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STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Reckless Nick West (Andrew Howard) takes his girlfriend to an abandoned warehouse to drop acid, but when she sits on a weird chair, she is sucked into a demonic hole, leaving Nick traumatized. Years later, he's in a psychiatric hospital run by Dr. Willard (David Gant) who is the first person to give his story any credence. He offers him escape from the asylum if Nick returns with him to the scene of the mystery to conduct an experiment. But as members of the group go missing, it becomes clear something evil is lurking in the walls of this eerie place...

When I first caught sight of this bizarre looking straight to DVD horror film, I soon cleared the sight of it from my mind, but finding it again in the bargain bin at Morrison's, I thought...why not give it a try? While I don't feel I completely wasted my time, it does feel like a wasted opportunity in a lot of respects.

Adam Mason's film is unsure whether it wants to play as a straight out mind fu*k, gore porn horror flick or a self referentializing parody of the genre, with the lead character giving voice overs saying how we'll like it 'if we saw Hellraiser or Pumpkinhead' and at one point lamenting what 'a poorly written, badly acted' film it's become, either the way the writing feels uncertain of itself and in turn loses the audience a bit. The gore factor really kicks in at the end, shocking even by horror standards with all the blood/distress on display. Either way, you're more likely to sit lost on The Devil's Chair than be on the edge of it. **

I do appreciate the effort but a pair of suspenders have more suspense than this rotten egg of death. The story evolves around an evil chair adorned with a skull and placed conveniently (probably by some deranged carpenter) in a desolate building, a former asylum. To top it off the main character - a mental patient - continuously delivers a voice-over with a lisp which I believe he suffers from, listening to which is as thrilling as a boat ride on dry land.

Believe me you've seen it done before and better (Session 9 anyone?), don't punish yourself by watching the "Chair". I dosed off countless times which was about the most refreshing thing about the whole experience.

Im a huge horror fan and after watching this it left me feeling very uneasy towards the end it doesn't make sense none of it does but when you grasp the ending you begin to realize the devil chair/torture chamber wasn't real the entire movie was based on nick wests demented sociopathic mindset it was merely in his mind that was infact confirmed when the scene showed him kissing the student Rachel who resembled his first girlfriend only to realize she was not there thats when the movie is put in its true perspective that it was all in his mind that every scene was not real it has a clever story plot but the CGI monster wasn't scary at all and the gore seemed somewhat repetitive i give it a 3/10

Nick West (Andrew Howard) is a troubled soul. He's spent the last four years in a mental institution for a horrific murder that he says he can't remember committing. Dr. Willard (David Grant) decides that it's a good idea to take Nick, along with three college students, back to the scene of the crime. Willard believes they can figure out what really took place. So, the group sets up for a long weekend in the huge, abandoned building in question.

All is well until the titular chair enters the picture. Weirdness escalates into nightmare and ultimate doom. All hell breaks loose, resulting in madness and inescapable death.

Sound like fun?

THE DEVIL'S CHAIR is Director Adam Mason's grimy, foul follow-up to BROKEN. Mason seems dead-set on making movies that extinguish all hope. This film has a tricky, pseudo supernatural thing going on, that twists the plot, leading to a confoundingly unsettling finale. After watching this one, the viewer may feel compelled to watch a Disney film or romcom, just to reset the mind...

I am a big fan of English film and have been excited by recent films like The Descent, and Dead Mans Shoes in the horror genre; and I hope that filmmakers with the sort of vision that makes these films possible get all the accolades and funding that they require to continue taking English film forward.

however, this film and its director Adam 'I'm a t**t' mason, makes me embarrassed to have been born in the same country. To say this film is conceited would be a massive compliment, it attempts the self aware horror take a la 'Man Bites Dog' where the protagonist psycho talks to the audience and even at one point says 'is this what you want, this badly written, terribly acted horror movie' or something of the sort and I agree whole heartedly. The acting is shallow, the 'big plot twists' are tedious and I found it difficult to care about the characters at all.

I implore that you do not watch this movie unless you are staving off suicide with terrible self involved movies