The Starter Wife

Definitely watch this one!

I've already watched it two times. Great acting, great storyline. Just sit down and enjoy it! It's more than just a comedy. I couldn't help but feel empathy towards the characters.

Already, after the first episode, I am hooked. Counting down happily to Thursday nights! It is grade-A quality and has the feel of a movie, not a mini-series. At the end of the episode, you'll be hungry for more.

Debra Messing sheds her Grace persona and takes on Molly Kagan, a Hollywood cast-off wife. She really shines and proves herself as a well-rounded, talented actor.

Don't miss the Starter Wife!

I sat through the whole first episode just to see if something good might be embedded in this story about some talent-free, self-absorbed, pathetic person who had been sponging off her equally obnoxious and worthless husband while raising her mouthy spoiled brat. Sorry folks, but there just wasn't anything there other than a bunch of catty, narcissistic, cutthroat losers with the usual assortment of tedious neuroses that, for some unfathomable reason, are supposed to be entertaining.

I suspected something was wrong when USA Network began to frantically run their continuous promos for over two months. I've noticed that they will do this whenever they're trying to convince viewers that some piece of cr@p they've spent a lot of money on is actually worth watching. They even ran the promo for the episode that was in progress while it was airing. Pretty sad!

My biggest regret is that my TiVo can't give this awful program more than three "thumbs down". There should be an infinite-number-button for shows like this.

Okay, so this is technically a new series on USA, but it certainly doesn't feel like one. It has the look and feel of a well made motion picture. The writing is well done and the characters are fleshed out and seem believable. If I were a person living the Hollywood life, I would be ashamed of the way that people in that lifestyle are portrayed, even if this program seems like it is a caricature of real life, just judging from all of the media hype surrounding many real life celebrities makes this program all the more believable and real. I am not one to usually sit down and watch what is usually advertised as a "chick flick", however, I was actually drawn into this new series and look forward to see what happens next. Its more like a comedy/drama than any other way of describing it. I would highly recommend it to anyone.

Story lines terrible. Dialogue horrific. Cute people, well, check, but that's about it. Like so many 'chic flick' shows, it starts off with a flawed premise that men choose wives based on being able to show them off to their friends and brag about 'what he's caught' as a mate. Unfortunately, that's a female specific behavior, such as how women automatically ask each other 'what does he do' for a job when a friend brings up a new boyfriend.

Men don't care what a woman does for a living (or even if she works at all) as long as she doesn't spend all his money. Men also don't care what others think about their mates; men choose the women they do, because they want to have sex with them, that's it. He doesn't care what other people think, as long as he get turned on just by the sight of her.

The rest of the show revolves around how women interpret the world around them, and so about half the population will find it appealing for the eye candy, but not much else. Doesn't seem to be very realistic either. But turn the sound off, and watch the pretty people.

I love Hollywood insider satires, and this is a great one, with convincing atmosphere and characters. Messing is delicious as a high-functioning Hollywood wife who is dumped by her narcissistic and spoiled movie executive husband after catering to his every need and whim efficiently for years. Needless to say, he's dumping her for a bimbo -- a Britney Spears-ish singer/starlet. In a self-imposed exile in the Malibu home of her oldest friend (Judy Davis), she meets an enigmatic surfer (Stephen Moyer) and has an ambiguous flirtation with her husband's boss, studio head Joe Mantegna. The triangle is very, very satisfying -- you're not quite sure which of these men you want her to end up with, and you like them both.

Dropped instantly by all the grasping, climbing manipulators and their wives, non-person Molly ends up falling back on her core of friends -- the wife of a director whose husband wants her to to drop Molly for tactical reasons, her wealthy dipso friend, and her gay decorator friend (Chris Diamantopoulos, who is broke after having to eat the cost of 12 hideous custom chairs a client insisted upon and then wouldn't pay for). She also becomes friends with the young black woman who works as the Malibu compound's security guard, and her mother. At one point, they all end up holed up in Judy Davis's house, like the treehouse crew in "The Grass Harp." The series is very well directed (by Jon Avnet) and the characters are very sharply drawn. Messing's husband is a monster of selfishness, but not consistently so, and he can't let go his habit of calling on Molly for (now inappropriate) favors. There isn't a line or a bit of business that Messing doesn't play to the hilt. Again and again Molly demonstrates the resourcefulness and elan that makes her husband such a fool for ditching her. There's a scene where she catches a cricket her husband has assigned his executive assistant to remove from the house (until she locates the annoying insect, she can't attend her grandfather's 80th birthday party) in no time flat that was particularly piquant.

This is a woman's story, but I think a lot of men will appreciate the sardonic portrait of a materialistic and phony Hollywood milieu, and I don't know how anybody could not want to look at all these gorgeous residences.