The Uninvited

The Uninvited (2009) delivers a solid 7 out of 10 as a horror-thriller with a captivating atmosphere and a few solid scares. It centers around Anna (Emily Browning), who returns home from a psychiatric facility to find her father entangled with a new girlfriend, Rachael (Elizabeth Banks), who appears suspiciously intent on keeping Anna and her sister, Alex, at bay. This movie is loosely based on the South Korean horror film A Tale of Two Sisters, and while it doesn't quite achieve the psychological depth of its inspiration, it offers enough twists to keep viewers engaged.

What works well for The Uninvited is its moody, eerie vibe; the setting and cinematography effectively build tension, drawing audiences into Anna's perception and keeping them guessing about who to trust. Emily Browning gives a compelling performance, and Elizabeth Banks shines in her layered role, adding a disturbing edge to her character. The tension builds consistently toward an unexpected twist that's clever, even if it won't shock seasoned horror fans.

However, The Uninvited sometimes stumbles with pacing, and parts of the plot feel a bit predictable. It's more of a slow-burn psychological mystery than a jump-scare horror, which may disappoint those looking for a more intense experience. The movie ultimately succeeds as a suspenseful, entertaining thriller but lacks the depth and originality to make it truly memorable.

If you're in the mood for an atmospheric thriller with a few haunting twists, The Uninvited is worth a watch-even if it might not be the most groundbreaking horror flick you'll see.

For my part, I find it excellent. I who usually hate horror movies, I really enjoyed The Uninvited, because it's not a horror movie, precisely. I would rather say that it's a thriller, particularly well done, which features Emily Browning, an amazing actress who plays well throughout the film. All the supporting roles are equally compelling, from the creepy stepmother to the protective sister and the ambiguous father.

But the real strenght of The Uninvited is its ending : completely unexpected, it is very well brought and remains logical with everything that has been showed to us previously, if we watch the whole thing again. A very nice surprise for me! 8/10.

While many people are just so put off by this film for many reasons, I was very surprised by how it actually turned out.

Although the original, "A Tale of Two Sisters", was an epic movie that delivered certain moods and feelings that this movie (and most other films to date) couldn't quite capture, this film was still just great.

One thing to understand was that this movie was completely westernized. Remakes such as "The Grudge" take place in Japan, but the main characters are replaced with an American or European cast, and sometimes the story just doesn't quite fit the way it should with that type of a cast. In this film, the "A Tale of Two Sisters" story is completely translated into an American setting, in the north in a small town. The characters are tweaked a little to accommodate the new setting, and so are some of the scenes and plot lines. This is where many fans of the original get upset and get their panties in a bunch.

If this film was truly remade true to the original, it would just be the original film itself being remade 5 years later with the same cast and same script. This film is honestly one of the best Asian-horror remakes that has been made in the past 3 or 4 years if not ever. The cast gives solid performances and there were little or no plot holes. There were actually less plot holes in this film than the original. Of course I liked the original more, but I'm just saying this film executed certain things that the first film didn't, just like the first film executed certain things this film didn't. They are meant to be similar but different, and that is what makes both of them worth seeing.

8.5/10

The Uninvited (2009) is a movie that I recently watched on HBOMAX. The storyline follows a traumatized young lady who returns home from a psychological institution for the first time since her mom dramatically died and her dad remarried. She returns home to a hostile relationship with her stepmother, run ins with the ghost of her mom and a sister that just doesn't give an damn. Things get worse as more and more ghosts from her past return.

This movie is codirected by Charles and Thomas Guard, who also codirected Round about Five, and stars Emily Browning (Sucker Punch), Arielle Kebbel (Grudge 2), Elizabeth Banks (The Hunger Games), David Strathairn (The Firm) and Jesse Moss (Tucker and Dale vs Evil).

This is one of those movies where you wanted a little more from it. The cast is really good and everyone delivers a solid performance. The ladies in the cast are gorgeous. The plot has some good twists and turns. The end is clever and was pretty smart. My only complaint is the horror elements are limited and the jump scares were cheesy.

Overall, with a story this good if they could have ratcheted up the horror elements this could have been a gem. I would score this a 6/10 and recommend seeing it once.

I haven't seen the original Tale of Two Sisters by Kim Ji-woon to begin with so I won't be able to do any meaningful comparisons. But if a remake is any indication of how the original is generally miles better, especially if done by Hollywood, hen it probably is worth my while to put the Korean horror movie in my to-watch list. After all, Kim Ji-woon's film is one of Korea's top box office draws when released.

There have been more misses than hits when Hollywood adapts what it thinks could be instant box office gold with its fountain of Asian content, and since there have been only a limited number of successful Asian horror releases in recent years, it had looked inwards and cannibalized on remaking its own shock/slasher films. This one took a long while to translate to The Uninvited, and I guess taking some 6 years indicated the filmmakers wanted to do things right instead of rushing through and come out with crap.

As such the directing duo of the Guard Brothers Charles and Thomas managed to find some balance between telling a psychological thriller, and moments where they can properly employ tricks from the usual formula book to scare an audience, with the usual light and shadows, smoke and mirrors, warped beings, decomposed bodies and jump cuts with ghouls staring down at you. Surprisingly it didn't rely on sound or lack thereof to add a further sensory dimension to set pulse racing, which I thought was a little let down in its moments to build up to the next "Boo!" If anything, the acting duo of Emily Browning (Lemony Snicket's A Series of Unfortunate Events, with pouty lips to rival Angelina Jolie's, and given special attention too in this narrative) and Arielle Kebbel shine as skimpily clad sisters Anna and Alex respectively, who have to rely on each other as they uncover the truth behind the death of their mom (Maya Massar). It doesn't help of course with Anna just being certified sane and safe to be released from a mental institution, and their suspect happens to be their nanny-turned-new-step-mom-to-be Rachel (Elizabeth Banks) whom dad (David Strathairn) intends to marry. Given the short run time of under 90 minutes, the pace is kept compact with little room wasted to pump in unnecessary subplots (unless set up just to provide an additional avenue to unleash horrific mayhem), focusing very much of the relationship between the two sisters, and their strained one with their father. Emily Browning, as the lead, of course had enough latitude to showcase a double-head snake role in being "nice" to Rachel, in order for some fishing of information.

That isn't to say there isn't any loophole that a jumbo jet can't fly through. Even if you have no background knowledge gained from the original Korean film, it is easy enough for sharp-eyed viewers, or those whose cinematic staple is horror films, to stay one step ahead and deduce just what is exactly going on. Which makes me wonder just how much it'll take for shockmeisters to scare seasoned audiences since they're getting savvier, and easily bored with the same old bag of tricks.

If anything, The Uninvited would have piqued your interest in the original, which has a longer run time and in all likelihood, the exploitation of mood and atmosphere that are quite standard tools for horror films from Asia, which is sorely lacking in this version. Nonetheless it's still one of the better Western remakes of Asian horror attempted.