Una madre disperata combatte contro il dipartimento di polizia di Los Angeles quando quest'ultimo cerca di farle accettare un altro bambino al posto di suo figlio che è stato rapito.Una madre disperata combatte contro il dipartimento di polizia di Los Angeles quando quest'ultimo cerca di farle accettare un altro bambino al posto di suo figlio che è stato rapito.Una madre disperata combatte contro il dipartimento di polizia di Los Angeles quando quest'ultimo cerca di farle accettare un altro bambino al posto di suo figlio che è stato rapito.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 14 vittorie e 55 candidature totali
Recensioni in evidenza
Angelina Jolie does a superb job of portraying a Los Angeles woman ("Christine Collins") in the late 1920s whose boy is kidnapped. Five months later, the "proud" police department brings her kid back, making it a good PR session. Unfortunately, it's not her kid and stupidly, although she's naturally upset about, she poses with the kid and takes him home. (Would that really happen?).
Then she begins her quest of finding her real "Walter." Further twists and turns make the story increasingly horrifying. In all, you won't be able to keep your eyes off the screen wondering if justice will ever prevail in the end and who exactly is involved in what. It's not particularly a fun ride - you'll have a frown on your face for quite some time - but it sure is interesting and an excellent two hour-plus of entertainment. By the end, you'll be emotionally exhausted.
Kudos to all the actors in here for riveting performances and to the production and design team for a great period piece. Where else can you feel you're back 75-80 years in time with the boxy cars and flapper hats than in movies?
From the moment the young boy steps off the train, Christine insists to everyone that he is not her son. Unfortunately, the police say she is delusional and just upset. The films leads to the truth of the matter, which is that the corruption in the department has led to them being lackadaisical in their duties. The story moves along fluidly, yet we are never really told the reason that corruption resides.
Nevertheless, the film is quite an experience. It looks terrific and really feels like the 1920s in Los Angeles. Angelina Jolie is solid as Christine, yet I felt she seemed more whiny at times than desperate. It just didn't move me as strongly as Hilary Swank in Million Dollar Baby. The supporting cast is good as well, especially John Malkovich as the pastor eager to help Christine in the fight against the LAPD. What I really wanted was that emotional pull that Eastwood's other films had. This one seemed a bit cold and ruthless, despite that being its subject material. So, I would say to go and see it; it is definitely worth the 140 minutes. As for Oscar time, I can't say for sure that it will wrap up the big ones such as Best Picture, Director or Actress. It wasn't the strongest campaign I've seen, but then again this has been a weaker year than 2007.
Lo sapevi?
- QuizScreenwriter J. Michael Straczynski first learned of the story of Christine Collins from an unnamed source at Los Angeles City Hall. The source had stumbled across case files regarding the Wineville Chicken Coop Murders among other discarded documents scheduled for destruction. Straczynski took the files and became obsessed with the case, doing extensive research over the course of a year. He tried to make it into a television project, but never found a solid way to do that. Virtually every event depicted in this movie appears as cited in legal documents, with dialogue often taken verbatim from court transcripts. Straczynski wrote his first draft of the screenplay in only 11 days.
- BlooperDetective Ybarra uses the term "serial killer," coined by FBI Special Agent Robert K. Ressler in the 1970s.
- Citazioni
[last lines]
Christine Collins: Three boys made a run for it that night, Detective, and if one got out, then maybe either or both of the other two did too. Maybe Walter's out there having the same fears that he did. Afraid to come home and identify himself, or afraid to get in trouble. But either way, it gives me something I didn't have before today.
Detective Lester Ybarra: What's that?
Christine Collins: Hope.
- Curiosità sui creditiThe black-and-white Universal logo used in the 1940s opens the film.
- ConnessioniFeatured in Los 10 magníficos: Clint Eastwood (2008)
I più visti
Dettagli
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 35.739.802 USD
- Fine settimana di apertura Stati Uniti e Canada
- 489.015 USD
- 26 ott 2008
- Lordo in tutto il mondo
- 113.398.237 USD
- Tempo di esecuzione
- 2h 21min(141 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1