Krystal

...and, obvious, I do not know why. For actors is a reasonable motif. For the crazy - nice mix of romance, religion, disfunctional family, a book and Nick Robinson can be the other. For Kathy Bates, no doubt. But the real cause remains the great virtues of each indie film , source of a state, so familiar, than vehicle of a story. Crumbs of familiar near reality are always precious. So, just I love it.

Rosario Dawson looks way better than she has any right to, therefore an 18 year old falls for her, while having to deal with his liberal family, the jealous ex-lover of the woman and her paraplegic son. A lot of weird situations and a lot of humor to them make the case shine. However, the plot is strange, moving from dangerous situations that are described in an almost cartoonish way in order to diminish their darkness, to embarrassingly cliched romantic scenes that are simply ridiculous. It is almost impossible to take anything serious, even the situations which were not meant to be funny.

Bottom line: Nick Robinson is clearly going places and his charm saves the day. All the others, including gorgeous Dawson, do more than required of an actor in this kind of movie, which, I guess, is a testament to Macy's talent as a director. Storywise, though, it's a ridiculous movie and its rating will never go above average. It's a fun film, though.

I am not a fan of goofy indy movies but William H Macy is one of my favorite actors. I'm glad I took the shot. It wasn't one of those bizarre, pretentious things, but a funny, followable story with endearing characters. I found myself laughing a lot.

Might be an ok film. I'm half way thru but I can't take it anymore. Frickin' fake, lousy southern accents. Awful.

I see the negative reviews. I understand them. I even identify with them. BUT, this is a film in true WHM style. It's meant to push the boundaries, believability, and also meant to be chock full of comedic irony. I enjoyed this movie though I do think Rosario Dawson's character could have been developed a little better. The "ex-stripper/hooker/junkie" bit was a tad too over the top. Nick Robinson's "Taylor" played the part of Rick Fox's "Bo" a bit more comfortably than a supposed 18 year old sheltered suburban boy should. If you're familiar with Macy's work then you should like and possibly enjoy this film. There are some great "lol" moments that make it worth the 90 minutes.