Exiled

If you favor your gun play elegantly crafted and choreographed-EXILED is the film for you. This Asian action pix could have worked just as easily as a western for Sergio Leone had it been set in the American old West. And, Hong Kong cult director, John Woo has covered this same ground in many of his films. EXILED is set on the territory of Macao just before the Communist takeover in late 1999. Two groups of hit-men meet up again for a few bloodthirsty and challenging capers, yet we more than suspect that no one will get out alive. Johnny To, the director, has consciously placed the action in the forefront at the expense of the storyline. However, in these types of action/adventure yarns it is not the tale, but the execution which is of prime concern. The narrative is glacially paced, rather than suspenseful, yet the 'pink mist' of the stylishly orchestrated gunfights more than make up for it. In the case of EXILED, 'Style' trumps 'Substance', and it works!

I had the fortunate opportunity to see this at the Toronto International Film Festival. Johnnie To and actress Josie Ho came to the first screening at TIFF to present the film. I am afraid To is more comfortably vocal in the interviews on his DVDs.

To begin, the film is not a sequel to The Mission. It is the same general cast with a new actors telling a completely different story with different characters. It is however, in very much in the spirit of The Mission. The good news however is that Exiled rocks. The film starts with a hand knocking on the door. A baby is crying in the background and a woman opens the door. Two men ask for a man named Wo. The woman claims she has never heard of him. The two men, who are assigned to protect Wo, leave. The door is knocking again and another pair of men ask for Wo. The woman claims she has never heard of him once again and shuts the door. The two men have been assigned to kill Wo. The four men meet and wait. Wo pulls in on the street in a truck. The film is done in such dramatic simplicity it does not need translation. And that's a sample of what Exiled is all about. The tension is on for shot one and things move only with a purpose.

These actors all are the character actors of Hong Kong; they usually don't' get lead roles and play supporting roles or lead villains. To uses them to their potential in this. Even though you wouldn't classify any of them as being a star or physically good-looking it is astonishing how much presence each of these actors take up on the screen. There's a part in the film where a police car pulls up to a conflict between the hit men in the film, two of these actors turn around and look at the police car and it gave me goosebumps. Beneath each of these five men who are cold-blooded killers underlies a deep sentimentality and it is felt throughout the film. Between these men, actions speak more than words. Anthony Wong, Lam Suet, Nick Cheung Ka Fai and Roy Cheung play their roles with an underplayed subtle intensity. Francis Ng is between explosive and withheld intensity. The five actors play well together, in the film's dramatic and comedic moments. It's nice to see Simon Yam play a clumsy over-the-top gangster boss after the two Electionfilms. Something to note amongst the actors is Josie Ho as Nick Cheung's wife with a baby which works as the driving force for the entire film. Ho's performance feels real. It is also a surprise because To's films usually are about men and women rarely take a stand but it's nice to see that change now finally. A question asked to the cast at the Venice Film Festival if it was possible that any of the cast members be nominated for acting awards, to which the cast reminded the press that they are an ensemble cast. Each member is just a part of the team and they are working together to reach the same goal. Each member of the team are very good actors in their own right but sadly that makes it harder for each of them to be nominated individually for an award. However in Exiled's case, they do succeed as an ensemble.

The gunfights are phenomenal. I truly believe that even though everyone else have recently caught up; Hong Kong still leads the trend in action film-making. I do not mean that in terms of scale but rather the innovation and effort that goes into these action sequences. What really comes out in the gunfights in Exiled is how closequarters the gunfights actually are. These are multiple gun men in Mexican standoffs shooting at each other closequarters in claustrophobic Macau spaces. At Venice, one of the actors conversed with an American reporter and asked him how gunfights would be set up in Hollywood. The reporter looked back and said, "They wouldn't. There wouldn't set it up like this." I have to say I believe that is true as you literally see the gunpowder flying into the actor's faces.

The film is a film designed to garner more international attention for To it seems but there is nothing wrong with that. If anything, Johnnie To has earned all this; being one of the most consistent HK directors and one of the major reminders of what Hong Kong films are all about. Exiled is not new territory for Johnnie To. It is a combination of all the good elements from Johnnie To films, which include underplayed acting, dormant action set-pieces, empty night spaces, well-fleshed characters, boyish immaturity ^^ and a dark quirky sense of humor. It'll be familiar to fans, but again, Johnnie To has given us enough good films to make this. Exiled hits all those notes but some may say that the film does stray in the second act. I say, it's all in good fun. Hell, it's better.

Exiled is what i call a stylish film, it doesn't strive to be realistic it simply wants to entertain the audience. So if you're expecting a constant barrage of action, you'll probably be a little disappointed, however the high drama and acting make this film very enjoyable.

The film has some well known faces like internal affairs Anthony Wong and Ip mans Simon Yam, both of these actors are great but i'd have to say Anthony Wong put on the most memorable performance in Exiled. Some of the action sequences are incredible, with dozens of extras in nearly every scene.

A précis of this film is, Very Dramatic and a nostalgic eastern action movie, I really enjoyed it and i think you will to.

A fitting homage to himself – Johnnie To…

Johnnie To is a heck of an amazing director and without a single question of doubt, Exiled is very much a movie that is all about himself – Johnnie To. It doesn't really make a difference as to whether or not this movie is a sequel to The Mission, as it stands on its own feet more than adequate enough. Exiled is a perfect example of a Johnnie To movie and perhaps a movie that is paying homage to his vast library of work. The action is stylish, the actors are well drawn and indeed the direction is almost perfect. It certainly isn't To's most important movie, but Exiled shares a lot of his themes. With an outstanding cast, ranging from leading roles to cameo performances, To have created a movie dream for his fans. Those that never liked To's crime thriller, will not have their opinion turned around, but for people like Neo, it is a beautiful experience.

The movie goes like this: Wo (Nick Cheung), a gangster who went into exile for a few years after attempting to kill Boss Fay (Simon Yam), returns to Macau with his wife (Josie Ho) and their newborn baby, hoping to settle down. There he meets his four friends, two commissioned by Boss Fay to kill him and the other two coming to aid him. The five hit men open the film with a carefully designed gunfight that brings out both enormous tension and peculiar elegance.

It must be worth noting that full credit must be given to the actors of this flick. Anthony Wong showed exactly why he is one of the best actors in HK. The ease of his performance lies in his simple acting method and yet it is still so damn effective. There some highlighting scenes that involves the ever dependable Francis Ng, who is probably one of the few actors in the world that can overact and still is just as menacing to watch. A regular in almost all Johnnie To's flicks, Lam Suet is once again the laughing stock and his comic timing is all the more welcomed. Who can forget Simon Yam's expression, when he realizes that he got shot in the penis? A funny moment of cinema and when that can happen, you just know that Johnnie To is in top form tonight. Recent additions to To's cast of actors, include the ever improving Nick Cheung and the underrated Richie Ren. Cheung has definitely matured under the direction of this master of crime dramas. The movie moves along at a brisk pace and within every shot, you can almost sense, the art of Johnnie To.

Perhaps, I have been referring to the director more than about the movie itself, but don't get me wrong, this is very much a movie filled with To's usual trademarks and ultra simple yet effective soundtrack. What's so great about Exiled, is that you won't give a thing about whether the movie is believable or not, as the ride alone is so smooth and entertaining to endure. May be, you really have to love To's art of directing, before you can fully embrace the beauty of his work. Each gun shots remind the audience of an aspect of his past efforts and the shot of the red bull can seamlessly flying through the air in slow motion sets the tone of the gunplay. It is fascinating to realize that it is only in recent years that To's talent is finally recognized internationally.

All in all, Exiled isn't really a film that requires any sort of reviews, as it is very much a film for the fans of the filmmaker. In some movies, you can always identify the flaws, but somehow, for this particular movie, it is seemingly impossible to do so. Everything seemed so perfect and even the impossible seems so possible. To have created something special and perhaps it is feeling that might not occur again. It is a movie that allows the audience to relax and sit through in an enjoyable afternoon and lifting up their feet onto the table. It is that relaxing and at the same time, allowing the audience to constantly reflect. Johnnie To loves the toss of a coin and seems to suggest that fate exists in life. It is ironic out about some extremely random or minor characters always succeeds in the world of To – the chick ends up with a bucket load of gold, when everyone else is down on the floor. It is an aspect of filmmaking that will only work in a Johnnie To's film, showing that luck and being at the right place of the time, plays an important role in the determination of your life. Exiled is a heck of beautiful film and by the end of the film, as ironic as it seems to be – somehow a smile will appear at the edge of your face… (Neo 2006)

I rate it 9/10

• www.thehkneo.com

I saw this film at the Toronto International Film Festival. Among lovers of Hong Kong cinema, Johnnie To is legendary. He had three films showing in this year's festival (Election (2005) and Election 2 (2006) screened together, as well as this film) and this was my first experience seeing one of his films. I'll be seeking out some others. Exiled is an incredibly well- constructed film. It's like a Swiss watch, with every scene precisely set up and choreographed and nothing wasted. To has created a self-contained world and set his characters loose in it. Set just around the time of Macau's reversion to the Chinese government, it concerns a group of hit men who come together when their boss orders a hit on one of them. Two pairs of men arrive at the target's new home. The first to warn him, the second to kill him. After a kinetic set piece involving three shooters, precisely 18 bullets, and the target's wife and infant son, the group ends up helping still-alive Wo move furniture into his new place, before settling down to eat.

The mixture of action, comedy, and sentiment is probably a staple of Hong Kong gangster films, but I found it fresh. The plot continues when the assassins agree to give Wo some time to carry out one last job to make some cash for his soon to be widowed wife and orphaned child. Things don't go as planned, however, and the film bumps along from set piece to set piece until an inevitable but satisfying end. Each choreographed set piece is set up in such a way as to heighten the anticipation, and you almost don't mind that none of these trained killers seems to be a very good shot. It's enough that they're all ludicrously macho, swilling scotch from the bottle and smoking as they fire bullets at each other.

Seeing this one on the big screen is a must, just for the sound. The musical score, by Canadian Guy Zerafa, veered between James Bond and spaghetti westerns, with a bit of mournful harmonica thrown in. It worked perfectly, as did the fact that the viewer can hear every single shell casing hit the ground throughout the film. Even the gunshots themselves seemed different from those in American films, with less blast and more metallic sounds. It certainly helped create atmosphere. While this and the choreographed gunplay never let you forget you're watching a created thing rather than any semblance of reality, that actually made me more appreciative of the creator. He's certainly created another Johnnie To fan.