VALUTAZIONE IMDb
5,7/10
63.590
LA TUA VALUTAZIONE
Tre bambini assumono una guardia del corpo a buon mercato per proteggersi dal bullo del parco giochi.Tre bambini assumono una guardia del corpo a buon mercato per proteggersi dal bullo del parco giochi.Tre bambini assumono una guardia del corpo a buon mercato per proteggersi dal bullo del parco giochi.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Jordan Valacich
- Cute Girl on Stairs
- (as Jordan Valley)
Recensioni in evidenza
There's not much new you can really do with a high school comedy, but at least the notion of Owen Wilson playing a jakey posing as a bodyguard promises a few laughs and a half.
It's a decent enough family comedy, and there are a few laugh out loud moments, but they're spread too thin to make this a classic jape. The 3 bullied teens are hugely likable though, and Wilson has such an easygoing charm that it's difficult not to enjoy it, even if he does work better when he's got a proper sparring partner to riff off.
The end result is likable without being lovable, funny without being hilarious and enjoyable without being particularly memorable.
It's a decent enough family comedy, and there are a few laugh out loud moments, but they're spread too thin to make this a classic jape. The 3 bullied teens are hugely likable though, and Wilson has such an easygoing charm that it's difficult not to enjoy it, even if he does work better when he's got a proper sparring partner to riff off.
The end result is likable without being lovable, funny without being hilarious and enjoyable without being particularly memorable.
Gosh. Forget that this was a flop, and you simply cannot enjoy it in any way. And forget that you simply cannot watch this desperately lost character without reflecting on the actor.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
It's been a while since I wrote one of these but thanks mainly to Owen Wilson for another hilarious (yes and interchangeable) role, this movie was funny enough to get motivated once again.
The premise is obviously pretty simple and has been done before in both bodyguard and teen movies (Superbad and My Bodyguard come to mind...duh). The beauty of this movie it combines the two genres with Owen Wilson's natural comedic talent and three capable younger actors resulting in a mostly funny comedy that is unique from the rest.
There was an interesting metaphor contained in one of the trailers showing Drillbit telling the kids he's taking them under his wing. The reason I say this is interesting is because this is how it mostly worked for the movie's humor. It took almost 15 minutes for it to really get started. Don't get me wrong, there were some funny parts that didn't involve him like the bodyguard interviews (gotta love Frank Whaley's cameo), Ryan's rap off with the bully and the two hitting each other but the biggest laughs for me were from Owen Wilson. To be fair though, Owen was at his best when the kids were involved. I loved the way he approached this "job" with one part seriousness, one part B.S. and two parts hilarious. I was dying when he was holding up that kid's burning popsicle stick project up to the sprinklers and just the general training conversations just to illustrate that recipe.
Overall, this storyline was nothing brilliant but as in You Me and Dupree, Owen Wilson manages to take something that could be rather mediocre turning it into an enjoyable and endearing comedy. True, he really didn't do it by himself as I'd try to make you believe. I mean the way the bullies were portrayed was a very convincing and effective factor that helped sell this one as well and who could forget the lovely Leslie Mann in an interesting and sometimes funny romantic subplot. To sum it all up, if you liked the trailers you're going to like this movie. And a shout to all the people who replied in my thread that convinced me to go myself. You were right.
The premise is obviously pretty simple and has been done before in both bodyguard and teen movies (Superbad and My Bodyguard come to mind...duh). The beauty of this movie it combines the two genres with Owen Wilson's natural comedic talent and three capable younger actors resulting in a mostly funny comedy that is unique from the rest.
There was an interesting metaphor contained in one of the trailers showing Drillbit telling the kids he's taking them under his wing. The reason I say this is interesting is because this is how it mostly worked for the movie's humor. It took almost 15 minutes for it to really get started. Don't get me wrong, there were some funny parts that didn't involve him like the bodyguard interviews (gotta love Frank Whaley's cameo), Ryan's rap off with the bully and the two hitting each other but the biggest laughs for me were from Owen Wilson. To be fair though, Owen was at his best when the kids were involved. I loved the way he approached this "job" with one part seriousness, one part B.S. and two parts hilarious. I was dying when he was holding up that kid's burning popsicle stick project up to the sprinklers and just the general training conversations just to illustrate that recipe.
Overall, this storyline was nothing brilliant but as in You Me and Dupree, Owen Wilson manages to take something that could be rather mediocre turning it into an enjoyable and endearing comedy. True, he really didn't do it by himself as I'd try to make you believe. I mean the way the bullies were portrayed was a very convincing and effective factor that helped sell this one as well and who could forget the lovely Leslie Mann in an interesting and sometimes funny romantic subplot. To sum it all up, if you liked the trailers you're going to like this movie. And a shout to all the people who replied in my thread that convinced me to go myself. You were right.
I love IMDb.com. I just came here (after seeing the movie) and saw that John Hughes (using a pseudonym) was one of the writers of this movie. That makes sense, because the movie covers the awkwardness, danger and constant potential for life-ruining humiliation that is freshman year high school. Being "skinny, scared and lonely", as Drillbit Taylor puts it.
One of the other writers is the awesome Seth Rogen, co-writer & co-star of "Superbad" and co-star of "Knocked Up".
Owen Wilson is funny, sexy and heartwarming in this role. The trio of geeky lads who hire Owen as their protector are all played by wonderful young actors. The Apatow organization seems to have a genius for finding great and funny teen actors. I was especially impressed by Alex Frost (he plays the bully) who I think has stardom in his future.
The small roles of the film are filled by standup comics and "The Daily Show" alumni. Good talent all around.
The movie is not perfect. It's front-loaded -- meaning the first half has so many laughs you can't hear all the lines for the laughter. Then it suddenly slows down in the second half. It's still interesting -- just not as funny. And when you get to the violent fighting, that dries up the laughs.
Overall though, any film from the Apatow organization is going to be 6 times funnier and more inventive than the average movie comedy out there. So go have some laughs.
One of the other writers is the awesome Seth Rogen, co-writer & co-star of "Superbad" and co-star of "Knocked Up".
Owen Wilson is funny, sexy and heartwarming in this role. The trio of geeky lads who hire Owen as their protector are all played by wonderful young actors. The Apatow organization seems to have a genius for finding great and funny teen actors. I was especially impressed by Alex Frost (he plays the bully) who I think has stardom in his future.
The small roles of the film are filled by standup comics and "The Daily Show" alumni. Good talent all around.
The movie is not perfect. It's front-loaded -- meaning the first half has so many laughs you can't hear all the lines for the laughter. Then it suddenly slows down in the second half. It's still interesting -- just not as funny. And when you get to the violent fighting, that dries up the laughs.
Overall though, any film from the Apatow organization is going to be 6 times funnier and more inventive than the average movie comedy out there. So go have some laughs.
'Drilbit Taylor' is a teen movie that revolves around three highschool students being bullied and in order to protect themselves they plan to hire a bodyguard. The film has its own charm and is quite likable thanks mostly to Wilson's chemistry with the three teens. Another thing I liked about this movie is that it wasn't overloaded with sex and crudeness which seems to be a forced compulsory requirement of every teen movie these days (a recent example being the awful 'Superbad'). The teen actors, Nate Hartley and Troy Gentile are very good. Hartley particularly gives a natural performance. Owen Wilson uses his superb comic timing and does nothing short of great. What I didn't like about 'Drilbit Taylor' is that it tends to go unnecessarily over the top with some sequences and the fight scene in the end is a little too violent. The bullying scenes were meant to be funny (at least that's the impression I got given the background score and the way it was executed) but with me they had the opposite effect and I wonder how kids who are actually bullied would feel after watching such scenes being used as comic relief. However on the other hand, it might be uplifting to them as the point of the movie was to stand up for oneself and his friends. Anyway, 'Drilbit Taylor' is fun entertainment. Not the best of its kind but still good enough.
Lo sapevi?
- QuizJohn Hughes' final film as a writer before his death in 2009. As in Beethoven (1992) and Un amore a 5 stelle (2002), he requested his name be removed (since so much was changed between script and movie), and is credited as Edmond Dantes, title character of The Count of Monte Cristo by Alexandre Dumas.
- BlooperWhen the three boys are sitting in Principal Doppler's office telling him what happened to them by Filkins, he is leaning against the door. He walks in and a person with a checkered shirt (Ronnie?) is walking in following behind him, but then disappears from the scene.
- Citazioni
Drillbit Taylor: I'm Drillbit Taylor... US Army ranger, black-ops operative, decorated marksman, improvised weapons expert.
Wade: Are you still in the military?
Drillbit Taylor: I was discharged - unauthorized heroism.
- Curiosità sui creditiThe end credits show a scene of a kid walking into the nurses office asking for help (similar to what Drillbit did when he got punched). Drillbit appears as the school nurse, who then asks the kid who punched him and promising him it will "never happen again".
- Colonne sonorePhotograph
Written by Rivers Cuomo
Performed by Weezer
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.862.104 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.309.986 USD
- 23 mar 2008
- Lordo in tutto il mondo
- 49.944.325 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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