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Brief Interviews with Hideous Men

  • 2009
  • Not Rated
  • 1h 20min
VALUTAZIONE IMDb
5,4/10
3745
LA TUA VALUTAZIONE
Brief Interviews with Hideous Men (2009)
A graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men.
Riproduci trailer1:47
1 video
15 foto
CommediaDramma

Aggiungi una trama nella tua linguaA graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men.A graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men.A graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men.

  • Regia
    • John Krasinski
  • Sceneggiatura
    • John Krasinski
    • David Foster Wallace
  • Star
    • Julianne Nicholson
    • Ben Shenkman
    • Timothy Hutton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,4/10
    3745
    LA TUA VALUTAZIONE
    • Regia
      • John Krasinski
    • Sceneggiatura
      • John Krasinski
      • David Foster Wallace
    • Star
      • Julianne Nicholson
      • Ben Shenkman
      • Timothy Hutton
    • 32Recensioni degli utenti
    • 36Recensioni della critica
    • 44Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

    Brief Interviews with Hideous Men
    Trailer 1:47
    Brief Interviews with Hideous Men

    Foto15

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    Interpreti principali29

    Modifica
    Julianne Nicholson
    Julianne Nicholson
    • Sara Quinn
    Ben Shenkman
    Ben Shenkman
    • Subject #14
    Timothy Hutton
    Timothy Hutton
    • Professor Adams…
    Michael Cerveris
    Michael Cerveris
    • Subject #15
    Corey Stoll
    Corey Stoll
    • Subject #51
    Chris Messina
    Chris Messina
    • Subject #19
    Max Minghella
    Max Minghella
    • Kevin…
    Lou Taylor Pucci
    Lou Taylor Pucci
    • Evan…
    Will Arnett
    Will Arnett
    • Subject #11
    John Krasinski
    John Krasinski
    • Ryan…
    Will Forte
    Will Forte
    • Subject #72
    Joey Slotnick
    Joey Slotnick
    • Tad…
    Clarke Peters
    Clarke Peters
    • Subject #31
    Dominic Cooper
    Dominic Cooper
    • Daniel…
    Benjamin Gibbard
    Benjamin Gibbard
    • Harry
    • (as Ben Gibbard)
    • …
    Bobby Cannavale
    Bobby Cannavale
    • Subject #40
    Christopher Meloni
    Christopher Meloni
    • R…
    Denis O'Hare
    Denis O'Hare
    • A…
    • Regia
      • John Krasinski
    • Sceneggiatura
      • John Krasinski
      • David Foster Wallace
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti32

    5,43.7K
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    Recensioni in evidenza

    7bellino-angelo2014

    Original but still funny and clever

    I have heard for some years about BRIEF INTERVIEWS WITH HIDEOUS MEN because of its star studded cast consisting of mostly modern actors that from time to time even make theater released movies, and also because of the subject. Last June, finally, I saw it and while I didn't loved it I still liked it.

    Sara Quinn (Julianne Nicholson) is a soon to be graduated student of anthropology that in the beginning is left by her boyfriend, and she wants to know what went wrong. So she has the idea of consuming her energies on a research interviewing various men for understanding better what drives men to act the way they act. More she does the interviews, more she discovers disturbing and real things about human relationships and, most important, about herself.

    What stroke me for the first time I looked for this movie was the cast. I mean, look at it: Will Arnett, Bobby Cannavale, Josh Charles, Dominic Cooper, Will Forte, Timothy Hutton, John Krasinski, Christopher Meloni, Chris Messina, Joey Slotnick and Corey Stoll... where you can find such a cast with so much talent and recognazibility? Only in the recently released OPPENHEIMER, I would say. But also in this all the big name actors shine in their moments and some like Stoll and Meloni have some funny bits. Julianne Nicholson shows that she can be a competent lead and I really liked her observations after all those interviews.

    If you are into indies or star-studded films, then you shouldn't miss this one if you have a chance. And it's not a movie just for women, because men can feel the lead's sensations towards the opposite sex as well.
    4jazza923

    Snooze alert....

    This movie was universally panned on just about every site on the internet. Sometimes it works, most often it doesn't. Perhaps it's the films pretentiousness. Or the flippant direction by John Krasinski. I agree with the critics on this one. Although it's not a disaster, it is an incoherent mishmash of interviews, interspersed with various dramatic and comic moments that amounts to a lot of nothing. Not once did I care about any of the characters, except perhaps Julianne Nicholson, who really is about the only ray of sunshine in this film. It's pointless and even though it is only 80 minutes long, it gets tiring after only 20 minutes.
    8exitmusic7

    Peculiar adaption of a contemporary character study

    Walking into the cinema, I didn't know what to expect. I'd read David Foster Wallace's book years ago and I enjoy The Office (Particularly Krasinski's performance) but I was doubtful the two would be able to cross over successfully. While I certainly will say that I was wrong, there are quite a few flaws that the movie has. First off, certain aspects of the film felt undeveloped. From the book, I realized that she'd asked a question before each interview that we weren't able to hear, but in this for the uninitiated you were expected to rely on various lines scattered across the movie to solve it all. Secondly, Julianne Nicholson, while an interesting character felt undeveloped (Which I understand was the purpose of the movie, for her to be disconnected) but other than her, there weren't any other characters for the audience to grasp onto and truly connect with (One of the key rules of all movies: That you should allow the audience to quickly gain an emotional connection with the character from their back story and not simply rely on it from the point that they're the main character) Other than those minor viewpoints though, I must say that I was impressed with Krasinski's debut and with such a difficult source material he did a fine job and I have certainly gained respect for him. I would advise this movie perhaps for watching and re-watching in an attempt to understand the movie entirely and all of its little subtleties.
    6grnhair2001

    interesting but not engaging

    This movie may make you want to discuss it afterward with whoever you viewed it with but it never did move me emotionally. A woman interviews a series of men for her academic research and, in between interviews, interacts awkwardly with men in her life. I enjoyed the mystery of it, as I'd not read the book, and that mystery was (for me) what the heck is this woman researcher's field and what's her thesis topic? A number of the men she interviews are a bit hideous but many are not. The most common neurotic symptom the men display is projection, and I grew a bit tired of it, feeling that yes, I'd gotten that, and you can pull out a new device now. At different times in the movie I thought perhaps she was interviewing convicted rapists at a prison (and seeing their attitudes spookily reflected in the men in her quotidian life), or men who had answered an ad regarding sexual dysfunction, or men culled from a dating service or ... well, I wasn't sure, and it was a vaguely pleasant experience puzzling about it. The answer to that mystery is disappointing and bland, by the way, so my musings probably could serve as something of a Rorschach test for me...but as a technique driving the movie (in lieu of narrative drive) it didn't work very well because the payoff was absent.

    I appreciate a movie that is thoughtful and isn't yet another stupid Hollywood film about crap blowing up and running gun battles, and I'll give it some stars for trying...but in the end, I found it sterile and without significant effect. In a week, I strongly suspect I'll have forgotten it. But thank you, filmmakers, for making something aimed at thinking adults rather than the adolescent/sociopath who loves watching crap blow up for the zillionth time.
    8steve-662-178237

    Intelligent Storytelling with Great Performances

    Although you're unlikely to see it if you live the UK, with only a fourth quarter 09 release for 'Brief Interviews' in the States, and curiously Greece, at the Athens Film Festival, John Krasinski's adaptation of American maverick David Foster Wallace's book of the same name is something that you really shouldn't allow to go under your radar.

    This shortish film (eighty or so minutes, dependent upon the version you see) has many head-spinning nuances that warrant your attention. Personally, this was a surprising turn for Krasinski, who displays a brilliant eye for a project and impresses upon his audience an ability far outweighing his popular persona of goof or funny man. It is delightful to see a harder, more serious edge to him. I was both shocked and delighted by this film and have happily become a convert of Krasinski's work, but on a whole new level.

    Having not read the Wallace book and knowing little about the film prior to watching it, I feel I have benefited from not having any pre-conceptions about the story or how Krasinski decided it should be filmed.

    I am grateful for the fact that I went about my usual business and avoided the reviews that had gone before me, as most reviewers have found that they either love or loathe it. Regardless, the film cannot be ignored once seen, and opinions abound about its relevance. Such is the subject matter and wealth of passionate feelings it both incites from its audience and the messages it dares to tell us about ourselves.

    The 'Hideous Men' of the title are few and far between, however, and this may be different in the book, but the majority of a clearly hand-picked multitude of talented actors come across as having opinions on women that are heard all too infrequently. You get the impression that these voices would have remained unheard had a tape recorder and a camera not been placed in front of them and the right type of questions posed from an apparently unassuming and coercive questioner.

    The acting talent throughout is exemplary, with one notable exception. Our lead Julianne Nicholson came across as slightly average through an uninventive, passionless and oblique performance as Sara Quinn. This is quite possibly due to her fellow performers and who can be surprised. These hideous men we come across all deliver outstanding monologues with Krasinski, Dominic Miller, Michael Cerveris and Frankie Faison being particular examples of unmissable, gripping talent.

    The story is simple enough, Quinn is interviewing men on the back of a project to understand the progress of feminism and decides that the best way to understand at least half of that would be to interview men on their feelings about women, taking a broad cross-section of subjects to get as broad a result as possible.

    What we get is a warts and all (and I do mean all) story about how some of these men view women in general. How some are unmoved in their philosophy and how others, at the more cognitive end of the masculine spectrum have started to realise that maybe this isn't their world after all. While some are bitter or delighted, most are confused by their relationships with the women in their lives, but all of them are nonetheless vocal about their feelings, even if those feelings are not what Quinn would really like to hear.

    With an impressive cast, who appear to be mostly right on form, a screenplay adapted by Krasinski that is at times witty, funny and above all brilliantly observed by Wallace and some impressive editing by Zene Baker and Rich Fox, Brief interviews With Hideous Men is both a lesson of our times for men and women everywhere with meaning in every line. This makes romantic comedies seem dire by comparison and I would suggest that even though this is most definitely a look at relationships as much as anything else, it would be wise to avoid it when picking a DVD for a second date, as this raises some uncomfortable questions that are thankfully not glossed over with comedy.

    A real treat for fans of rational thought and superlative acting skills.

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      Directorial debut of John Krasinski.
    • Citazioni

      Ryan: I'm aware of how all this sounds and can well imagine the judgments you're forming, but if I'm really to explain this to you then I have no choice but to be... candid.

      [sighs]

      Ryan: Yes, it was a pickup. Plain and simple. And she was what one might call a granola cruncher. A hippy. And she was straight out of Central casting: the sandals, flamboyantly long hair, financial support from parents she reviled, and some professed membership in an apostrophe-heavy Eastern religion that I defy anyone to pronounce correctly. Look, I'll just bite the political bullet and confess that I classified her as a strictly one-night objective. And that my interest in her was due almost entirely to the fact that yes, she was pretty. She was sexually attractive. She was sexy. And it was really nothing more complicated or noble than that. And having had some prior dealings with the cruncher genus, I think the one-night proviso was due to the grim unimaginability of having to talk with her for more than one night. Whether or not you approve, I think we can assume you understand. And there's something-I mean, near contempt in the way that you can casually saunter over to her blanket and create the sense of connection that will allow you to pick her up. And you almost resent the fact that it's so goddamn easy. I mean, how exploited you feel that it is so easy to get this type to regard you as a kindred soul. You almost know what's going to be said before she even opens her mouth.

      [sighs]

      Ryan: Okay, so now there we are in my apartment, and she begins going on about her religious views. Her obscure denomination's views on energy fields and connections between souls via what she kept calling "focus." And in response to some sort of prompt or association, she begins to relate this anecdote. And in the anecdote, there she is: hitchhiking. Well she said she knew she made a mistake the moment she got in the car. Her explanation was that she didn't actually feel any energy field until she shut the car door and they were moving... at which point it was too late. And she wasn't melodramatic about it, but she described herself as literally paralyzed with terror. It was something about his eyes. She said she knew instantly in the depths of her soul that this man's intentions were to brutally rape, torture, and kill her. And that by the time the psychotic had exited into a secluded area and actually said what his true intentions were, she wasn't the least bit surprised because she knew that she was going to be just another grisly discovery for some amateur botanist or scout troupe a few days later-unless she could focus her way into a soul connection that would prevent this man from murdering her. I mean to focus intently on this psychotic as an ensouled and beautiful-albeit tormented-person in his own right, rather than merely as a threat to her. And I'm well aware that what she is about to describe is nothing more than a variant of the stale, old love-will-conquer-all... but for the moment, just bracket your contempt and try to see what she actually has the courage and conviction to really attempt here. Because imagine what it must have felt like for her. For anyone. Contemplate just how little-kid-level scared you would be and that this psychotic could bring you to this point simply by wishing it. And now here she is in the car, and she's realizing that she's in for the biggest struggle of her spiritual life. She stares directly into the psychopath's right eye and wills herself to keep her gaze on him directly at all times. And the effects of her focus... she says that when she was able to hold her focus, this psychopath behind the wheel would gradually stop ranting and become tensely silent. And she wills herself not to weep or plead, but merely to use focus as an opportunity to empathize. And this was my first hint of sadness in listening to the anecdote as I found myself admiring certain qualities in her story that were the same qualities I had been contemptuous of when I first picked her up in the park! And then he asked her to get out of the car and lie prone on the ground. And she doesn't hesitate or beg. She was experiencing a whole new depth of focus so that she could hear the tick of the cooling car, bees, birds. Imagine the temptation to despair in the sound of carefree birds only yards from where you lay breathing in the weeds. And in this heightened state, she said she could feel the psychotic realizing the truth of the situation at the same time she did. And when he came over to her and turned her over, he was crying. And she claimed it took no effort of will to hold him as he wept... as he raped her. She just stared into his eyes lovingly the entire time. She stayed where he left her all day in the gravel, weeping, and giving thanks to her religious principles. She wept out of gratitude she says. Well I don't mind telling you, I had begun to cry at this story's climax. Not loudly, but I did. She had learned more about love that day with the sex offender than any other stage of her spiritual journey. And I realized in that moment that I had never loved anyone before. She had addressed the psychotic's core weakness. The terror of a soul-exposing connection with another human being. Nor is any of this all that different than a man sizing up an attractive girl at a concert and pushing all the right buttons to induce her to come home with him. And lighting her cigarettes and engaging in an hour of post-coital chitchat. Seemingly very intent and close. But what he really wants to do is give her a special disconnected telephone number and never contact her again. And that the reason for this cold and victimizing behavior is that the very connection he had worked so hard to make her feel terrifies him.

      [pauses]

      Ryan: Do you see how open I'm being with you here? Well I know I'm not telling you anything you haven't already decided you know. I can see you forming judgments with that chilly smile. You're not the only one who can read people you know. And you know what? It's because of her influence that I am more sad for you than pissed off. Because the impact of this story was profound and I'm not even going to begin to describe it to you. Can you imagine how any of this felt? To look at her sandals across the room on the floor and remember what I had thought of them only hours before. And I'd say her name and she'd say "What?" and I'd say her name again. Well I'm not embarrassed-I don't care how this sounds to you now. I mean, can you see how I could not just let her go after this? I just-I grabbed onto her skirt and I begged her not to leave. And then I watched her gently close the door and walk off barefoot down the hall. And never seeing her again. But it didn't matter that she was fluffy or not terribly bright! Nothing else mattered! She had all of my attention-I had fallen in love with her! I believed that she could save me. Well I'm aware of how all this sounds, I can see that look on your face. I know you. And I know what you're thinking. So ask it. Ask it now, this is your chance. "I believed she could save me" I said. Ask it now. Say something! I stand here naked before you. Judge me, you bitch. You happy now? You all worn out? Well be happy because I don't care. I knew she could and I knew I loved. End of story.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Capitalism: A Love Story/Brief Interviews with Hideous Men/Coco Before Chanel/The Boys Are Back/Fame (2009)

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    Dettagli

    Modifica
    • Data di uscita
      • 19 gennaio 2009 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Entrevistas breves con hombres repulsivos
    • Aziende produttrici
      • SALTY Features
      • Woodshed Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 33.745 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 18.510 USD
      • 27 set 2009
    • Lordo in tutto il mondo
      • 33.745 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 20min(80 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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