VALUTAZIONE IMDb
7,2/10
18.735
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn a strange city where every person seems content beyond reason a new man arrives in town and stirs up trouble by asking too many questions.In a strange city where every person seems content beyond reason a new man arrives in town and stirs up trouble by asking too many questions.In a strange city where every person seems content beyond reason a new man arrives in town and stirs up trouble by asking too many questions.
- Regia
- Sceneggiatura
- Star
- Premi
- 26 vittorie e 9 candidature totali
Trond Fausa
- Andreas
- (as Trond Fausa Aurvåg)
Aldun G. Magnaes
- Gutt som kliner
- (as Audun G. Magnæs)
Mette K. Haugen
- Jente som kliner
- (as Mette Karin Haugen)
Gard Petersen
- Forvalter 1
- (as Gard Pedersen)
Benny Glaerum
- Forvalter 2
- (as Benny Glærum)
Recensioni in evidenza
First of all, forget all the Christian stuff (heaven, hell, purgatory). You are in Norway.
The director intended well to show it is shot in Oslo, it is easy to recognize the places. It is a sharp look at the values that rules the country and at the lack of sentiments and feeling of the Norwegian society.
Note that Andreas - does he arrive to Oslo by his own will - does not really has a job, but a place in the society that give him access to "happyness": - an apartment - a convertible - friends from the work place - a girl, who has only interest for kitchens - another girl who cannot say I want but only I may The girls are cruelly described, but again the 1st one is the typical Norwegian "witch" (sorry to use this word, I translate literally from Norwegian) and the second the everyone's girl friend; both are typical characters of the Norwegian society.
Andreas has other values, is sensitive and want to make choices: warm chocolate and children.
It is deep buried in the cellars of the old buildings of Oslo housing old people; the room at the end of the tunnel is a typical grandma Norwegian kitchen.
The soundtrack is Peer Gynt, almost the Norwegian national anthem, adding again to that lost paradise's nostalgia.
The final scene is shot at the house of common of Oslo and the people coming out of the building are meant to be the deputies or minister of the country and they tell Andreas that they did everything to make him happy, if I remember correctly, just before expelling him.
Although Andreas injures himself to show his feelings,the gore scenes may seem strange here but maybe the director use it to mock the conformity of the Norwegian cinema, as it has been mandatory for the last decade to show very violent scenes in almost every movie.
Is the bus also a typical character of the Norwegian society? I wonder because for celebrating the end of the studies , the Norwegian students have "party buses" this ritual marks the entering into the adult life, and Andreas coming from nowhere in a bus to this town. what do you think?
The director intended well to show it is shot in Oslo, it is easy to recognize the places. It is a sharp look at the values that rules the country and at the lack of sentiments and feeling of the Norwegian society.
Note that Andreas - does he arrive to Oslo by his own will - does not really has a job, but a place in the society that give him access to "happyness": - an apartment - a convertible - friends from the work place - a girl, who has only interest for kitchens - another girl who cannot say I want but only I may The girls are cruelly described, but again the 1st one is the typical Norwegian "witch" (sorry to use this word, I translate literally from Norwegian) and the second the everyone's girl friend; both are typical characters of the Norwegian society.
Andreas has other values, is sensitive and want to make choices: warm chocolate and children.
It is deep buried in the cellars of the old buildings of Oslo housing old people; the room at the end of the tunnel is a typical grandma Norwegian kitchen.
The soundtrack is Peer Gynt, almost the Norwegian national anthem, adding again to that lost paradise's nostalgia.
The final scene is shot at the house of common of Oslo and the people coming out of the building are meant to be the deputies or minister of the country and they tell Andreas that they did everything to make him happy, if I remember correctly, just before expelling him.
Although Andreas injures himself to show his feelings,the gore scenes may seem strange here but maybe the director use it to mock the conformity of the Norwegian cinema, as it has been mandatory for the last decade to show very violent scenes in almost every movie.
Is the bus also a typical character of the Norwegian society? I wonder because for celebrating the end of the studies , the Norwegian students have "party buses" this ritual marks the entering into the adult life, and Andreas coming from nowhere in a bus to this town. what do you think?
I heard an interview with the main actor who said that the film was not intended to be a horror movie but he himself would describe it as mental horror. I strongly subscribe to that.
It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our "hero" though from the beginning seems to be misplaced and feels it himself.
What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.
I would recommend this film to everyone - and make sure that this utopia does not come true!
It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our "hero" though from the beginning seems to be misplaced and feels it himself.
What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.
I would recommend this film to everyone - and make sure that this utopia does not come true!
A man is taken by bus to a stop in the middle of nowhere from whence he is collected and taken to the city and his job as an accountant in an office of other white collar workers, happily eating together at lunchtime and sitting in front of computers during the day. Soon he gets himself a girlfriend and they move in together, decorating their home and having dinner parties and small-talk. All is wonderfully happy and modern but yet something just doesn't seem right.
I was recommended this by another IMDb user who I have come to know as quite an intelligent young man and so I decided to go on his advice and give this film a shot. He also advised I come to it with as little knowledge as possible, so beyond his recommendation and basic comments on content, I knew very little about it. I was glad of both this advice and also the recommendation because this film is a great idea that is really well expanded and delivered. On the face of it the film comes over like it is a short film, so simple and concise is its idea and so oddly does it deliver a simple concept, but it is a feature and the 90 minutes goes by quickly and satisfyingly.
The film is built on the feeling that there must be more to life than the safe warmth that the majority of us in the Western world are used to and it really nails it in this regard. For the majority of the film we are of course allowed to feel our main character's sense of unease and pain at the lack of passion and spark in life, but this comes in the small moments – the alternative view is not over played to make this more obvious. Instead the "emotionless norm" is presented in a way that is entirely recognisable; interior design and wall colours are the subjects of discussion, bland office work pays for it all – and trust me that as a man in his mid-30's, this is something I know about! It isn't overplayed though – it is normal and familiar and as a result all the more chilling as part of the film.
By making the "horror" so very normal and so familiar in its polite banality, the film survives the later twists when things get more extreme and weird – because we are already with it as an idea. It does always feel like a short film though because the idea never really comes to a satisfactory conclusion and those looking for a big reveal or ending will be disappointed – however those fans of short films where the "idea" is the thing rather than the answer will be pleased (as I was). To me the conclusion was fittingly simple because it works well with the idea as this world of the others being a happy place as long as you all go by the rules and don't be an outsider – it also kept me on board that the film made "rebelling" so very reasonable – Andreas was only looking for something a bit deeper, more meaningful than the colour of tiles – and again this is a "rebellion" that many people will be able to relate to as well.
The whole film reminded me very much of short films in terms of tone and content but also of some of the rather odd films that the Cohen brothers have made in the last 10 years where the tone is a lot of the story. I really liked the direction and composition here – the film always looks "normal" but by having everything so very clean and lacking in chaos or untidiness, it does contribute to the overall feeling of this world of being passionless and only "happy" on a very superficial level. It is all very well done and I enjoyed its relatable oddness very much – and it is this sense of the familiar that really makes it work very well and at the same time produces the cold horror of it. A really great little film in the mould of a short, very simple but also very cleverly done. Thanks Danny!
I was recommended this by another IMDb user who I have come to know as quite an intelligent young man and so I decided to go on his advice and give this film a shot. He also advised I come to it with as little knowledge as possible, so beyond his recommendation and basic comments on content, I knew very little about it. I was glad of both this advice and also the recommendation because this film is a great idea that is really well expanded and delivered. On the face of it the film comes over like it is a short film, so simple and concise is its idea and so oddly does it deliver a simple concept, but it is a feature and the 90 minutes goes by quickly and satisfyingly.
The film is built on the feeling that there must be more to life than the safe warmth that the majority of us in the Western world are used to and it really nails it in this regard. For the majority of the film we are of course allowed to feel our main character's sense of unease and pain at the lack of passion and spark in life, but this comes in the small moments – the alternative view is not over played to make this more obvious. Instead the "emotionless norm" is presented in a way that is entirely recognisable; interior design and wall colours are the subjects of discussion, bland office work pays for it all – and trust me that as a man in his mid-30's, this is something I know about! It isn't overplayed though – it is normal and familiar and as a result all the more chilling as part of the film.
By making the "horror" so very normal and so familiar in its polite banality, the film survives the later twists when things get more extreme and weird – because we are already with it as an idea. It does always feel like a short film though because the idea never really comes to a satisfactory conclusion and those looking for a big reveal or ending will be disappointed – however those fans of short films where the "idea" is the thing rather than the answer will be pleased (as I was). To me the conclusion was fittingly simple because it works well with the idea as this world of the others being a happy place as long as you all go by the rules and don't be an outsider – it also kept me on board that the film made "rebelling" so very reasonable – Andreas was only looking for something a bit deeper, more meaningful than the colour of tiles – and again this is a "rebellion" that many people will be able to relate to as well.
The whole film reminded me very much of short films in terms of tone and content but also of some of the rather odd films that the Cohen brothers have made in the last 10 years where the tone is a lot of the story. I really liked the direction and composition here – the film always looks "normal" but by having everything so very clean and lacking in chaos or untidiness, it does contribute to the overall feeling of this world of being passionless and only "happy" on a very superficial level. It is all very well done and I enjoyed its relatable oddness very much – and it is this sense of the familiar that really makes it work very well and at the same time produces the cold horror of it. A really great little film in the mould of a short, very simple but also very cleverly done. Thanks Danny!
Andreas arrives in a strange, inhuman place, where everything seems perfect. He's given a good work, everyone is kind to him and to everyone, and he really doesn't trouble too much even in finding a beautiful girlfriend. But in this no-named city Andreas finds soon that a perfect commercials-type world is really not a paradise. Really one of the better movies i've seen this year. The attractive plot is perfectly supported by a smart direction where every single component (cool desaturated photography; cold symmetrical design; unemotional acting; slow, highly controlled camera movements) helps in building an unique weird atmosphere that will keep the audience suspended until the end. A sarcastic, ironic, bitter comedy that made me laugh ant think, as only best films are able to do. Nothing new, probably, in the analysis of the modern de-humanizer civilization, but really a smart work with great surprising ideas that will hardly be forgotten from whom had the luck to see it. Simply beautiful the amazing scene in the metro underground.
I saw this movie yesterday and can't stop thinking about it. I moved to Norway four months ago, and have tried ever since to find the origin of the strange emptiness i felt. When I saw this film I was striken with the brilliant snapshot of this society. Yes, this is all true!!! I too found a great job with a great pay, and I live with my norwegian boyfriend in a nice apartment downtown. But, so far everyone I have met have left me with that tasteless, empty feeling I had never had before - this is what this movie is about. Dinner parties with nothing to say to each other but emotionless comments, long silences, no stress, a creepy calm, and frozen smiles of niceness. This Scandinavian nightmare is perfectly rendered in Den Brysomme mannen. See this movie!!!
Lo sapevi?
- QuizThe car used to pick up Andreas at the gas station is a Panhard 24, a French car not made since 1968.
- ConnessioniFeatured in Drugoe Kino: Ataraxiaphobia: The Bothersome Man (2007)
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Dettagli
Botteghino
- Budget
- 14.000.000 NOK (previsto)
- Lordo in tutto il mondo
- 379.331 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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