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Persepolis

  • 2007
  • T
  • 1h 36min
VALUTAZIONE IMDb
8,0/10
103.555
LA TUA VALUTAZIONE
Persepolis (2007)
This is the U.S. trailer for Persepolis, directed by Vincent Paronnaud and Marjane Satrapi.
Riproduci trailer2:14
13 video
56 foto
AnimazioneAnimazione disegnata a manoAnimazione per adultiBiografiaDocudramaDrammaDramma per adolescentiDramma psicologicoDrammi storiciGuerra

Una ragazza iraniana precoce e schietta cresce durante la Rivoluzione Islamica.Una ragazza iraniana precoce e schietta cresce durante la Rivoluzione Islamica.Una ragazza iraniana precoce e schietta cresce durante la Rivoluzione Islamica.

  • Regia
    • Vincent Paronnaud
    • Marjane Satrapi
  • Sceneggiatura
    • Marjane Satrapi
    • Vincent Paronnaud
  • Star
    • Chiara Mastroianni
    • Catherine Deneuve
    • Gena Rowlands
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    103.555
    LA TUA VALUTAZIONE
    • Regia
      • Vincent Paronnaud
      • Marjane Satrapi
    • Sceneggiatura
      • Marjane Satrapi
      • Vincent Paronnaud
    • Star
      • Chiara Mastroianni
      • Catherine Deneuve
      • Gena Rowlands
    • 224Recensioni degli utenti
    • 248Recensioni della critica
    • 90Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 30 vittorie e 58 candidature totali

    Video13

    U.S. trailer: Persepolis
    Trailer 2:14
    U.S. trailer: Persepolis
    Persepolis: Scene 12
    Clip 1:10
    Persepolis: Scene 12
    Persepolis: Scene 12
    Clip 1:10
    Persepolis: Scene 12
    Persepolis: Scene 7
    Clip 1:36
    Persepolis: Scene 7
    Persepolis: Scene 5
    Clip 1:03
    Persepolis: Scene 5
    Persepolis: Scene 9
    Clip 1:07
    Persepolis: Scene 9
    Persepolis: Scene 4
    Clip 1:30
    Persepolis: Scene 4

    Foto56

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 52
    Visualizza poster

    Interpreti principali65

    Modifica
    Chiara Mastroianni
    Chiara Mastroianni
    • Marjane Adolescente et Adulte
    • (voce)
    Catherine Deneuve
    Catherine Deneuve
    • La Mère
    • (voce)
    Gena Rowlands
    Gena Rowlands
    • Grandmother
    • (English version)
    • (voce)
    Danielle Darrieux
    Danielle Darrieux
    • La Grand-Mère
    • (voce)
    Simon Abkarian
    Simon Abkarian
    • Le Père
    • (voce)
    Gabrielle Lopes Benites
    • Marjane Enfant
    • (voce)
    • (as Gabrielle Lopez)
    François Jerosme
    • Oncle Anouche
    • (voce)
    • (as François Jérosme)
    Sophie Arthuys
    • Walla
    • (voce)
    Jean-François Gallotte
    Jean-François Gallotte
      Arié Elmaleh
      Arié Elmaleh
      • Walla
      • (voce)
      Mathias Mlekuz
      • Walla
      • (voce)
      Sasha Alliel
        Lesceline Hasse
          Virginie Antico
            Nicolas Leroy
              Bénédicte Battesti
                Candide Lopes
                  Hubert Benhamdine
                  Hubert Benhamdine
                    • Regia
                      • Vincent Paronnaud
                      • Marjane Satrapi
                    • Sceneggiatura
                      • Marjane Satrapi
                      • Vincent Paronnaud
                    • Tutti gli interpreti e le troupe
                    • Produzione, botteghino e altro su IMDbPro

                    Recensioni degli utenti224

                    8,0103.5K
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                    Recensioni in evidenza

                    10MaxBorg89

                    A whole new kind of animation

                    Persepolis is one of the most thoughtful, poignant and original films I have ever seen. Hang on, "poignant" and "thoughful", an animated movie (and based on a comic-book, on top of that)? Exactly, because coincidentally Persepolis also happens to be the first really adult "cartoon" I've had the pleasure to watch (Waking Life and A Scanner Darkly don't count, as they were filmed with real actors first, and subsequently modified in post-production). For all their good intentions, the likes of Dreamworks and Pixar always have an eye for what the little ones want to see, while The Simpsons, despite the occasional "mature" storyline (basically Homer and Marge's sex life), contains nothing a 12-year old isn't supposed to see. As for Family Guy and South Park, they might be aimed at grown-ups with their merciless satire and, in the case of the latter series, explicit language, but are made with an almost puerile sense of joy which prompts younger kids to watch them in secret. Persepolis, on the other hand, deals with adult themes in a serious, unpretentious way. So yes, it is an animated film. Yes, it is based on a comic-book. And yes, there is the occasional neat movie reference (Rocky III being the most memorable one). That doesn't mean it's a kids' movie, though; it just means the picture was made with a particular style because it was the most effective way to tell this specific story.

                    And what is so special about the story? Well, it is an account of what is going on in contemporary Iran, a topic that is more relevant today than it's ever been before. And the extra layer of poignancy derives from the fact that co-director Marjane Satrapi experienced every single event in the film. After moving to France to avoid the increasingly oppressive political situation that had developed in Teheran (which the ancient Greeks called Persepolis, hence the movie's title), she published her autobiography in the form of a graphic novel, which immediately became a cult phenomenon. With the help of artist Vincent Paronnaud, the stylized drawings have become a motion picture which has already conquered critics and won several awards (the Jury Prize in Cannes being one of them).

                    The film's strict adherence to the book's style makes for simple but powerful viewing: the simple pictures ensure the story doesn't need to be filtered, but can be understood right away, while the use of black and white provide the images with a strength that would otherwise be missing. A good example is a scene depicting a demonstration against the despotic regime in Iran and the subsequent shooting of one of the protesters, whose body is left lying on the ground: as his blood starts to flow, the corpse almost merges with the environment, giving the shot (pun not intended) an emotional relevance it wouldn't have, had the whole thing been in color. The choice of animation proves to be particularly effective in a most unusual choice for this kind of film, namely fantasy sequences: there is a hilarious moment, for instance, when Marjane, during a stay in Vienna, looks back on her disappointment in love and sees her ex-boyfriend as a depraved freak; live-action would have ruined that scene, undoubtedly. As it is, however, it comes off not as a bizarre formal experiment, but a fundamental tool for understanding the heroine's psychology.

                    That said, it should also be noted that Persepolis isn't just a bold take on the difficulties in the Middle East. As seen in Clint Eastwoood's Iwo Jima double bill, the line between "heroes" and "villains" is very thin, and the film never misses the opportunity to show how bad our own society can be: Marjane ends up hating Europe more than her home-country, and at the beginning a flashback shows the British government's role in manipulating Iranian politics for money's sake. Incidentally, the latter scene is depicted as a puppet show, providing a new, fresh angle: what sets truth apart from fiction?

                    Persepolis works because it handles an uncomfortable subject with grace, using a simple but constantly effective storytelling technique and never once pandering to audience expectations with the usual 'toon gimmicks (even the casting proves that: except for Catherine Deneuve, who plays the low-key role of Marjane's mother, there are no famous voices in the feature). It sticks to traditions and stretches the medium at the same time, showing that animation is no longer a "children's genre" and therefore delivering a new way to look at film-making and its possibilities. For this reason, and several more, it is one of the best pictures of 2007.
                    8inglis-5

                    A very personal yet universal account of the Iranian revolution

                    I came out of this movie feeling as if I knew Marjane Satrapi. The way in which the story is told is fantastic - it really is as if you're reading her journal. As she grows up from being a young girl to an adult, at each age the story is told with a corresponding maturity, and highlighting things which seem like very personal memories. As a young girl, the stories she is told are very black and white, and as she gets older the complexity increases, which is exactly what you would expect. Although there is lots of political activity, she makes fun of herself and highlights her own shortcomings as much as she highlights the repressive elements in her homeland. By telling of her own experiences it really is extremely easy to see how so much of it is common to a whole generation of Iranians. Her love of her family and her country came across very strongly, and you really felt as if she had laid herself bare. A moving and entertaining movie as much as it is educational about post-1979 Iran.
                    nonsequitur247

                    Not your average animated feature...

                    ...in fact, there is nothing average about this film. Traditionally animated in black and white flashbacks, it tells the story of a French-speaking woman's childhood and young adulthood in Tehran, Iran, and in Vienna during the 1980s and '90s.

                    Marjane Satrapi grew up in a family of revolutionaries against the Shah's regime and the Islamic government that subsequently took hold, and the film literally illustrates her feelings and thought processes as a little girl, following her as the government control in Iran got more and more strict. When her parents insist she leave the country, we also see her struggling to deal with adolescence and missing her beloved family; when she returns, she is also coping with the increasing repression of her freedoms as a woman. Most of all, you see her own personal conflict as she tries to stay true to herself.

                    This movie beautifully balances both the historic and personal issues and pulls the threads together into a compelling narrative, made a bit quirky by the style of presentation, resulting in work that is altogether touching. Along with intelligence and humor, a deep and strong sense of truth infuses every part of this film, making it even stronger. One of my only qualms was the feeling that it ended somewhat abruptly without much of a conclusion.

                    Overall, though, it was fantastic - definitely worth watching.
                    MattDevivre

                    very good adaption !

                    Adapting "Persepolis" in my opinion was a very important project. Especially (but not only) during times of fear and extreme distrust regarding other ethnicities it's necessary to communicate better understanding for these cultures. Films are capable reach millions of people all around the world. Therefore this medium is a very effective way to do this (unfortunately it can also get misused in the opposite direction).

                    Seen from this cultural perspective "Persepolis" is an entertaining feature which also meets a certain social responsibility. To me it is the right picture at the right time. In a individually visualized way this animation picture shows Marjane Satrapis personal biography and gives you an idea about the historical background of the Iran and the way of living in this part of the world. Besides several tragic moments "Persepolis" never loses it's humour.

                    In a short: "Persepolis" is a very true and affectionate adaption of the original comic also drawn by Satrapi who directed the film. An important issue and not only for this reason I truly recommend it !
                    9monomagazine

                    the book is a fuller experience

                    I rated this film a 9 more as a visual complement to the comic book (of two volumes, now bound as one), which I believe to be a masterpiece. If you left the film less than emotionally attached to the characters, PLEASE give the book a chance, because, as is often the case, episodes and histories of a lot of the characters, including Marjane, are left out to adapt the story to a film medium. Having said that, there are great sequences, expressionistic animation, and the wiseass grandma is left fully intact from the books! I can understand why some people weren't emotionally compelled by it though, since the movie doesn't take the time to fill the audience in on all the quirkiness and endearing qualities of the characters as Satrapi originally conceived them.

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                    Trama

                    Modifica

                    Lo sapevi?

                    Modifica
                    • Quiz
                      Iran's government sent a letter to the French embassy in Tehran to protest against the movie and pressured the organizers of the 2007 Bangkok Film Festival to drop it from the lineup.
                    • Blooper
                      Marjane's passport has her given name and surname switched.
                    • Citazioni

                      Marjane's grandmother: Listen. I don't like to preach, but here's some advice. You'll meet a lot of jerks in life. If they hurt you, remember it's because they're stupid. Don't react to their cruelty. There's nothing worse than bitterness and revenge. Keep your dignity and be true to yourself.

                    • Connessioni
                      Featured in Siskel & Ebert & the Movies: The Bucket List/The Orphanage/The Water Horse: Legend of the Deep/There Will Be Blood/Honeydripper/Persepolis (2008)
                    • Colonne sonore
                      Eye of the Tiger
                      Written by Jim Peterik (as James Peterik), Frankie Sullivan (as Franck Sullivan III)

                      (c) Three Wise Boys Music / Ensign Music Corp c/o BMG Music Publishing France

                      (c) WB Music Corp / Easy Action Music

                      By permission from Warner Chappell Music France and BMG Music Vision

                      Performed by Chiara Mastroianni

                      Arranged by Olivier Bernet

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                    Dettagli

                    Modifica
                    • Data di uscita
                      • 22 febbraio 2008 (Italia)
                    • Paesi di origine
                      • Francia
                      • Stati Uniti
                    • Siti ufficiali
                      • Official MySpace (France)
                      • Sony Pictures Classics (United States)
                    • Lingue
                      • Francese
                      • Inglese
                      • Persiano
                      • Tedesco
                    • Celebre anche come
                      • Giấc Mơ Kỳ Lạ
                    • Aziende produttrici
                      • 2.4.7. Films
                      • France 3 Cinéma
                      • The Kennedy/Marshall Company
                    • Vedi altri crediti dell’azienda su IMDbPro

                    Botteghino

                    Modifica
                    • Budget
                      • 7.300.000 USD (previsto)
                    • Lordo Stati Uniti e Canada
                      • 4.445.756 USD
                    • Fine settimana di apertura Stati Uniti e Canada
                      • 88.826 USD
                      • 30 dic 2007
                    • Lordo in tutto il mondo
                      • 22.783.990 USD
                    Vedi le informazioni dettagliate del botteghino su IMDbPro

                    Specifiche tecniche

                    Modifica
                    • Tempo di esecuzione
                      • 1h 36min(96 min)
                    • Colore
                      • Color
                      • Black and White
                    • Mix di suoni
                      • Dolby Digital
                    • Proporzioni
                      • 1.85 : 1

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