The Last Station

There is nothing to fault in this movie, really, and pretty much everything to praise.

The script is very good. The characters are fleshed out and developed in complexity as the movie goes along. You continue to learn more about them, see more facets of their character.

And they are realized by first-rate performances. There is not a weak one in the batch.

The direction is also very fine. There is not really much of a plot here; it's more of a character study. Still, the director keeps things moving along, never veering into the sentimental or the cute. You grow to like these characters a lot, but there is no attempt to yank your emotions.

My only very slight reservation about this movie is just a personal preference. I went into it knowing virtually nothing about Tolstoy's life or the movement that was developed out of his later writings. I would have appreciated a little dialogue somewhere explaining more about that. I realize, however, that that is not the norm in modern movies, and I certainly had no problems following what was going on without it. Viewers such as myself will just have to go read a book about Tolstoy for that additional information, which is certainly not a bad thing.

This is not a film for the ages, a Citizen Kane or a Rules of the Game, a Potemkin or such. Still, it is a very well-crafted movie, one that I could easily watch again with no diminished pleasure. One that, as well, I can recommend to anyone who enjoys good acting and watching interesting characters being developed by and through it.

"Your works are the birthright of the Russian people." Vladimir Chertkov (Paul Giamatti) in The Last Station

Like Sir Arthur Conan Doyle, Leo Tolstoy drifted at the end of his life into spiritualism but of a more naturalistic kind, which disavowed materialism, espoused celibacy, and talked about the simple power of love. Michael Hoffman's The Last Station chronicles in historical drama fashion Tolstoy's (Christopher Plummer) struggle with his wife, Countess Sofya (Helen Mirren), over his desire to bequeath his works to the Russian people and thus, as she thought, deny her and her family rightful inheritance.

The film has an operatic tone due in large part to Mirren's occasional histrionics as she argues with Tolstoy and faces off Chertkov, Tolstoy's close friend and a force for the Tolstoyan movement, which espoused the writer's philosophy of austere life, feeling at times like a stripped down transcendentalism popular in 19th century America. The first half of the film has some electric moments because of Sofya's dramatics and her attempt to win over Tolstoy's new personal secretary, Valentin Bolgokov (James McAvoy). When the film turns to the business of Tolstoy dying, matters become slowly boring with overwrought lamentation and a slow up of the frenetic family dissonance of the first part.

The Last Station is a study in life's ironies: Tolstoy has been far from a celibate in life and therefore not a good Tolstoyan. Bolgokov is annoyingly enthusiastic about his new position and the tenets of the movement, except when he makes love to his new girlfriend, Masha (Kerry Condon) and even then he is such a prig as to be even more annoying than the histrionic Sofya. Recently innocent Richard narrated the story in Me and Orson Welles, and famously, Nick in The Great Gatsby. All three share in varying degrees intimacy with a famous person, with Bolgokov the least impressive.

Tolstoy does eventually die, Sofya gets the copyright, and I got an hour of splendid family invective along with my thoughts about the great writer of War and Peace and Anna Karenina reduced to annoying bickering about inheritance. Yet I enjoyed those thoughts about a sublime writer as a flawed human being whose final philosophy was about love and peace. Love he had in abundance; peace did not arrive.

"The Last Station" from 2009 looks at the last months of Leo Tolstoy's life.

Tolstoy (Christopher Plummer) finds his relationship with his wife of nearly 40 years, Sofya (Helen Mirren) untenable. At one time, Sonia was his partner, helping him with his writing. Now that's over, and she feels abandoned by her husband and the Tolstoyan movement which she feels is determined to disinherit her. One of the major Tostoyans, Cherkhov (Paul Giamatti) wants Tolstoy to change his will so that his work can be put in public domain.

Sofya, a jealous and angry woman, searches her husband's papers and tries to get people to spy for her to find out what Cherkhov and her husband are up to. She views Cherkov as she would another woman interfering with her marriage.

After the fights, tantrums, and suicide attempts, Tolstoy, a frail old man, can handle it no longer and leaves her in the middle of the night. But that doesn't stop Sofya from trying to find him.

This is a wonderful, passionate film with beautiful acting, particularly by Mirren, who has the showiest role as the irrational and crazed Sofya.

Excellent film, well worth watching.

This was an excellent historical film based on the relationship between Leo Tolstoy (Christopher Plummer) and his wife, Sofya (Helen Mirren), during Tolstoy's final years. The film also explores Tolstoy's relationship with his Assistant, Valentin (James McAvoy) and his cabal of acolytes, lead by Vladimir Chertkov (Paul Giamatti). The main tension comes between Vladimir, who wants Tolstoy to bequeath his copyrights to "The Russian People" and Sofya, who naturally would like the copyrights reserved for herself and family.

Mirren earned an Oscar nomination for Lead Actress and Plummer received one for Supporting Actor. I believe both were well earned. I liked the performance from the entire cast, particularly McAvoy as the adoring Assistant to Tolstoy. The screenplay was excellent and the Director, Michael Hoffman, did an outstanding job bringing pre-Communist Russia to life. The time period is 1910 and the cinematography beautifully captured the era. During the closing credits, actual film of Tolstoy and his Wife was run, underscoring what a great job the Director did in filming this.

A great movie and well worth seeing or renting.

If you took a Leo Tolstoy class in college or read one of his works during your time at the library and wanted to know a bit more about the man, don't really look to The Last Station. Does that make it a poor film? Not by a long shot.

The film follows the story of Leo (Christopher Plummer) and Sofya Tolstoy (Helen Mirren), married couple for 43 years, and the battle that raged between them at the end of Leo's life. As Leo's health is ailing, his long time friend Vladimir Chertkov (Paul Giamatti) urges Leo to write a new will, renouncing his material possessions, leaving his wife and family with nothing. All of this is in order to have Leo's movement of peace to go to the majority. Chertkov sends a young follower of the Tolstoyan movement, Valentin Bulgakov, to investigate and inscribe all of Sofya's exaggerated and histrionic antics to work against her campaign.

Firstly, the film is A-typical period piece with all the correct elements of that type of film. Art Direction by Mark Rosinski and Heike Wolf, stunning costume design by Monika Jacobs, and a score to die for by Sergei Yevtushenko is pitch perfect and exalted brilliance. Nothing is wrong with this film technically.

An extraordinary narrative beautifully adapted by the director Michael Hoffman is one of the crowning achievements of his career. Dedicating his all for the sake of the art form, Hoffman writes and directs the screen with meticulousness and accuracy. Playing that extra special detail to smooth out an rough edges paid off for Hoffman immensely.

The cast presented in The Last Station is stellar and one of the best cast ensembles of the 2009. James McAvoy, proving once again, that you don't just lay down the words of your acting, you let the spirit fight its way through your soul and remain a tangible entity for your audience to engage. McAvoy proves he's one of Hollywood's most outstanding talents. Helen Mirren, riding the see-saw with her viewers, never declares any type of emotion until the bitter end. Mirren shows no apparent ambiance of mood or expression. She sizzles through the film, igniting every scene on fire along the way. Christopher Plummer as the lovable Leo is amiable, captivating, and entrancing. Plummer, a talent long overdue for Oscar recognition is enticing. Paul Giamatti, in a more villainous role we haven't seen of him before, is always dependable and alluring. Anne-Marie Duff and Kerry Condon are both enthralling in their roles respectively.

The Last Station is a definite contender for a Best Picture nomination. It's a delightful film full of heart, love, and heartbreak. The temptation of the films aura will lure you in and surely leave you in tears.

***½/****