World War Z

At the end of World War Z, just as the credits began rolling, a gentleman, scratch that, an idiot spoke up from the back of the theatre exclaiming, "What? That sucked! The book was nothing like that! Booo!" I'm sure he scurried away back home, logged online, and began tweeting, posting, and blogging, furthering his rant. Much like my response to him at the theatre, I hope he receives silence in return.

It's true, World War Z is nothing like the book. The book is told from the point of view AFTER the war. It's a "historical," account of what happened during the war. Rather than make a mockumentary with flashbacks, which would have been the wrong decision in my opinion, the filmmakers decided to put us right in the middle of the action.

When adapting a piece of literature it is impossible to bring every page, every paragraph, every nuance onto the screen. Some have come close depending on the material, but for the most part, they all have to take their own creative licenses. After all, it's called an "adaptation," for a reason, otherwise they would call it a copy or mimic.

Where World War Z works (that's a mouthful) and where so many others fail is that just because the world slips into total and utter chaos, doesn't mean that governments, military, and law enforcement agencies go away. Quite the opposite. If anything, these scenarios bring out the best of all of them. We see generals, UN delegates, and scientists trying to solve complex issues that they don't know anything about. Rather than going into hiding, they act. Society doesn't crumble. Bands of cannibals and leather strapped gangs don't patrol the streets with necklaces made of teeth. People do what they can to survive, and the higher ups try their best to find a fast and effective solution.

At first, I thought the movie started too fast. How could something this violent and concentrated go undetected, but after a while I got it. The opening montage of news reports said it all. How many of us listen to everything we hear on the news? Exactly. So much goes undetected while we focus on issues that effect us immediately. It's too late when the virus touches US soil. Not even social media can keep up with it.

As far as zombie movies go this one is pretty great. Though I think 28 Days Later takes the cake in terms of realism, in-camera effects, and sheer terror, this one holds its own. Brad Pitt plays a former UN investigator who is traveling with his family just as the zombie attack on Philadelphia unfolds. The film goes from 0-60 before you take a sip of your Coke. This is a fast paced, edge of your seat thrill ride led by one of the finest actors of this generation (Pitt's acting ability is far too underrated and lost in the kerfuffle of tabloid news).

For those of you who stare at the ticket window debating whether or not to see a film in 3D or standard, you might want to spend the extra few dollars to see this one in 3D (I know it's asking a lot, but maybe you can sneak some candy or a bottle of water to offset the concession stand price - deal with it). I tend to air on the side of "screw it, I want to see it in 3D." Now not every movie NEEDS to be seen in 3D, hell there are really only a couple that absolutely have to be seen in all three dimensions (Avatar and maybe Life of Pi), but this one really surprised me. 3D is not about things jumping out at you, but it's about layers. Luckily this film has both. Big chase scenes in Philly, particles floating about in South Korea, and tracking shots in Jerusalem make this one of the 3D events of the year. No exaggeration.

Like so many other summer blockbusters before it, civilization is on the brink of extinction and only a handful of experts can save us. What World War Z does that so many have failed is give us hope. Hope that humanity won't dissolve into nothingness. In the face of sheer danger these fighters stand tall, take a deep breath, look the enemy in the eye, and say, "No."

Out of all of the zombie based films this is one of my favourites, a really good story from a different angle of a specialist rather than a hero with a gun. Brilliant ending as-well which is always a bonus.

The world descends into the zombie apocalypse. There is some sort of virus and bitten people are turned into violent creatures. Former UN investigator Gerry Lane (Brad Pitt) is caught up with his wife Karin (Mireille Enos) and family. They manage to escape and Gerry is put to work on finding the origins of the outbreak. This Brad Pitt showcase has many good points. My only main complaint is the PG13 rating which imposes the cartoon zombie action rather than a gore bloody fare.

The action starts right away within 10min. There's no need to misunderstand what this movie is. It's simply a popcorn movie. Although unlike other post-apocalyptic movie, there isn't the standard eerie empty city scenes. The zombie mystery is investigated in a Bond movie fashion. Brad Pitt travels all around the world following leads. It's actually easy to follow and really compelling. It has a good tension filled horror aspect. It's not all big action. You also get good scary parts with dark hallways and stalking dangers.

I'm generally not a fan of zombie movies, not because I don't like them but rather because they seem to easily have an effect on me, chilling me to the bone and staying with me for days (no walking into dark rooms for me). As a result I put off watching World War Z but I was still interested in seeing such a big budget zombie film. The plot sees some form of outbreak and, well, you know what happens. No sooner has Gerry Lane rescued his family from one city, than he is rescued by his old UN employers who want him to help lead a mission to try and find a solution by escorting a doctor to South Korea. No pressure, but the space for his family in safe haven does rely on him saying "yes".

After some very brief character establishment (references to "old job", happy family image etc), we get the first of many set-pieces as an outbreak sweeps across the city and, like many of the set-pieces, it is pretty good stuff. There is plenty of money on the table, lots going on and the scale of it all is suitable for a plot about a global outbreak. The problem is that it never really feels like more than this and the bits in between are not great. The biggest criticism that I can offer is that it did nothing to be other than make me watch the noisy scenes in the way I would with any big blockbuster – and I remind you that I am normally chilled by zombie movies. Here I felt that apart from once or twice, it didn't really do the tension or the horror well, it almost felt too slick, too expensive.

To give a contrast, an outbreak in a closed car park in 28 Weeks Later was really horrific to me (in a good way) but here the one on a plane didn't bring that same feeling. It is hard for me to put my finger on it, but for sure something was missing here. The plot doesn't help – jumping around the world without much linkage and asking the viewer to just go with it; perhaps I would if I had cared more, but everyone apart from Brad Pitt seemed so disposable – just fodder for the attack shots, so I did get numb and also feel remote from it all. Technically it is great and it really is well shot and put together, but it is just the lack of atmosphere that hurts it the most.

It is a big expensive movie though and as a blockbuster it works well enough to give it a go, but it really never works in the ways that would have made it a much superior film.

Finally, after years of facing difficulty with production and resources, World War Z has come our way, and it promises an epic and grandeur scale. The film definitely contains most of the elements fans have always desired in a zombie movie; it actually mixes horror, suspense, and action all in one movie. One act transpires underneath the roofs of a daunting apartment building when another act takes the audience across the world to Israel where the people left are forced to defend themselves against a monstrously colossal horde of zombies as they pile in. There are jump-scares. There are grisly and highly unfortunate deaths.

Anyways, the film focuses on Brad Pitt's character (Gerry Lane) who's required to assist the UN with discovering a possible vaccine/cure to the horrifying virus that's spreading throughout the world and turning human beings into ghastly creatures. If he refuses to comply, they'll willingly kick his entire family off a tanker- one of the few safe locations left in the world. From there on, Gerry Lane is forced to transcend country after country in order to secure his family's safety and possibly save humanity. A hell of a lot is at stake, that's for sure.

Now, I can definitely state that one of the best aspects of the film is its acting, especially Brad Pitt's, which, as usual, doesn't disappoint. One can clearly witness the fear and terror present in almost every character's eyes, as well as one specific character quite convincingly pulling off the feeling of sheer pain under horrendous circumstances.

With that being said, the very beginning of the film starts off a little bizarrely as the pace seems to suffer. With the running time that the movie possesses, such a rich and complex story is compacted to fit its duration, which means right off the bat, we're met with the apocalypse and the zombie outbreak. We only receive a few minutes, if that, of the main family's daily lives until they're cast into the conflict almost instantly. As a result, conversations feel extremely and oddly brief and segments that could've been expanded on feel like they're set on "fast forward" in order to get to the "point." This means that there's much less space for character development and characterization in general, and zombie movies (or we can say Horror movies as a whole) definitely need to spend some time on their characters so that the audience is able to connect with them and feel for them as they progress on their journey. When they feel fear, we have to feel fear for them as well. Unfortunately, as this is largely a Hollywood blockbuster and not something like 28 Weeks Later, the film has to reach the action-packed bits as soon as possible.

And this is when the film will cause a fair amount of decisiveness- the audience who read the book will approach the film differently than the ones who've seen the trailers and are just simply interested in the plot that's promised. I've read up on reviews, and most of the negative reviews originate from the individuals who expected an honest- shall I say- adaptation of the book (this is exactly the issue that faced The Great Gatsby or any other adaptation for that matter). I haven't read the book, which means I don't need to furiously rant about the film's disconnection from its novelistic counterpart. If you haven't read the book, you have no reason to worry about potential disappointment; that's practically reserved for the book's fans. If you're a book fan, on the other hand, you should be expecting the two's differentiation from one another.

So, to put it most understandably, if you're entering this movie the way it was marketed, you'll experience a wild, roller-coaster ride that's fairly effective in its capability of featuring some dramatic moments of diplomatic negotiations and political discussions over the world's collapse and then placing you into intensely impossible situations only to be followed by an incredibly suspenseful, nerve-wracking sequence. It's highly entertaining…however, it's the furthest from originality a film can get. I mean, it's yet another zombie movie, dealing with the entire world under a deadly zombie virus. You've basically seen everything in this movie already as 28 Days Later and 28 Weeks Later highlighted the serious effects of such an event already. In that case- during its first act- World War Z feels unbelievably similar to the two films mentioned above. Especially considering the decision to exclude the more political aspect of the novel and turning the adaptation into an action flick instead, there's not much here that'll bask in uniqueness, really.

This all begs the question: how much longer will these numerous entertainment industries create zombie stories after zombie stories? It's time to move on to another fascinating idea. Leave the genre alone, but then again, as long as these studios continue to rake in millions, they'll continually produce the same product. In the end, World War Z is a fun, entertaining night out, but if you can't make it to the showing, don't feel too bad because you've most likely seen everything displayed in this film already.