Storm Warning

The lawyer Rob (Robert Taylor) and his French wife Pia (Nadia Farès) rent a small motor boat to spend the day fishing at the sea. In the end of the day, Rob decides to steer the boat through marsh islands but they become lost and stranded while a storm is coming.

Rob decides to walk with Pia to find a shelter and they reach a dilapidated house with no one home. Rob also finds a decrepit greenhouse with a plantation of marijuana. Out of the blue, three rednecks arrive in the place and the abusive and deranged brothers Jimmy (David Lyons) and Brett (Mathew Wilkinson) point shotguns to them and torture Rob and Pia while their father "Poppy" (John Brumpton) goes to his room to rest. The couple soon realizes that Pia will be raped by the sadistic and they will be killed after and they decide to fight back.

"Storm Warning" is a brutal and gore slasher with an unoriginal storyline that surprisingly works well, supported by great direction and performances and excellent cinematography, special effects and camera work. The decision of Pia, when she learns that she will be raped by the rednecks, is the best moment of this highly recommended film. My vote is seven.

Title (Brazil): "Aviso de Tempestade" ("Storm Warning")

Yuppies have a lot of trouble driving pickups. Hillbillies detest Volvo's. Yuppie women who are squeamish about fishing somehow can figure out how to turn fishing rods into booby-traps. Obviously yuppie women also know that hillbillies skip foreplay completely. In "Storm Warning", the yuppies and hillbillies have one thing in common, and that is no common sense. Prepare to be amazed by a plot that relies on the yuppies purposely steering their small boat into a mangrove swamp, with a storm approaching, get lost, and seek shelter in a house that is obviously occupied by degenerate locals (you can't help but notice the blowup doll in the living room). The hillbillies, who can barely write their names in the mud with a stick, might elicit some sympathy after all. - MERK

And not just pain down under - although I guess that's where it comes from. Puns aside, this Australian movie never made it to Germany uncut. Still the fact that the movie is violent made the ratings board declare this a despicable work of art. Although I'm not sure they even consider it art.

But their prejudices aside, yes this is a very violent movie. And yes you should not be squeamish at all. Still the story is nicely told and you can relate to the main characters. The good ones that is. The mean and bad characters may seem unreasonable (they are), but it's not like we are not aware that this is a movie overall. Decent horror movie for hardcore fans

This is a very effective low budget offering from the Southern hemisphere.

The plot is pretty simple, revolving around a yuppie couple who stumble upon a backwoods family who take them prisoner. What elevates this film above similar tales is the sheer sense of menace and relentless vulnerability that is created, and also the sheer energy and inventiveness with which the captors are depicted.

Personally, I felt very uncomfortable throughout and I empathised with the couple who had somehow got themselves into so much trouble. The woman, who to make matters worse is French, is under constant threat of rape. I felt particularly sorry for her lawyer boyfriend who is helplessly out of his depth and fully aware that he is unable to defend her.

However, she is made of pretty stern stuff and when her boyfriend is incapacitated by the savage yokels they have encountered she takes matters into her own hands and begins the fight back.

This protracted turning of the tables takes up the final third of the film and is handled with great energy and and enthusiasm. Some old-school booby traps are employed against one of the villains whilst she has another trick up her, ahem, sleeve which really has to be seen to be believed.

Without giving too much away, I found the eventual structure of this film quite fascinating and original, but for the casual viewer alike this film really delivers. There is plenty of atmosphere, humour, set-piece carnage and thrills for everyone and the hyped up soundtrack keeps things moving along nicely.

Carrying a tagline such as "From The Director of 'Urban Legend' and 'Valentine'" may not be the best way to sell a film, but it at least had me intrigued. While I may have initially over-looked "Storm Warning," thinking it was yet another joy-less, modern-day horror film where people get tortured in ultra-violent ways and scream until its unpleasant conclusion (think "Hostel" and the like), it was the name of Jamie Blanks who caught my attention. While "Urban Legend" and "Valentine" are about as sterilized as American horror can get, the Australian director has a strong visual sense that helped elevate both films, and thinking he could save yet another film from being "just another," I figured "Storm Warning" would be a safe bet. Thankfully, I was right.

When a well-to-do couple gets stranded during a quaint fishing trip, they seek shelter in the home of three psychopaths who quickly put The Mr. out of commission and make sexual advances towards The Mrs. every five minutes. The film unravels as a typical, nihilistic piece, until somewhere in the second act when the captors fight back. Soon, the villains find themselves at the mercy of well-placed traps ("Hellraiser," anyone?) and some make-shift birth control. While it plays itself off as yet another "Texas Chainsaw Massacre"-type film, "Storm Warning" is meaner and just plain more fun than most of what this sub-genre has to offer. Throughout the third act, I found myself jumping in excitement as I cheered along Nadia Fares' character and cringed at some of the excruciating and often over-the-top bloodshed. Blanks handles all of this with substantial atmosphere and slick style. Once you get past the cheap looking -- we're talking "Open Water" cheap -- first act, "Storm Warning" submerses you in the dark and dirty, without flinching once. It also helps with two solid leads on hand. Nadia Fares is both stunning and strong as the unlikely female lead, while Robert Taylor keeps it real as the frightened and vulnerable husband. The sickos are a bit over-the-top but suitable, and you're bound to cheer for their demise. Overall, "Storm Warning" doesn't bring much new to the genre, but it's got more than it's fair share of thrills and unique death scenes. If one thing is for certain, it will get a reaction from most anyone, and is worth at least a rental.