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This is without a doubt one of the most riveting, thought-provoking, and utterly powerful movies for young people (or any people, for that matter). Unlike most movies for young people, which usually encourage selfishness, lust, and who knows what else, this is a film that promotes such qualities as self-sacrifice, courage in the face of unspeakable difficulties, and using your life to make a difference for others.

Based on Markus Zusak's novel, The Book Thief expertly tells the story of a young German girl named Liesel, who is thrust into the horrors of World War II Germany and its many complications. The scope of the story is seen through the eyes of Liesel, making it quite an intimate tale that is less about war and more about the importance of remaining human in inhuman surroundings, and affecting those around you in a positive and profound way.

The film is hauntingly beautiful, and moves at an effortless pace- not too fast, not too slow- allowing the viewers to become immersed in the realities of Liesel's situation. Lovely Sophie Nelisse is stunningly perfect in the role of Liesel, capturing both the bright-eyed innocence and the eventual world-weary quality needed for the role. Liesel's good-natured friend Rudy is also expertly and realistically portrayed by young Nico Liersch. It is a delight to watch such wonderful young actors at work. Geoffrey Rush and Emily Watson, of course, are their usual extraordinary selves as Liesel's adoptive parents.

This is truly a movie that is not just for young people. It operates on many levels, as a commentary on the disastrous effects of World War II or a poignant tale of one small soul fighting for her own sense of humanity. While it might be a bit intense for small children, a film such as this should be mandatory viewing for older children and teenagers- a thoughtful and heart-tugging reminder of the fragility of life, and the importance of looking beyond yourself. It is the sort of film that will leave viewers young and old just a bit speechless.

This is a flat out amazing film. It's nuanced, extremely thoughtful and features some of the strongest performances of the year. If I had a vote, we'd get another young teenage girl nominated for "best actress" in a lead role for Sophie Nelisse's amazing work. Everyone's work here is award worthy. Sure, the subject matter may seem like a rehash (The Diary of Anne Frank"/"The Boy in the Striped Pajamas"/The Pianist") but it really isn't. It's fresh, and packs the most emotional impact of any film that I've seen all year. Captivating and extremely powerful, the film is hauntingly beautiful. It moves at an effortless pace which allows the viewer to become immersed in the realities of Liesel's situation. That pace may not be for everyone but I found it to be perfect. Everything breaths properly and every connection made is heartfelt and meaningful. The literary vehicle of death as the narrator really is a masterstroke and works perfectly. It starts the film and finishes but is never intrusive.

I honestly feel this film is an instant classic. It really stayed with me after watching it and I'm still moved by its impact.

I do not know the book. But the film, for its beautiful simplicity is useful in high measure. A film about war and survive, well acted, touching and delicate, great for small details and for the atmosphere, reminding the art of admirable actors, proposing a magnificent trip inside yourself. Short, just delightful , with bitter taste and wise definition of the life meanings.

"The Book Thief" is certainly a rare kind of film for its day. It gleams like the sun, glistens like rays on the surface of water - for here is a dark tale that lights up the very soul.

I've read several 'professional' reviews for this work and it seems too easy for some Critics to sit in their comfortable cinema seats, or arm chairs in the safety of their homes, and write, what often amount to trite comments. They can read meaning (often their own) into works of crude ugliness, yet feel they have to hide from life affirming warmth.

From the very opening scenes this film draws you in. Some did not like the fact that death (as voice over) begins to tell the story, but this also served to make it all the more compelling. Screen play adapter: Michael Petroni who's been associated with such diverse works as "The Rite" and "Narnia" is equally at home writing for the BIG screen as well as TV. As is talented Director: Brian Percival (Downton Abbey & North and South) Both seem to have given their all, and with no less than 6 various producers, there seemed to be plenty of money to assure superb production values ~ guaranteeing a great look and feel. Director of Photography: German born Florian Ballhaus, captures the magnificence of the carefully selected locations, lifting astounding images from the pages of the book onto the screen.

The cast all work hard to bring to life the characters from Markus Zusak's novel. Child actors can sometimes be hit or miss but award winning Sophie Nelisse (Liesel) is reminiscent of the great Patricia Gozzi from the 60s (Sundays and Cybele '62 & Rapture '65) She convinces over a full range of emotions. Young Nico Liersch scores equally as Rudy.

Some cynical critics seem to have difficulty in understanding the intellect of children forced to grow up in terrible circumstances and may have been unnecessarily harsh. Rush is reliable as always, managing to convey the emotions of a man living with fear, yet playing it down for the sake of his young adopted charge.

John Williams' multi-layered music score brings to mind the style of strong scores that helped breath life into great classics from the past.

Films of this quality have become rare in these days of often foolish, Hollywood comic book action blockbusters, but it's hoped this, along with 'The Railway Man' might see us treated to more intelligent modern cinema. If I'd change anything, perhaps it could be the anticlimactic style of the closing scenes ~ looked as if more may have been added as afterthought, through one too many fade outs (a very minor point)

But more importantly, perhaps, some cynical critics may also be 'reminded of their humanity'.

Orange Wednesday's are a weekly escape from the monotony of the working world (New Teacher - Little money - Stressed - Used to do absolutely nothing at Uni). Therefore over the last couple of years, as you can imagine, the cinema has been overused and a plethora of films have been watched, reviewed and loved. Being a sap myself and an ability to completely immerse myself within a movie; the usual comment coming out of the cinema is: "That was the best film I've ever seen!"...

Obviously that is never actually true, and probably isn't for this film, however I again came out the cinema saying the same thing. Within the first two months of this year: Wolf of Wall Street, 12 Years a Slave, American Hustle and Dallas Buyers Club...Now The Book Thief!

Now I had no idea what the film was about before stepping in the cinema, except a girl who steals books in the war. Even half way through I thought this film was a heart warming film about the war through a child's eyes. I was WRONG! If you know nothing about the story, the film is beautifully written, acted, portrayed (Life of Pi creators, done it again) and has bags of shocks, emotion and heartache. The other lad who viewed the film with me(In the same boat work wise) I have never seen cry. That man was broken!

The young actress, is going to be a superstar. Geoffrey Rush, although portrayed a "Disney Dad" as some reviewers suggested; was inspirational and perfectly cast, when compared to the book, which I have now read.

Another reviewer trashed the use of "bits of German" - You sir, are a fool. This is not Hollywood tact, the book does exactly the same thing and therefore the film took that same role.

Another reviewer gave the film "1 star" (Mainly due to the film not being realistic in 3 parts, which all played no real role in the film and therefore a poor point to make) It's a story based on some real life events, not a true story.

Rant over though, this film truly moved me (23 year old male) I know, I hid it well in the cinema! The film is just a Must see and although I probably wouldn't rate it 10 star (I never rate that highly) I felt I needed to raise the profile, due to people who have too much time on their hands to pick holes in minor parts of films and have to have their films more like a documentary, then a masterpiece for all warps of life and ages.

I will be using this in school as soon as it is out and will be a fantastic tool for developing writing!

Cracking film!