Il semidio Perseo, figlio di Zeus, combatte contro le forze dell'aldilà per impedire loro di conquistare la Terra.Il semidio Perseo, figlio di Zeus, combatte contro le forze dell'aldilà per impedire loro di conquistare la Terra.Il semidio Perseo, figlio di Zeus, combatte contro le forze dell'aldilà per impedire loro di conquistare la Terra.
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- 4 vittorie e 14 candidature totali
Recensioni in evidenza
The Clash of the Titans remade is more like a brute version of it. It's fun but its a mess. It's more of a spectacle rather than telling a story bout the whole mythology epic with its characters though I'm seeing a lot of CGI extravaganza with over the top results which my eyes are bleeding like hell . This is one of those films where there are a lot of super good casts in a bad production.
I, being a huge fan of the original, was probably more excited to see this movie than anyone. And in 3-D no less. So...I walk into the theater with my 3-D glasses on my head, holding my $5 popcorn and get ready to watch my favorite childhood movie and...and...and...oh no. Oh no. This is awful. I sat through the movie wondering why I don't care about any of these characters. On top of that, I'm wondering why I spent the extra money to see it in 3-D. The best 3-D effects came during the opening credits. Other than that, I could have thrown the glasses away. Now I know why James Cameron is not a big fan of making films 3-D after the fact. To make a long story short, I was incredibly disappointed. I would not recommend this movie to anyone. Go see the original "Clash of the Titans" if you want to lose yourself in a good movie. After seeing this one all I could think of was "oh how the mighty titans have fallen."
"Clash of the Titans" (2010) provided everything its cover image and trailer promise, except for the part about authentic Greek Mythology, but if you can get past that you'll have a good time. The draw of the film is fast paced, adrenaline pumping action, a lot of tough guys & gals who never smile, and really cool monsters and special effects for 2010.
It's rated PG-13 for some violence and gore, and there is no sexuality, nudity or profanity (except 1 awesome use of the word b*tch). The "violence and gore" is shot very fast, so even though it depicts people being ripped in half & such, it's not quite as disturbing as, say, a Quentin Tarantino film where you watch a guy slowly bleed to death for 15 mins. In other words, this is good stuff to watch with your teenage kids or puritanical parents, either way.
There are some big names on the cast, and all performances were solid, but nothing really stood out as remarkable. That is to be expected in a fast paced film. But I would have preferred a powerful monologue or two just to use the talent to its full potential. I will say Ralph Fiennes did a chillingly original portrayal of "Hades", making him to be a twisted, limping, bitter wretch who still possessed terrifying power and fury. He is definitely my favorite part of the production.
Now on to the bad, which others have covered in detail so I'll just graze over. If you think you can study for your Classical Literature exam by watching this, you're going to get flunked all the way back to James Whale's 1931 "Frankenstein" (the most successful yet inaccurate adaptation of literature ever). Different characters in mythology seem to have been transposed, juxtaposed and just plain posed for the sake of this 2010 story. The biggest liberty is that here our hero Perseus is fighting against the gods when the original literature shows that he was tremendously helped by the gods by being given special weapons and gifts. In this film he is given those same gifts which he indignantly refuses but then later sheepishly accepts them because they'll save his life. I'm not sure if that was meant to be hypocritical, ironic, or just a sloppy oversight in the screenplay, but it's worth noting. Just what exactly is this film saying below the surface? That humans have outgrown gods? Or that we ultimately still need gods?
But for the most part, this gives us a decent taste of Greek Mythology which was truly the origin of the timeless scifi/fantasy/horror genre thousands of years ago. Chances are, most people will simply enjoy this movie for its action, fantasy and special effects. For that, yes, it delivers. But for literary accuracy... well I would be terrified to approach any literature teacher with the mere mention of this movie. That teacher would kick my Assaracus out of school and I'd be crying all the way Homer.
It's rated PG-13 for some violence and gore, and there is no sexuality, nudity or profanity (except 1 awesome use of the word b*tch). The "violence and gore" is shot very fast, so even though it depicts people being ripped in half & such, it's not quite as disturbing as, say, a Quentin Tarantino film where you watch a guy slowly bleed to death for 15 mins. In other words, this is good stuff to watch with your teenage kids or puritanical parents, either way.
There are some big names on the cast, and all performances were solid, but nothing really stood out as remarkable. That is to be expected in a fast paced film. But I would have preferred a powerful monologue or two just to use the talent to its full potential. I will say Ralph Fiennes did a chillingly original portrayal of "Hades", making him to be a twisted, limping, bitter wretch who still possessed terrifying power and fury. He is definitely my favorite part of the production.
Now on to the bad, which others have covered in detail so I'll just graze over. If you think you can study for your Classical Literature exam by watching this, you're going to get flunked all the way back to James Whale's 1931 "Frankenstein" (the most successful yet inaccurate adaptation of literature ever). Different characters in mythology seem to have been transposed, juxtaposed and just plain posed for the sake of this 2010 story. The biggest liberty is that here our hero Perseus is fighting against the gods when the original literature shows that he was tremendously helped by the gods by being given special weapons and gifts. In this film he is given those same gifts which he indignantly refuses but then later sheepishly accepts them because they'll save his life. I'm not sure if that was meant to be hypocritical, ironic, or just a sloppy oversight in the screenplay, but it's worth noting. Just what exactly is this film saying below the surface? That humans have outgrown gods? Or that we ultimately still need gods?
But for the most part, this gives us a decent taste of Greek Mythology which was truly the origin of the timeless scifi/fantasy/horror genre thousands of years ago. Chances are, most people will simply enjoy this movie for its action, fantasy and special effects. For that, yes, it delivers. But for literary accuracy... well I would be terrified to approach any literature teacher with the mere mention of this movie. That teacher would kick my Assaracus out of school and I'd be crying all the way Homer.
Ah, the pre-summer action movie. Admittedly, due to word of mouth from those who had attended earlier screenings of the film, my expectations for Clash of the Titans were fairly low. On top of that, many of the initial casting choices appeared to be somewhat suspect. So, what's my verdict? Well, I didn't hate it
The plot of Titans is extremely straightforward – practically to a fault. Often, the film acts as though it's in a hurry, attempting to get from one action sequence to the next as quickly as possible. The scenes that occur in between each of these battles ultimately amount to nothing more than brief segments of exposition delivered by Perseus' "guardian angel" of sorts, Io (Gemma Arterton). So, while the film never really drags, it feels very soulless.
And while we're on the subject of these action sequences, none of them end up being particularly memorable. About half of them are so frenetic to the point where they're almost disorienting - honestly, I'm glad that the 3D screenings were sold out this time 'round. On top of that, there's virtually no character development outside of Worthington's character (and even he isn't all that likable), so I never really cared about the outcome of these action sequences either. Also, as I mentioned earlier, my biggest fear with Titans was in regards to the acting, and thankfully, most of the cast do what's expected of them. Neeson's Zeus aside, none of the performances truly stand out, but they're nothing cringe-worthy either.
Ultimately, Clash of the Titans ends up being a forgettable piece of entertainment with a couple of gaping plot holes, hit-or-miss action sequences, and performances that fail to leave much of an impression. It's not horrible – just hollow.
The plot of Titans is extremely straightforward – practically to a fault. Often, the film acts as though it's in a hurry, attempting to get from one action sequence to the next as quickly as possible. The scenes that occur in between each of these battles ultimately amount to nothing more than brief segments of exposition delivered by Perseus' "guardian angel" of sorts, Io (Gemma Arterton). So, while the film never really drags, it feels very soulless.
And while we're on the subject of these action sequences, none of them end up being particularly memorable. About half of them are so frenetic to the point where they're almost disorienting - honestly, I'm glad that the 3D screenings were sold out this time 'round. On top of that, there's virtually no character development outside of Worthington's character (and even he isn't all that likable), so I never really cared about the outcome of these action sequences either. Also, as I mentioned earlier, my biggest fear with Titans was in regards to the acting, and thankfully, most of the cast do what's expected of them. Neeson's Zeus aside, none of the performances truly stand out, but they're nothing cringe-worthy either.
Ultimately, Clash of the Titans ends up being a forgettable piece of entertainment with a couple of gaping plot holes, hit-or-miss action sequences, and performances that fail to leave much of an impression. It's not horrible – just hollow.
3D is not perfect. Avatar may have shown its full potential whilst Alice in Wonderland and How to Train Your Dragon have continued to prove it can be utilised successful, but if not given the time and effort it requires, the third dimension on screen can actually detract from the movie. Unfortunately this is the case here. The last-minute decision by the filmmakers to add the extra dimension feels tacky and lazy. The objects in the foreground don't seamlessly meld with those in the background and a lot of the action is blurry and unfocused. The desert-brown palate is dimmed even more by the glasses – something the aforementioned movies could cope with due to their vibrant colours – and all of the wide shots are blotchy at best.
It's a shame really as some of the action scenes are quite impressive and boast fairly decent special effects. The various creatures we encounter aren't quite always photo-real, although the sheer size of them – especially the tentacular Kraken – are impressive enough to wash away any glaring flaws. However seeing as this blockbuster lives and dies by its amped up, large-scaled sequences – the screenplay is utter tripe and doesn't even bother to try to make the links between the action interesting or reasonable – it regrettably falls on its own sword, thanks once again to the indolent 3D. Take that away and you might actually be able to enjoy the CGI and the ridiculously big set-pieces with the picture clarity they deserve.
New Aussie on the block, Worthington, takes a misstep in his recently flourishing career; his acting is wooden and unconvincing. It doesn't help that Perseus is a massively underwritten role and only requires Worthington to look good and occasionally mutter something heroic. Neeson and Fiennes come across as cheesy in their roles of Zeus and Hades respectively, their experienced acting chops can't save them from atrocious wigs and laughable costumes. Standing out – which isn't overly hard to be honest – is Arterton and Mikkelsen, they give decent performances as the heavenly Io and the disgruntled Draco.
If you must see this on the big screen then do yourself a favour and see it in normal 2D. Or, even better, just wait to rent it on Blu-Ray.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
It's a shame really as some of the action scenes are quite impressive and boast fairly decent special effects. The various creatures we encounter aren't quite always photo-real, although the sheer size of them – especially the tentacular Kraken – are impressive enough to wash away any glaring flaws. However seeing as this blockbuster lives and dies by its amped up, large-scaled sequences – the screenplay is utter tripe and doesn't even bother to try to make the links between the action interesting or reasonable – it regrettably falls on its own sword, thanks once again to the indolent 3D. Take that away and you might actually be able to enjoy the CGI and the ridiculously big set-pieces with the picture clarity they deserve.
New Aussie on the block, Worthington, takes a misstep in his recently flourishing career; his acting is wooden and unconvincing. It doesn't help that Perseus is a massively underwritten role and only requires Worthington to look good and occasionally mutter something heroic. Neeson and Fiennes come across as cheesy in their roles of Zeus and Hades respectively, their experienced acting chops can't save them from atrocious wigs and laughable costumes. Standing out – which isn't overly hard to be honest – is Arterton and Mikkelsen, they give decent performances as the heavenly Io and the disgruntled Draco.
If you must see this on the big screen then do yourself a favour and see it in normal 2D. Or, even better, just wait to rent it on Blu-Ray.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Lo sapevi?
- QuizEmma Thompson almost made an accidental uncredited cameo in this movie while visiting friend Liam Neeson on the set. Thompson, who'd been filming Tata Matilda e il grande botto (2010) in an adjacent studio, went to visit Neeson during a break, just as Neeson was about to shoot a scene with Ralph Fiennes and Danny Huston. Unable to exit the set fast enough as the cameras began to roll, Thompson, in her clumsy Nanny McPhee costume, had to hide behind Huston's throne during the take so she would not be picked up by the cameras.
- BlooperIn the filming locations in the end credits, Dinorwic quarry is credited as being in "Wales, [in] England". Wales and England are different Countries in the United Kingdom.
- Curiosità sui creditiThere are no opening credits.
- Versioni alternativeAlso released in a 3D version.
- ConnessioniEdited into Yoostar 2: In the Movies (2011)
- Colonne sonoreIo's Theme
Composed by Craig Armstrong
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- Who are the Titans?
- What is the Kraken?
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Furia de titanes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 125.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 163.214.888 USD
- Fine settimana di apertura Stati Uniti e Canada
- 61.235.105 USD
- 4 apr 2010
- Lordo in tutto il mondo
- 493.214.993 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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