VALUTAZIONE IMDb
6,6/10
55.867
LA TUA VALUTAZIONE
Un viaggio in treno transiberiano dalla Cina a Mosca diventa un'emozionante caccia all'inganno e all'omicidio quando due americani incontrano una misteriosa coppia di compagni di viaggio.Un viaggio in treno transiberiano dalla Cina a Mosca diventa un'emozionante caccia all'inganno e all'omicidio quando due americani incontrano una misteriosa coppia di compagni di viaggio.Un viaggio in treno transiberiano dalla Cina a Mosca diventa un'emozionante caccia all'inganno e all'omicidio quando due americani incontrano una misteriosa coppia di compagni di viaggio.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 11 candidature totali
Recensioni in evidenza
I had heard little about this film before watching it, apart from the cast that included the wonderful Ben Kingsley as well as Emily Mortimer and Woody Harrelson. Who each added a great depth to their respective characters making for compelling viewing. The blend of great actors and natural dialogue makes for an emotive and visceral experience.
Brad Anderson has made a well paced thriller that explores the vast emptiness and deprived parts of Russia, and at the same time in contrast capturing the beautiful scenic landscape, as the characters delve deeper into the twisting roads of the narrative. Other than The Machinist (2004) I was unfamiliar with his work but will probably lookout for upcoming features as he has shown great competency in both the writing and direction of this film. Balancing the dramatic aspects of the narrative with the overall film.
The most important thing to note is that it is an independently produced film, which means it is free from the constraints of the mainstream but unfortunately this may mean that it falls through the net as independent films are often unable to compete with the marketing capacity of studio productions. As a result this film will probably not receive a nation wide release across UK cinemas, which is a shame.
This film is great watch with a solid narrative structure and with honest performances from all actors involved, hopefully you'll find Transsiberian a worthwhile watch as I did.
Brad Anderson has made a well paced thriller that explores the vast emptiness and deprived parts of Russia, and at the same time in contrast capturing the beautiful scenic landscape, as the characters delve deeper into the twisting roads of the narrative. Other than The Machinist (2004) I was unfamiliar with his work but will probably lookout for upcoming features as he has shown great competency in both the writing and direction of this film. Balancing the dramatic aspects of the narrative with the overall film.
The most important thing to note is that it is an independently produced film, which means it is free from the constraints of the mainstream but unfortunately this may mean that it falls through the net as independent films are often unable to compete with the marketing capacity of studio productions. As a result this film will probably not receive a nation wide release across UK cinemas, which is a shame.
This film is great watch with a solid narrative structure and with honest performances from all actors involved, hopefully you'll find Transsiberian a worthwhile watch as I did.
This nail-biting film packs mystery , plot twists , violence , suspense in a dark atmosphere with imposing tension and intrigue . It deals with a Trans-Siberian train (at eight days, the Transsiberian Express from Beijing to Moscow is the world's longest train journey) voyage from China to Moscow becomes a thrilling chase of deception and murder when an American couple (Woody Harrelson , Emily Mortimer who can speak Russian in real life) encounters a mysterious pair (Eduardo Noriega , Kate Mara) of fellow travelers . Meanwhile , a narcotics inspector (Ben Kingsley was director Brad Anderson's first choice for the role) is investigating a drug smuggling .
Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among two couples develops . The picture was partly inspired from director Brad Anderson's youth when he did in fact ride the Transsiberian Express . Among the references that Brad Anderson drew on were the films North by Northwest , Strangers in a train , The lady vanishes , Runaway train , Dead calm and the book "Crime and Punishment" . Transsiberian had the misfortune of opening on the same weekend as Dark Knight , the second biggest film in history. The real starring Emily Mortimer is acceptable as a depressed and former ¨bad girl¨ who leads herself a madness spiral and killing , Eduardo Noriega is pretty good as a suspicious young with dark secrets ; both of whom play two gloomy characters . Furthermore , top-notch Ben Kingsley as a tough Police Inspector and brief acting by German Thomas Kretschmann as Kolzak . Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he's expert on sombre photography (Fragile , Intact , Nameless) , being stunningly shot on location in China , Vilnius , Lithuania and Russia . Mesmerizing and intriguing musical score by Alfonso Villalonga (My life without me , Snow white , Princesses) . The flick was finely produced by the chairman of Filmax Productions , Julio Fernandez along with his brother Carlos Fernandez as executive producer , they're two successful producers and experts on terror genre , producing a lot of hits , such as ¨The machinist¨, ¨Rec ¨1¨, 2¨ and ¨3¨ , ¨Fragiles¨, ¨Darkness¨, ¨El perfume¨ , ¨The nun¨ , ¨Backwoods¨ and many others .
The motion picture was well written and directed by Brad Anderson . He is a good filmmaker who has directed thought-provoking and thrilling films such as ¨Happy accidents¨ , ¨Session 9¨ , ¨The machinist¨ , and ¨The call¨ his last film starred by Halle Berry . Transsiberian , rating : Good and above average, it's one the highest earning suspense picture of the last years ; it is an astounding film with tension , blood, shocks and violence .
Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among two couples develops . The picture was partly inspired from director Brad Anderson's youth when he did in fact ride the Transsiberian Express . Among the references that Brad Anderson drew on were the films North by Northwest , Strangers in a train , The lady vanishes , Runaway train , Dead calm and the book "Crime and Punishment" . Transsiberian had the misfortune of opening on the same weekend as Dark Knight , the second biggest film in history. The real starring Emily Mortimer is acceptable as a depressed and former ¨bad girl¨ who leads herself a madness spiral and killing , Eduardo Noriega is pretty good as a suspicious young with dark secrets ; both of whom play two gloomy characters . Furthermore , top-notch Ben Kingsley as a tough Police Inspector and brief acting by German Thomas Kretschmann as Kolzak . Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he's expert on sombre photography (Fragile , Intact , Nameless) , being stunningly shot on location in China , Vilnius , Lithuania and Russia . Mesmerizing and intriguing musical score by Alfonso Villalonga (My life without me , Snow white , Princesses) . The flick was finely produced by the chairman of Filmax Productions , Julio Fernandez along with his brother Carlos Fernandez as executive producer , they're two successful producers and experts on terror genre , producing a lot of hits , such as ¨The machinist¨, ¨Rec ¨1¨, 2¨ and ¨3¨ , ¨Fragiles¨, ¨Darkness¨, ¨El perfume¨ , ¨The nun¨ , ¨Backwoods¨ and many others .
The motion picture was well written and directed by Brad Anderson . He is a good filmmaker who has directed thought-provoking and thrilling films such as ¨Happy accidents¨ , ¨Session 9¨ , ¨The machinist¨ , and ¨The call¨ his last film starred by Halle Berry . Transsiberian , rating : Good and above average, it's one the highest earning suspense picture of the last years ; it is an astounding film with tension , blood, shocks and violence .
As far as setting and scenery this is a 10. As far as woody's and ben kingsley acting its a 10. Where I feel let down, and I may be a harsh critic but so be it: i think the story is weak. don't get me wrong i was compelled to continue watching because of the suspense and some twists and turns...but when its all said and done i felt like it was pointless...just nothing special, somewhat empty.
Just screened this great film at Sundance 2008 and came away very pleased with the experience. It appears that Director Brad Anderson has successfully created a modern thriller worthy of attention. The backdrop of this film is the wondrous Transsiberian Express railway which in itself makes this completely watchable and makes for fantastic cinematography. The story takes us along the railway with Jesse (Emily Mortimer) and Roy (Woody) who are taking the trek as an adventure after a stint in China. The two Americans find themselves befriended by a young couple Carlos and Amby (I think thats her name,the character was played by Kate Mara) who themselves are traveling around Russia. After some time together an awkward friendship forms between Jesse and Carlos who has several different motives. As the train keeps pushing across the frozen tundra some situations occur that separate the newfound friends and places certain individuals in compromising positions that ultimately result in some stressful events. Russian narcotics officer Grinko (Kingsley) arrives just in time to really make things chaotic and turn the train ride into a thrill ride. Jesse finds herself pushing and pulling between dealing with the truth and what it will take to survive the train trip home.
First of all whether one loves the plot or not, its hard to deny the fantastic cinematography that takes place throughout the film. The train sequences inside are so authentic that one can truly feel the atmosphere breathing. Overall the whole film just feels authentic to the locations and the people who wander in and out of the film are completely genuine. Superb performances by all, just really good stuff from actors you would expect it from. Plot runs a little weaker towards the end and inevitably its somewhat predictable as most thrillers are, but with the train and the location its a enough of a twist to keep viewers interested. Flick definitely should appeal more to mainstream audiences then the typical indie sorts, so buzz might be a bit weak on the indie circuit but this movie should have decent release interest and definitely get good views on video and cable when people give it a chance.
First of all whether one loves the plot or not, its hard to deny the fantastic cinematography that takes place throughout the film. The train sequences inside are so authentic that one can truly feel the atmosphere breathing. Overall the whole film just feels authentic to the locations and the people who wander in and out of the film are completely genuine. Superb performances by all, just really good stuff from actors you would expect it from. Plot runs a little weaker towards the end and inevitably its somewhat predictable as most thrillers are, but with the train and the location its a enough of a twist to keep viewers interested. Flick definitely should appeal more to mainstream audiences then the typical indie sorts, so buzz might be a bit weak on the indie circuit but this movie should have decent release interest and definitely get good views on video and cable when people give it a chance.
Trains are famously atmospheric, especially on long runs across remote areas like China to Moscow through Siberia. Voilà: the Transsiberian railway. The quartet who meet in a compartment aren't really likable, but you're thrown in with them, like on a train--the way Roy (Woody Harrelson), his wife Jessie (Emily Mortimer), Carlos (Eduardo Noriega) and Abby (Kate Mara) are thrown together in this tight, exciting, basically old fashioned thriller. This is the new Russia of big money and mafia corruption, but the ingredients are tried and true. Strangers on train: there's something Hitchcockian about the way innocent people get roped into incriminating situations and then appear perhaps not to be so innocent after all.
They're on a very long ride, and in the overheated intensity of the cars (you can't seem to pry the windows open) things are blown out of proportion. They're too naive, too suspicious, too sexy. Roy's too pious and decent and upbeat. Look at the donut and not at the hole, is his motto. He's a very Christian hardware dealer and Jessie is his wife with a wild past that comes out when she meets another woman. They're returning from some sort of Christian outreach project in China. Roy's like a little boy: he loves trains. The Express is like a huge toy all for him. He's very devoted to Jessie, but the sex hasn't been going too well.
The next day into the compartment comes a younger couple. Carlos and Abby say they were teaching in Japan. However, Carlos, a handsome devil, who has his eye on Jessie, seems to know a little too much about how to get past customs with a dodgy passport. He shows off theirs proudly to Jessie, who's had a bit of trouble with the Russians. Her passport and Roy's are too pristine, he says. It makes the officials suspicious. His and Abby's are packed with stamps. They look "real." He's got some of those Russian dolls, the little lacquered things like shoots only with babushka heads, one inside the other. He says his are special, and he's going to sell them for a lot of money.
Well, he is, but that isn't why.
The train makes long stops, and Roy is so fascinated with the cars, he gets involved in a conversation with Carlos, and then the train takes off without him. Abby and Jessie have had a heart-to-heart and Jessie has confessed she had a lot of drug and alcohol problems. Roy says they "met by accident" because they met in an accident, when she was driving drunk and he stayed with her in the hospital. That's when he told her the donut and the hole story.
Carlos is dangerous, handsome, and predatory. Jessie has that wild side gesturing wildly to be let out again. And he could be the one to tease it out.
When Roy gets left behind Jessic has to get off at the next stop and wait for him. Carlos and Abby insist on getting off with her and keeping her company. And that's when the trouble really begins. Stuff happens. Surprising stuff. Or not. Depends on how good you are at predicting this kind of plot.
But the thing is, Brad Anderson and his writing collaborator Will Conroy have put together a story rich in atmosphere, that really convinces you all this could only happen here, on the train, in the snow, in the none-too-touristic rural Russian hotel and on a bus, and out in the middle of nowhere. The outdoors is all snow. The train cars are rickety and yet tough. The woman attendants are all Nurse Ratcheds who speak nothing but loud angry disapproving Russian. The food sucks, but the vodka flows. (Jessie refuses it, but when things get tough, she downs a shot. This is a world bad enough to make all but the strongest lose their sobriety, and she wears her heart on her sleeve.) The Russian fellow travelers are a mixture of camaraderie and hostility.
And then, of course, along comes Ben Kingsley, as Grinko, detective of Russian Narcotics Bureau (no articles, please). When Roy reappears, he's made friends with Grinko. Well, before that, early on, we happen to have seen Grinko examine a man at a table with a knife buried in the back of his head. Cherchez les drugs.
I can't tell you any more. I can tell you that the trains are so lovely they make you understand Roy's enthusiasm. Whole cars give off a smoky ooze of white frozen air whenever you look at them. To heighten our sense of the visual in all this, Jessie is a good amateur photographer, armed with an expensive digital Canon with a big lens, and the images on screen often jump with a hand-held camera, but also step back to take in long views of a skeletal ruined Russian church out in the waste, or to snap a hawk in the sky, or a bunch of huddled old ladies at a station near a rubbish bin where Jessie is trying to dump something incriminating. But wait. Mustn't tell.
It all hinges on moral ambiguity--people who used to be bad, who still are bad, or who turn bad, and getting trapped in your lies. There are some questionable details, especially at the end. Mortimer, usually a supporting actor, has depth and a central role here. Kingsley is as good as ever. Unfortunately the character of Roy is bland and conventional, Abby silent, Carlos more a smile and a sexy body than a personality. But the milieu itself is the richest character, and the too little known Brad Anderson, who made Happy Accidents and The Machinist, again proves his originality with material that follows a time-honored template but with a very fresh feel that keeps you absorbed from beginning to end.
They're on a very long ride, and in the overheated intensity of the cars (you can't seem to pry the windows open) things are blown out of proportion. They're too naive, too suspicious, too sexy. Roy's too pious and decent and upbeat. Look at the donut and not at the hole, is his motto. He's a very Christian hardware dealer and Jessie is his wife with a wild past that comes out when she meets another woman. They're returning from some sort of Christian outreach project in China. Roy's like a little boy: he loves trains. The Express is like a huge toy all for him. He's very devoted to Jessie, but the sex hasn't been going too well.
The next day into the compartment comes a younger couple. Carlos and Abby say they were teaching in Japan. However, Carlos, a handsome devil, who has his eye on Jessie, seems to know a little too much about how to get past customs with a dodgy passport. He shows off theirs proudly to Jessie, who's had a bit of trouble with the Russians. Her passport and Roy's are too pristine, he says. It makes the officials suspicious. His and Abby's are packed with stamps. They look "real." He's got some of those Russian dolls, the little lacquered things like shoots only with babushka heads, one inside the other. He says his are special, and he's going to sell them for a lot of money.
Well, he is, but that isn't why.
The train makes long stops, and Roy is so fascinated with the cars, he gets involved in a conversation with Carlos, and then the train takes off without him. Abby and Jessie have had a heart-to-heart and Jessie has confessed she had a lot of drug and alcohol problems. Roy says they "met by accident" because they met in an accident, when she was driving drunk and he stayed with her in the hospital. That's when he told her the donut and the hole story.
Carlos is dangerous, handsome, and predatory. Jessie has that wild side gesturing wildly to be let out again. And he could be the one to tease it out.
When Roy gets left behind Jessic has to get off at the next stop and wait for him. Carlos and Abby insist on getting off with her and keeping her company. And that's when the trouble really begins. Stuff happens. Surprising stuff. Or not. Depends on how good you are at predicting this kind of plot.
But the thing is, Brad Anderson and his writing collaborator Will Conroy have put together a story rich in atmosphere, that really convinces you all this could only happen here, on the train, in the snow, in the none-too-touristic rural Russian hotel and on a bus, and out in the middle of nowhere. The outdoors is all snow. The train cars are rickety and yet tough. The woman attendants are all Nurse Ratcheds who speak nothing but loud angry disapproving Russian. The food sucks, but the vodka flows. (Jessie refuses it, but when things get tough, she downs a shot. This is a world bad enough to make all but the strongest lose their sobriety, and she wears her heart on her sleeve.) The Russian fellow travelers are a mixture of camaraderie and hostility.
And then, of course, along comes Ben Kingsley, as Grinko, detective of Russian Narcotics Bureau (no articles, please). When Roy reappears, he's made friends with Grinko. Well, before that, early on, we happen to have seen Grinko examine a man at a table with a knife buried in the back of his head. Cherchez les drugs.
I can't tell you any more. I can tell you that the trains are so lovely they make you understand Roy's enthusiasm. Whole cars give off a smoky ooze of white frozen air whenever you look at them. To heighten our sense of the visual in all this, Jessie is a good amateur photographer, armed with an expensive digital Canon with a big lens, and the images on screen often jump with a hand-held camera, but also step back to take in long views of a skeletal ruined Russian church out in the waste, or to snap a hawk in the sky, or a bunch of huddled old ladies at a station near a rubbish bin where Jessie is trying to dump something incriminating. But wait. Mustn't tell.
It all hinges on moral ambiguity--people who used to be bad, who still are bad, or who turn bad, and getting trapped in your lies. There are some questionable details, especially at the end. Mortimer, usually a supporting actor, has depth and a central role here. Kingsley is as good as ever. Unfortunately the character of Roy is bland and conventional, Abby silent, Carlos more a smile and a sexy body than a personality. But the milieu itself is the richest character, and the too little known Brad Anderson, who made Happy Accidents and The Machinist, again proves his originality with material that follows a time-honored template but with a very fresh feel that keeps you absorbed from beginning to end.
Lo sapevi?
- QuizThis movie was partly inspired from co-writer and director Brad Anderson's youth when he rode the Transsiberian Express.
- BlooperGrinko wears his wedding ring on left hand. While Russians (as well as many other nations of the former Soviet Union) actually wear wedding rings on right hand, they will wear wedding rings on their left hands when they are divorced or widowed.
- Versioni alternative9 secs of cuts to shots of a knife being pressed into a leg wound were removed from the UK DVD release in order to achieve a 15 classification. Cuts were made in accordance with BBFC Guidelines and policy. An uncut 18 was available.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El expreso de medianoche
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.206.405 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.615 USD
- 20 lug 2008
- Lordo in tutto il mondo
- 5.926.410 USD
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