City of Violence

A must see for any fans of Asian extreme cinema. This is all that Kill Bill was unable to be and shows that Tarantino is but a poor imitator of the best Asia has to offer.

20 years after 5 childhood best friends close a bottle of alcohol with a serpent inside one of the five, Wang-Jae (Kil-Kang Ahn) is murdered by a bunch of young hooligans. Before his death Wang-Jae was an ex-mafioso boss, that settled down and opened a bar, still remaining an influential figure in the neighbourhood. Tae-su is a Seul cop, the best on the force and a real terror for everyone that has to do with crime. Dong-hwan (Seok-yong Jeong), a geeky teacher and Seok-hwan (Seung-wan Ryoo), a small-time crook, are brothers jointly caring for their 60-year old mother. Pil-ho (Beom-su Lee) is the crime lord of the city after Wang-Jae's retirement.

After the funeral Tae-Su in search of the killers of Wang-Jae decides to stay for a bit longer in the city. It quickly turns out that the case will force brother to go against brother and for the best friends to fight each other...

The movie lost a couple of points for not being able to properly balance the comedic with the dramatic with certain fragments standing out as if from a totally different movie. Also some of the fight sequences were too long and tiresome. There are better Asian movies out there, but still a recommended, if flawed movie. And no Tarantino hack can capture the strengths of the Asian revenge flick.

I didn't expect much from this....just an action flick to keep me busy for 90 minutes. I did get that, but I got even more.

I won't oversell it. The story is about as original as buttered toast. The actors however, played it with as much heart as they could (while trying to look tough). I'm not saying that there are Oscar-worthy performances here, but they didn't sleep walk through it, either.

There's a group of high school guys. They were friends, once upon a time. They grew up, and they drifted apart. One of them moved to Seoul and became a police officer. One day he gets a call summoning him home; it seems one of his boyhood friends has been killed. He goes home for the funeral, then with another boyhood chum, decides to investigate...because something just doesn't feel right. Tragedy and betrayal...and of course *violence* ensues.

The action scenes were certainly effective, with plenty of stylized Tae Kwon Do all over the place. Only one gun in the movie (in a police station)! There are some people on the site saying the action is under-choreographed and infrequent. I felt like the movie had a good deal of action: Plenty of short action scenes to keep it interesting, and two long b*lls-to-the-wall scenes, the second of which is something like "Kill Bill" meets "Lethal Weapon." A buddy martial arts flick, there just aren't enough of those! Oh, and people talk about the homage to "Kill Bill"....check out the homage to "The Warriors." What can I say....I laughed.

The bottom line is, this film is nothing groundbreaking. The drama won't make you cry. The action won't make you cheer out loud. The story won't make you think too much. In spite of this, it is a heck of a lot of fun. In the end, that's what entertainment is supposed to be...."fun." It's mindless action with a bit of soul....and I would recommend it to everyone....just set it aside for a night where you want a fun fix, and you don't want to think too much. And hey, we all have those some time.

This is an entertaining enough modern-day martial arts action thriller which is, it has to be said, entirely unoriginal in almost every respect. The plot concerns a city cop returning to his hometown for the funeral of a childhood friend, victim of a back-alley knifing while chasing thugs from his bar. Together with a second childhood friend, our hero suspects something amiss and begins his own investigation into the murder. This decision is the cue for a succession of unlikely encounters and a particularly bloody and fatal encounter with yet another childhood friend.

There are some people whose personalities are so under-developed that they have a tendency to adopt the characteristics of those they are close to (accent, mannerisms, etc), and this film reminded me a lot of people like that. Watching it, I got the impression that the writer/director was mimicking every film he wished he'd made. There are a number of obvious 'homages', and a flashback to a juvenile fight that is as (hopefully deliberately) cheesy as any 70s chop-socky sequence. One of the 'homages' is to Quentin Tarantino's (himself the king of the 'homage') over-rated Kill Bill so if, like me, you were bored by Tarantino's self-indulgence, you might consider thinking twice about watching a film whose writer obviously thinks so highly of it. Having said that, there is something ironic about an Asian film so clearly referencing a film which blatantly ripped off so many of the staple devices of its national genre.

The action is as frenetic and professional as you'd expect, and the storyline is reasonably engaging but, when all is said and done, this is really nothing more than a decent time-filler.

THE CITY OF VIOLENCE is a solid action film with an engaging, gangster-focused storyline and plenty of interesting characters to keep the viewer's attention. Things kick off with a brutal murder in the street, which leads to the victim's childhood friends reuniting to reminisce about the old days. We learn that each character has gone his own way: one's now a small-time gangster, another a cop. The gradual pursuit and uncovery of the truth eventually leads to violent recriminations for one and all.

Interestingly enough, the mystery-style plotting and gangster window-dressing eventually wear off until by the end the film becomes a riotous, ass-kicking extravaganza that bears more than a passing resemble to the infamous 'Crazy 88' action scene in KILL BILL: VOLUME 1. It works: the director contributes plenty of stylish flourishes and the action is well-filmed through, from huge, sprawling street fights early on to the epic bad-assery of the climax. It truly is an excellent ending, lifting what's come before and proving itself a film more than capable of holding its own against bigger productions.

Policeman Tae-su (Doo-hong Jung) returns to his hometown for the funeral of murdered childhood friend Wang-jae, where he is reunited with old pals Pil-ho (Beom-su Lee), Dong-hwan (Seok-yong Jeong) and Seok-hwan (Seung-wan Ryoo). Upon investigating Wang-jae's murder, Tae-su discovers that it was one of his own circle of friends who committed the crime.

The Koreans have given us some damn fine cinema in recent years, and having heard good things about The City of Violence, my expectations were running extremely high.

Which is probably where I went wrong.

Rather than being absolutely blown away by all aspects of the film, as I had hoped, I was merely entertained on a superficial level: the chaotic fight scenes are fun but uninspired (a few original, well choreographed 'killer moves' would have seriously improved matters); the drama is OK, but kinda clichéd, with the 'inseparable childhood friends divided as adults' theme having been done many times before; and the stylish visual touches employed by the director, whilst admittedly cool, do little to help one follow the plot and are used a tad too liberally for my liking.

The film also has a tendency to flip rather uncomfortably between comic book action and more realistic violence, with the film's heroes emerging relatively unscathed from a battle against 'Warriors'-style gangs of teenagers one minute, but taking on knife wielding gangsters with suitably bloody results the next.

I rate The City of Violence a reasonable 6.5 out of 10, generously rounded up to 7 for its particularly loathsome bad-guy, who finally gets his comeuppance after a prolonged battle inside a restaurant.