VALUTAZIONE IMDb
6,2/10
29.980
LA TUA VALUTAZIONE
Una banda di giovani ladri fugge da Parigi durante le violente conseguenze di un'elezione politica, per poi rinchiudere in una locanda gestita da neonazisti.Una banda di giovani ladri fugge da Parigi durante le violente conseguenze di un'elezione politica, per poi rinchiudere in una locanda gestita da neonazisti.Una banda di giovani ladri fugge da Parigi durante le violente conseguenze di un'elezione politica, per poi rinchiudere in una locanda gestita da neonazisti.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
Recensioni in evidenza
Frontier(s) is a fast-paced, very violent thrill-ride from Xavier Gens. While it won't be everyone's taste, for fans of full-on gruesome action it's a must. It's basically a very decent version of 'Hostel' with a couple of thugs on the run from riot-torn Paris who seek refuge at a seedy hotel, unbeknownst what lies ahead. It's not a great film by any means but it is a thrilling one. The lead actress did a great job, but there's also good stuff the actor who played Farid and the actor who played the meathead lunatic. Its style is slick, just what I enjoy watching. Fans of the genre will know what to expect, others may not. But I recommend 'Frontier(s) for a mind-f*ck of a night. ***/*****
One of a new wave of ultra-explicit French horror/thrillers, FRONTIERS is everything a gore-drenched thriller should be. Set in the near future, it sees the usual bunch of unsuspecting victims holing up in a remote hotel, where they find themselves at the mercy of a hillbilly family who make the Texas Chainsaw clan look like the Brady Bunch. What follows is an odyssey of bloody murder, torture and revenge, expertly directed by Xavier Gans.
I'm not really a fan of gore films per se. A lot of the horror films I love were made by Universal and Hammer, and of course these are considered tame by modern standards. But I don't mind gore when it's done right, as in the likes of HOSTEL, and it's certainly done right here too. We see brutal violence and punishment meted out to innocent victims before the tables are finally turned and the bad guys get their comeuppance, and that's just the kind of bloodshed I love watching. The film can hardly be applauded for originality but it certainly makes up for it in execution.
This is a taut, tense and extremely gruelling affair which barely lets you catch your breath from beginning to end. Gans' direction is adroit and the spare script allows the story to be told mostly through action rather than needless dialogue. The performances are decent for what is clearly a low budget film, and the special effects are, of course, grisly and spectacular, especially that saw scene. FRONTIERS is a film for movie-goers who like their horror full-blooded and gritty and it beats any Saw movie hands down.
I'm not really a fan of gore films per se. A lot of the horror films I love were made by Universal and Hammer, and of course these are considered tame by modern standards. But I don't mind gore when it's done right, as in the likes of HOSTEL, and it's certainly done right here too. We see brutal violence and punishment meted out to innocent victims before the tables are finally turned and the bad guys get their comeuppance, and that's just the kind of bloodshed I love watching. The film can hardly be applauded for originality but it certainly makes up for it in execution.
This is a taut, tense and extremely gruelling affair which barely lets you catch your breath from beginning to end. Gans' direction is adroit and the spare script allows the story to be told mostly through action rather than needless dialogue. The performances are decent for what is clearly a low budget film, and the special effects are, of course, grisly and spectacular, especially that saw scene. FRONTIERS is a film for movie-goers who like their horror full-blooded and gritty and it beats any Saw movie hands down.
What is it about European movies and psychotic families...??,well,to be honest it delivers every time you put in so much gore and violence combined with some psychotic group seeking pleasure in doing so,Frontier(s)is a new mixture of the same old formula,an effective one,The movie is brutal & violent and so a perfect one for Thriller/Slasher fans.I am always on a regular lookout for such films and somehow i always find it safe to go with some European slasher,and so along came Frontiers which is an entertaining thriller/slasher movie from France.The movie contains good 50 minutes of thrilling experience which obviously goes in its favor making it worth your time,the film at some levels is Intense & very disturbing but this makes it more interesting...great movie,loved it
Homage is a tricky thingthere is an extremely fine line in paying tribute to the cinematic works of others and merely ripping them off (hello, "Doomsday"!). And integrating a whiff of political commentary to give an aura of sophistication to what is, at heart, an unabashed splatter-fest, is even trickier (and much harder to pull of convincinglysee George Romero's "Living Dead" series). Despite how wobbly Xavier ("Hitman") Gens' blood-soaked "Frontier(s)" is in both of these departments, it comes out ahead due to its own maniacal, implacable energy; while prone to including too many monotonous chases that slow up (rather than quicken) the overall pace, there are scenes of such visceral savagery on display that it's hard to take your eyes off the screen. While some of the performances and characterizations veer dangerously close to camp, Gens comes close to establishing the same sort of fever-dream madness that made "The Texas Chainsaw Massacre" so endearing: when an extreme right-wing candidate is elected to the French presidency, the citizens take to the streets in protest (the film's opening images are culled from actual news footage); using this as a cover, 5 small-time crooks knock off a bank and meet up at a countryside hostel that just happens to be run by several generations of an inbred, neo-Nazi family (including a patriarch that looks like B-movie king Roger Corman; and a sister who resembles Gen from The Genitortures); what ensues is a survival-of-the-luckiest chase through bowels-of-hell settings that have been well-established in the "Saw" and "Hostel" flicks. Gens also pulls (un)inspiration from the likes of "The Descent" (a fantastically claustrophobic tunnel-crawl; subhuman critters in underground caverns), "High Tension" (the beleaguered heroine spends the last 20 minutes wearing a literal coat of gore), and seemingly every one of the "Texas Chainsaw"s (coming closest to the family dynamic of Part III). While "Frontier(s)" spills its share of the red vino, it doesn't approach the level its reputation would lead you to believeby comparison, the far more original "Inside" trumps this in terms of jaw-dropping carnagebut Gens instills his violence with such a brutally misanthropic tone that it comes across with more discomfort than catharsis. That being said, there is a bizarre appeal to our protagonists, probably because their initial crime and in-fighting becomes more forgivable in the face of the malevolent menace they bump up against; and the villains are grotesquely charismatic, forming an interlacing network of poison DNA and an undeniable (and undeniably perverse) sense of familial honor. "Frontier(s)" is messy, and certainly no masterpiece, but it makes for a diverting trip into the potential for genre extremity.
I'm assuming you haven't watched the movie already here, so I'm warning/telling you, that this movie will not be for the faint of hearted! It's a horror, it's shocking and it's explicit. But this all starts to happen about half an hour into the movie. So you kinda have learned (maybe even liked?) the characters. That might be a good thing, but it also means that all the pre-story gets thrown away after the mayhem begins ...
If you're looking for gore and terror, this is the only reason for you to watch this movie. There are quite a few scary passages, but there are also a few letdowns, story-wise mostly. The french again try to set a new high (or low, depending on your viewpoint) for gory movies!
If you're looking for gore and terror, this is the only reason for you to watch this movie. There are quite a few scary passages, but there are also a few letdowns, story-wise mostly. The french again try to set a new high (or low, depending on your viewpoint) for gory movies!
Lo sapevi?
- QuizBanned in Thailand for its violence.
- BlooperIn the middle of the movie, when Farid escapes to the basement, he hits Karl in the face with a sledgehammer and knocks him down. Then, in the next scene Karl is sitting at the dinner table, with no mark of that stroke on his face.
- Versioni alternativeThe German versions had to be cut to be released at all. The rental version was cut by ca. 3 minutes to secure a light SPIO/JK approval, whereas the retail version was cut by ca. 7 minutes for a "Not under 18" FSK rating.
- ConnessioniEdited into Heads Blow Up! (2011)
- Colonne sonoreEvolution Reversed
Written by Udi Kagan and Jean-Pierre Taïeb
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 97.182 USD
- Fine settimana di apertura Stati Uniti e Canada
- 512.000 USD
- 11 nov 2007
- Lordo in tutto il mondo
- 2.783.535 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Frontiers - Ai confini dell'inferno (2007) officially released in India in English?
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