Non mi scaricare

Prior to the release of The 40 Year Old Virgin, it is likely that few people knew the name Judd Apatow. Now, just three years later, that name has become almost a stamp of comedy quality, with such films as Knocked Up and Superbad following on the heels of The 40 Year Old Virgin. Now, the Apatow steamroller moves forward with Forgetting Sarah Marshall, and once again it has mined comedy gold, with lots of laughs, but also, as with many of the previous film's from Apatow's company, a nice streak of sweet romance to go along with the laughs.

Fogetting Sarah Marshall focuses on Peter Bretter (Jason Segel), a Hollywood composer who's girlfriend, Sarah Marshall (Kristen Bell), is the star of a CSI-style police procedural series. Jason is a bit of a layabout (who also isn't afraid to walk around his apartment naked), and Sarah has decided she has had enough of him, so she is breaks up with Peter, leaving him in a seemingly unending pool of despair.

To try to take his mind of Sarah, he takes an impromptu vacation to Hawaii, but quickly discovers, to his horror, that Sarah is also at the same hotel as him, with her new boyfriend, recently on the wagon British rocker Aldous Snow (Russell Brand). However, while doing his best to avoid Sarah, Peter finds himself falling for a hotel staff member, Rachel Jansen (Mila Kunis).

As with such films as The 40 Year Old Virgin and Knocked Up, Forgetting Sarah Marshall is a comedy that isn't afraid to mine the more vulgar for comedy, nor does it shy away from some rather frank nudity, including plenty of footage of star Segel (who is also the screenwriter). The upside is that, unlike many other sophomoric comedies these days, the raunchier material actually produces laughs. Much of the film's best humor comes from Brand's performance as off the wall Snow. The character has lots of great scenes and lines, capitalizing on the characters seeming insatiable libido.

Forgetting Sarah Marshall doesn't just provide lots of laughs, it also features an involving and touching romance between Peter and Rachel. Both Segel and Kunis have a nice chemistry between them that fuels an involving romance. As the film progresses, we can't help but root for the characters to find themselves together in the end.

In addition to the previously mentioned Brand, the cast of Forgetting Sarah Marshall gives us both great laughs and characters we can be involved with. Segel proves to be relatively low on insecurity as he puts himself almost completely on display (literally). His Peter is an character whose rather unassuming nature wins you over. Kristen Bell makes the films titular character at times apparently self-involved, but also someone who has a soft spot for her ex-boyfriend. Kunis' Rachel is a character that is both no-nonsense and full of sweetness.

In the end, Forgetting Sarah Marshall proves to be another winner from "Team Apatow", and belongs right next to the previous hits from his creative team. If you are looking for both laughs and a dash of romance, look no further than Forgetting Sarah Marshall.

I normally do not go out for sappy, romantic roller coaster romantic fare; and Forgetting Sarah Marshall (FSM) pretty much falls under the romantic "date flick" rubric.

And I can't, for the life of me, quite figure out why I liked this so much. I guess the filmmakers succeed in making the welter of comic bits, scenes, and images come across like genuine romantic sweet chaos. How they succeeded is beyond my comprehension.

And maybe that's the point. Some films are good, some are bad, and some are sort of like miracles. Their power is inexplicable; and that's how FSM felt to me.

It was boffo, a bit over-the-top, a tad muddled, a mix of character study, revelation, and farce. And, as things unfolded, by dint of pacing and sheer comic/character acting power, I came to really care about the characters; and I loved it! I glowed through most of FSM.

Here's a way of looking at it: FSM was sort of like Shakespearean romantic farce. Maybe that explains why I liked it; because my mind already has a little engine for processing this kind of narrative stuff, built up from past experiences watching Shakespeare In The Park!

It also comes down to artistic sincerity. Most romance flicks are a little insulting because they're not sincere. There was something, in the end, believable and therefore redeeming about the characters and their silly little Hawaiian comedy of errors and feints.

And that's a miracle, in my book! This is not an ordinary date flick.

An amusing and sometimes awkward breakup film, this pic was written by and stars a long-time Apatow cohort, Jason Segel. The pic centers on lost, hypersensitive slacker Peter, who after being broken up with by his TV star girlfriend copes with its end poorly, eventually escaping to Hawaii where he subsequently books himself into a hotel that she is coincidentally staying at.

Immediate warning to those sensitive to full frontal male nudity: it is present and more than once. That out of the way, the pic was pretty affable, containing more than a handful of good laughs as well as more than a lot of generally comically captured sex scenes. Many of the secondary characters also play enjoyably silly roles. And there is a funny musical component to the pic that also includes an amusing rendition of puppet-related works.

I suppose I do have to level a little criticism for the theme being a little slight, but there still is something to be said for healing of personal wounds and learning to "move on". Those that have seen other Apatow relationship pics will probably see a number of similarities (slacker dude learns to grow up, gross out comedy, etc), even though Apatow didn't write or direct this piece. The film is also a bit on the long side, like many comedies that come from the Apatow crew and you do notice it. Some judicious trimming and relegating of some scenes (including numerous flashbacks) to DVD extras would've been helpful.

Finally, I wish that more character could be drawn from both Sarah Marshall and Peter's newfound love interest, hotel employee Rachel as they played fairly two-dimensional, but I'm glad that Sarah didn't end up a one-note character as well. I didn't love the conclusion of the breakup story arc because I felt that it was a bit of a cop-out, but it didn't ruin the film. Lastly, Peter was written a little on the edge of believability in terms of being oversensitive, so you really have to buy his character, otherwise the film will break on you.

Essentially, this is a congenial, enjoyable, but rude/crude film with a share of laughs and more Jason Segel than you probably ever wanted to see. Recommended for those who like some story with their laughs and can handle the vulgar, sexual, and nude content. 8/10.

I'm going to be honest, walking into the advanced screening tonight I was expecting an overly chick flicky somewhat dull comedy. What I got instead was a pretty hilarious movie with just the right amount of romance and a whole lot of vulgar comedy also. I can honestly say this is the funniest movie of 2008 so far. The entire Judd Apatow crew has overall had about 4 or five great comedies in the last 3 years, putting them up with all the other great comedy film makers since 2005. This movie makes me feel like I can now trust any movie they make most the time. When this movie hits theatres in April, GO SEE IT. I promise you won't find a funnier movie out any time soon.

Producers Judd Apatow and Shauna Robertson gave Jason Segel the chance of a lifetime to write and star in a film that ended up packed with comedic acting talent. The supporting ensemble cast and four leads (Segel, Bell, Kunis and Brand) perform Segel's script with synergistic perfection, generating a chemistry that is contagious to the audience.

Fate sometimes produces great opportunities... The part of Aldous Snow was written by Segal based on his friend, actor Charlie Hunnam. Charlie was cast in the role, but he quit at the first table read, paving the way for Russell Brand's big break (which he did not waste, making the character an iconic role-of-a-lifetime for the actor/comedian).

Each of the four lead actors shines in the spotlight - Kunis and Bell both look stunning and connect well with the parts and audience. Segel and Brand pull off their numerous laugh-out-loud funny scenes with subtle perfection. All four seem born to play the parts.

My favorite Apatow film, 'Forgetting Sarah Marshall' combines a great script with perfect casting, across the board great acting performances, and uniquely effective direction by Nicholas Stoller. The result is a deserved 8+ IMDb Rating, as this film is one of the very best romantic comedies of the 2010's.