il 14 novembre 1990.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 5 candidature totali
Matthew Sunderland
- David Gray
- (as Matt Sunderand)
Timothy Bartlett
- Jimmy Dickson
- (as Tim Bartlett)
Recensioni in evidenza
I was lucky enough to attend a preview screening of Out of the Blue at the Embassy theater. As the final credits rolled and the curtains closed I realized I had finally found the meaning to the word 'masterpiece'. This is unquestionably one of the best films I have ever seen. Period.
The portrayal of David Gray is haunting in every meaning of the word. Matthew Sutherland is an expert as his craft. I despised him throughout the film but at the same time felt pity; for what he was going through mentally was almost as scary as what he was causing the town to go through.
Robert Sarkies has proved to us that he has a genuine eye for directing, and that he is loaded with talent. Although he has already worked on several other New Zealand films/series, I believe that this could be his calling card for getting into the big-budget pictures.
The acting is incredible, and I really admire Karl Urban for returning to NZ and doing this low-budget film. Every single performance in this film is nothing short of spectacular. I have never felt as though I actually knew a bunch of people in a movie until now. It was genuinely the most scary thing I have seen when the town goes to hell.
I wish that this movie could get a wide theatrical release, although I am almost certain it wont because its story wont really effect anyone outside of New Zealand. However, if you live in New Zealand you must see this film when it is locally released in cinemas. In fact no; everyone should go see this film. Everyone. Twice.
10/10 This is what happens when you get a bunch of people together who love what they do to make a movie.
The portrayal of David Gray is haunting in every meaning of the word. Matthew Sutherland is an expert as his craft. I despised him throughout the film but at the same time felt pity; for what he was going through mentally was almost as scary as what he was causing the town to go through.
Robert Sarkies has proved to us that he has a genuine eye for directing, and that he is loaded with talent. Although he has already worked on several other New Zealand films/series, I believe that this could be his calling card for getting into the big-budget pictures.
The acting is incredible, and I really admire Karl Urban for returning to NZ and doing this low-budget film. Every single performance in this film is nothing short of spectacular. I have never felt as though I actually knew a bunch of people in a movie until now. It was genuinely the most scary thing I have seen when the town goes to hell.
I wish that this movie could get a wide theatrical release, although I am almost certain it wont because its story wont really effect anyone outside of New Zealand. However, if you live in New Zealand you must see this film when it is locally released in cinemas. In fact no; everyone should go see this film. Everyone. Twice.
10/10 This is what happens when you get a bunch of people together who love what they do to make a movie.
New Zealand docudrama about the massacre that occurred in Aramoana when an angry gun nut opened fire on his neighbors and severely reduced the population.
Slow to start, I thought that this was going to be a typical story of a shooting with its pleasant vistas and the get to know the participants set up scenes. However once things got going things spiral out in ways that they can only in real life. The violence, which we know is coming, is at first explosive and in its way out of left field. Then as the neighbors and soon to be targets attempt to figure out what the "fireworks" are things becoming darker as the random acts of violence begin to pick up. What do you do when a nut job begins to open fire? Here's the answer.
Though far from perfect, its a tad too clinical for my tastes, this film really packs a punch, especially in the final scenes where there are a few decidedly haunting images that not only drive home whats happened but also turns so of what we've seen on their ear (The swat team in slo mo).
I thought it was quite good. However I'm not particularly pleased with the Weinstein company who is its distributor. No ads for the film in New York. Sure you screened it for critics, but no add other than in the general ad for the IFC center where its playing. Clearly you don't want anyone to see it or know it existed.(I caught it on IFC on Demand cable service.) I only gave it a shot because I saw the title in the Time Out New York film reviews. Clearly they don't know what they are doing since here's a film they should promote but don't, yet other things like... Doogal...they promote like mad even thought it belongs in the bottom of a charnel house's fire pit.
If you get a chance to see it do so, its too good not to be seen.
Slow to start, I thought that this was going to be a typical story of a shooting with its pleasant vistas and the get to know the participants set up scenes. However once things got going things spiral out in ways that they can only in real life. The violence, which we know is coming, is at first explosive and in its way out of left field. Then as the neighbors and soon to be targets attempt to figure out what the "fireworks" are things becoming darker as the random acts of violence begin to pick up. What do you do when a nut job begins to open fire? Here's the answer.
Though far from perfect, its a tad too clinical for my tastes, this film really packs a punch, especially in the final scenes where there are a few decidedly haunting images that not only drive home whats happened but also turns so of what we've seen on their ear (The swat team in slo mo).
I thought it was quite good. However I'm not particularly pleased with the Weinstein company who is its distributor. No ads for the film in New York. Sure you screened it for critics, but no add other than in the general ad for the IFC center where its playing. Clearly you don't want anyone to see it or know it existed.(I caught it on IFC on Demand cable service.) I only gave it a shot because I saw the title in the Time Out New York film reviews. Clearly they don't know what they are doing since here's a film they should promote but don't, yet other things like... Doogal...they promote like mad even thought it belongs in the bottom of a charnel house's fire pit.
If you get a chance to see it do so, its too good not to be seen.
I went to see this having read a couple of books on the subject several years ago, including the one on which the film is based.
Wasn't sure what to expect as there's been a lot of hype & media publicity surrounding this film.
I must say I certainly wasn't disappointed.
This is an excellent film. I haven't seen director Sarkies' other film Scarfies but I was impressed with this. No doubt he's headed for bigger things if this film is any indication.
Take a bow Mr Sarkies, you've already got the NZ Film Awards sewn up.
This is the kind of film you don't see too often, shocking and extremely tense, but without relying on the graphic violence and bloodspatter far too prevalent in mainstream films these days. Add to that this is a true story and there's plenty of attention to detail.
A few other 'bigger' directors could take note from this that the audience aren't all idiots. They can figure out what's happening without squibs going off left, right and centre and spent cartridges ejecting from the chamber in slow motion.
As the cinema sat in silence, I swear I could hear my own heart pounding at times as my blood pressure went through the roof. A great movie going experience not felt too often.
I wasn't sure if If I was watching a reenactment or remastered old news footage as the specialist Police moved in on the town. It looked very authentic.
In spite of his dastardly deeds, one couldn't help but feel a tad of sympathy for the bad guy who is portrayed as a sad, lonely dysfunctional person who's mental health gradually deteriorates. More good work by the director and certainly different from the norm.
It wasn't perfect though, the pacing of the film seemed a bit out of kilter in a few places, while I thought some of the acting in the film was brilliant at times, but not quite so at others.
The up close gun fire as well probably fell a little bit short in the decibel department and could possibly use a touch up.
That aside, on a global scale it's a small budget film so any shortcomings are excused.
I give it an 8 because I'm a very tough marker, with a 10 being nearly impossible.
Given the subject matter, I don't think I could call this entertaining, but it sure is an experience & somewhat unforgettable, enough to make a grown man cry.
In short, see this film!
Wasn't sure what to expect as there's been a lot of hype & media publicity surrounding this film.
I must say I certainly wasn't disappointed.
This is an excellent film. I haven't seen director Sarkies' other film Scarfies but I was impressed with this. No doubt he's headed for bigger things if this film is any indication.
Take a bow Mr Sarkies, you've already got the NZ Film Awards sewn up.
This is the kind of film you don't see too often, shocking and extremely tense, but without relying on the graphic violence and bloodspatter far too prevalent in mainstream films these days. Add to that this is a true story and there's plenty of attention to detail.
A few other 'bigger' directors could take note from this that the audience aren't all idiots. They can figure out what's happening without squibs going off left, right and centre and spent cartridges ejecting from the chamber in slow motion.
As the cinema sat in silence, I swear I could hear my own heart pounding at times as my blood pressure went through the roof. A great movie going experience not felt too often.
I wasn't sure if If I was watching a reenactment or remastered old news footage as the specialist Police moved in on the town. It looked very authentic.
In spite of his dastardly deeds, one couldn't help but feel a tad of sympathy for the bad guy who is portrayed as a sad, lonely dysfunctional person who's mental health gradually deteriorates. More good work by the director and certainly different from the norm.
It wasn't perfect though, the pacing of the film seemed a bit out of kilter in a few places, while I thought some of the acting in the film was brilliant at times, but not quite so at others.
The up close gun fire as well probably fell a little bit short in the decibel department and could possibly use a touch up.
That aside, on a global scale it's a small budget film so any shortcomings are excused.
I give it an 8 because I'm a very tough marker, with a 10 being nearly impossible.
Given the subject matter, I don't think I could call this entertaining, but it sure is an experience & somewhat unforgettable, enough to make a grown man cry.
In short, see this film!
I remember very well the events unfolding in Aramoana as it was broadcast on the TV and radio. I was a Police Officer at the time and the death of a fellow officer was tough news to hear. Seeing the events recreated on screen for the first time brought the memories flooding back. Seeing how even in a relatively peaceful nation such as New Zealand, no-one is immune from random acts of violence was very sobering. I sat bolt upright the entire movie and didn't realise it. The theater was deathly quiet. This is a movie that pulls no punches and has not an inkling of Hollywood in it. It is a sad, dramatic, true to life retelling of the massacre. This type of film is one of the reasons I avoid many of the big budget Hollywood movies. There's no glorification here, no overly animated death scenes, this is movie making at it's best. The story is being told without embellishment and in a sadly beautiful way. A must see for New Zealander's, and for anyone else interested in seeing a powerful, compelling movie. New Zealand's movie of the year, without doubt.
It was inevitable that - like the Stan Graham saga of 1941 made into the movie "Bad Blood" - the Aramoana massacre of 1990 would eventually be turned into a feature film. To their credit, the cast and crew of this have done a good job of it and perhaps just as importantly, the script writers have attempted to provide a little insight into why it happened, although the full background is something that people will need to read the two books that were written about it to get. The film starts in the morning of the day it started (the events lasted into the next day) and continues - with only a couple of brief flashbacks on the part of Gray - till a conclusion just after Gray is shot dead by police. It manages to keep fairly true with the actual events (as described in the two books) although there are some departures of varying importance. The film works well as a drama and unlike a Hollywood movie doesn't portray anyone as a superhero, or thickly apply sentimentality. The cinematography is also superb.
Lo sapevi?
- QuizChris Cole is wearing a T-shirt that says: "Save our beach. Stop the smelter." This refers to the late 1970s proposal to build an aluminum smelter at Aramoana, which would have destroyed the township and threatened a local wildlife reserve, and met with a lot of resistance from residents.
- BlooperIn the town scene, a Chrysler PT Cruiser is clearly visible. This vehicle was manufactured from 2001.
- Citazioni
Garry Holden's Mother: No crime in being eccentric, or they'd lock up half the Spit.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1477 USD
- Fine settimana di apertura Stati Uniti e Canada
- 728 USD
- 21 ott 2007
- Lordo in tutto il mondo
- 739.865 USD
- Tempo di esecuzione
- 1h 43min(103 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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