24: Redemption

If Rodney Dangerfield were alive, hardened and seasoned as a government agent, he would be Jack Bauer. Jack don't get no respect. Without spoiling the sixth season for those who have yet to watch it, our world-class hero Jack, always the odd one out, is now in a fictional African country, helping his old friend, played by the wonderful Robert Carlyle, with missionary work, trying to heal his staggering emotional wounds with peace. He has been served a subpoena to appear before the U.S. Senate concerning torture charges, but declines to go. A U.S. State Department official hints that the Embassy will cut funding for the school if Carlyle goes on protecting Jack, so Jack decides to leave. If that's not enough, he winds up stuck in the middle of a bloody military coup.

Redemption is entertaining and well-acted, and it certainly primes us for the seventh season. Nonetheless I can see why it has been a very long process preparing the theatrical 24 film. Redemption maintains the real-time structural element, which the theatrical film reportedly will not have, but either way, 24 is a series that has transcended the conceivable scope of the feature motion picture. The character archs, gigantic sequence of unravelings and long-term investment in the characters is inherently designed for hours and hours of television. Redemption, on the other hand, is only an hour and forty minutes, which even still is twenty minutes longer than the version that was broadcast on TV not including commercials.

Also, I am unsure of whether or not the creators wanted to have the opportunity to do a lone Jack Bauer piece, but using this TV film as objectivity, one can easily tell that one of the vital elements in the show's scaffolding is its colorful, deeply observed and brilliantly histrionic characters.

However, I am looking forward to Cherry Jones being president and hopefully being rid of Powers Boothe's weak and uncompromising president. And I hope Jon Voight doesn't play essentially the same character as he did in Enemy of the State.

I must confess that I've never really watched the 24 television series too date, but that didn't in the least inhibit my enjoyment of '24 Redemption'. In recent years, a great many espionage-thriller films have been touted as being 'realistic' and gritty...the Bourne trilogy, Mission Impossible 3 and Casino Royale the most prominent among these. But '24 Redemption' goes beyond mere pseudo-realistic presentation by bringing us virtually as close to the real world as a documentary. The military coup that engulfs the fictitious African nation of Zangala is no campy world domination scheme...its the kind of situation you could very well find yourself staring at in the evening news.

But the realistic element reaches its zenith in the depiction of the protagonist Jack Bauer. Again, I'm not as familiar with Sutherland's character as I'd like to be, so I don't know how he's been portrayed in the past. But Jack Bauer as seen in this film, comes across not so much as a badass super-agent/action hero (ala Jason Bourne or Ethan Hunt) but rather as a very human character...a soldier weary of war, running away from the ghosts of his past and yet finding himself confronted by even more violence. He is both emotionally and physically a vulnerable individual. Quiet unlike the steely countenance of Bourne of the outward flamboyance of James Bond, Bauer's reactions to the situations he faces in this film are deeply rooted in his emotions. True, he is every bit the professional soldier too...but ultimately, a human being.

'24 Redemption' may not be the most entertaining thriller out there...but if you want to watch a movie about the kind of action hero who CAN exist in real life, defusing the kind of situation which CAN arise in the real world; if only for the novelty if nothing else...then this is the ideal film!

It has been some time since we last saw Jack Bauer. The writer's strike saw him run out of tough things to say and a generally negative response to a weak season 6 has seen him leave America and travel the world. We join him in a non-existent African country where he is spending time with former brother in arms Carl, protecting children at the orphanage he has set up. It is not all helping and healing though as his past pursues him in the form of a subpoena from the US Government to face questioning on charges of prisoner abuse (damn these liberals). However, just as Jack packs up to leave the country and move on again, a coup begins and rebels come to snatch up the children to be soldiers. Meanwhile in the existing country of USA , the first female President is being sworn in while, in the background, figures are covertly supporting the coup for their own reasons.

Everyone has been saying how long a wait it has been since day 6 finished, using words like "impatiently" etc but for me (as a viewer since hour 1) I felt that the break was a good thing. Day 6 was such a lacklustre season and played like an exaggerated pastiche of itself that the break does feel like an opportunity to send the makers away to sit in the corner and think about what they have done - and don't come back till you're sorry! With this bridging special I did worry that we would continue the trend of Jack being the hub of everything in the world, perhaps with the coup either being about him or with him preventing the entire thing - after all, the Bauer family are seemingly to blame for all evil deeds in the world. Fortunately the special harks back to the approach of season 1 and 2 which has dark deeds at a higher level and Jack thrown into them for reasons out of his hands, rather than being the creator and driver of all things.

This takes the form of a simpler plot where Jack is looking after the fleeing children in their short run to safety. It starts slow though, with a good thirty minutes of establishing material and scene setting before any urgency kicks in. After this we have the usual 24 material of action sequences, heroic/sacrificial deaths, neo-conservative subtexts (although that suggests they are subtle, which they are not), political going-ons and shadowy men doing hits on behalf of powerful men. All these are in place and, with the stripped down plot and Bauer influence, it does feel a lot more like the 24 I like. This is not to say it is perfect of course, because 24 never was - even when really good there was always plenty to make fun of it for. Here we have less that produced laughter but we still get handed a terribly clumsy attack on the UN in the form of a weirdly "European" character who is cowardly - clinging to "talking" like a weak-wristed liberal. Not only was this poor writing but it is a bit rich when you consider the real life conflicts in Africa and the level of US intervention in them, however even ignoring that it was a typically conservative piece of politics from 24 that must be a bit like a wet dream to Fox viewers!

Talking of real-life for a moment, I did find the setting and scenario of this special to be a little off-putting. The pace and "24-isms" of the film helped me keep my head in the world of fiction but there is no doubt that the world of child soldiers and African coups is a little too real to be purely entertainment and not have an edge of sorrow to it. The film mostly ignores the latter but it does manage to produce the former despite this, again by focusing on what the series does and just doing it. The cast are reasonable enough, all fitting into the classic clichés of the show. Sutherland is gruff and tough as ever and has a bit of chemistry with Carlyle, who doesn't have a lot to work with here other than hanging out with Sutherland for a bit. Bellows, Jones, Gunton, Feore and Voight all represent new faces in the usual characters. They do offer some hope though if Day 7 can keep the political mystery that this film had.

24: Redemption isn't a significant change to the series and those that do not like the series will not like this. However for those who found Day 6 to be a massive disappointment then it does represent a sort of redemption as it appears to be taking a slight step back towards what hooked us originally. This means the usual weaknesses as much as the strengths but it is still a quite entertaining film for 24 fans.

It is going to be difficult to maintain the exceptional standards "24" has set over the years, however this feature length episode doesn't quite deliver as hoped. Re-worked formulas shows lack of creative imagination, something previous Seasons have (mostly) avoided. The script isn't as sharp as normal, possibly targeted at a less astute audience, and the characters lack subtlety. Too many bullets miraculously missing Jack and a sense of deja-vu. Whilst Robert Carlyle puts in a very credible performance, less believable is the UN Aid worker who is so crassly portrayed. Hopefully Season 7 will see improvement.

"24: Redemption" was the result of the 2007 writers strike, designed to be a prequel to season 7. As such, it has half its attention on setup (new president, conspiracy, etc) and that's actually its weaker half.

It's much better when it's focused on Jack Bauer, laying low in Africa and suddenly tasked with saving a school full of children from conscription into a dictator's army. This, as he's sought to testify before a Senate subcommittee.

Without the confines of the clock (it's told from 3-5pm, but that's rather loose) there's actually more room for him to breathe as a character, as a person. Kiefer's scenes with compatriot Robert Carlyle are among the best and the price he pays to accomplish the mission (get those kids to the US Embassy) is profoundly sad. The argument still stands that he can't escape the life, but his sacrifice is real.

7/10