Mamma Mia!

That kind of film who is so easy to define as superficial. Before you see it. Because it is only ... charming. Surprising charming. For musical scenes. For the feel of summer holliday. For impressive cast and beautiful performances. For locations. And, off course, for...ABBA. The best point - the feeling to see an old fashion comedy. And that is the serious motif. For see it. Time by time.

Mamma Mia! Does the mention of anything Abba-ish send you cringing to a corner? Or are you already joining in and dancing on the tabletops? Maybe another few drinks . . .

In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.

And yes – there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only – where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.

The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.

As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.

Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.

Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.

I didn't use to like this movie, but as I got older I started to love the movie more. It's definitely a cheesy movie and far from perfect, but it's a fun watch with catchy songs (duh, it's ABBA). It's not too long nor too short, so it's a perfect movie to watch when you're feeling down or to watch with friends on a movie-night.

Went to see Mamma Mia without particularly high expectations. Not being a big connoisseur (or even fan) of musicals, I didn't really know what to expect. Though I adore ABBA, I never bothered to watch the stage production of Mamma Mia. But having a cinema membership, I didn't have much to lose (no money, at least), so I went for it. And boy, am I glad that I did! I can safely say that I enjoyed every second of it. And I'm not even ashamed to admit it!

Give Meryl Streep another Oscar and get it over with already. If she could get a nod for the Devil Wears Prada, she definitely deserves one for this. She really let her hair down on this one. Mrs. Streep can obviously not pass for a trained singer, but somehow, it just doesn't seem to matter. It just really worked in the movie (unlike -say- Helena Bonham Carter's singing in Sweeney Todd). When I heard Meryl's rendition of "The winner takes it all" in advance, it lowered my expectations considerably, but in its context, it totally made sense.

Most of all though, this movie was just sheer fun. People were clapping, laughing...Rarely have I seen an audience as enthusiastic. The crowd especially responded well to Meryl and her two cronies (arguably the strongholds of the movie). Also, because I had never seen the musical before, I was amazed (and amused) at the inventive ways in which they managed to incorporate so many ABBA-songs. Equally brilliant was the way the extras (usually some Greek old women) were deployed throughout the movie...And then of course the setting (beautiful Greece) was mesmerizing...

Basically, Mamma Mia is a superb musical that doesn't take itself too seriously. If you're just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you've never seen her before or if you simply have a secret crush on Colin Firth and/or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this movie. Best summer flick so far. Warmly recommended.

The critical and audience reactions to this film seemed to suggest that it was very much a Marmite of a film, with people either loving it or hating it. By the time I thought I should check it out, the "biggest film of the year" had become a sing-a-long classic and I decided to wait for the DVD. Watching it myself I can totally understand why this reaction was forthcoming and it is not really down to the film so much as it is the viewers. See, those that hate it will do so for the same reasons as those that love it. Mamma Mia is a film version of a stage-show but it is not an adaptation in that it has been made into a film so much as it is a stage musical made into a film. What I mean by this clunky sentence is that all the standards of the cheesy musical have been left in – from "big" action, colour and simple dumb cheer.

For me personally this doesn't really appeal and nor did I particularly enjoy the film as it did feel all forced smiles and joys, scenes shoe-horned to fit the lyrics and fake fun in the actors and extras. By the end I had pretty much had as much camp fun as I could really stand and was glad it was done. Now others have taken that to mean that the film is rubbish, but it isn't – it just didn't work for you either. However for what it does Mamma Mia is actually very good because it knows who it is aiming for and what it has to do. Yes this means that it is daft and cheesy but that sort of "big" cheerfulness is what the target audience want – they want to feel elated and lifted even if it isn't real in any form. In that regard the film delivers as it is built on beautiful colours in the sets and costumes and a cast that put their egos to one side and throw themselves into it.

This last part is important because to my disinterested eye all the star actors came off looking daft. Streep is certainly not someone I expected to be doing this and to her credit she throws herself into it, showing a camp overacting side I didn't know she had. Likewise Walters, Baranski, Firth, Brosnan and Skarsgård all do much the same – albeit to varying degrees of success. If you're into it then the "big" performances are all part of the fun but if, like me, you're not, then it will be endlessly embarrassing and it will be hard to shake the feeling that I was watching award-winning actors making themselves look and sound like muppets. Of course that is why they are "good" in the context of what the film is trying to be and yet at the same time "bad" if you are not in the swing of the film.

What we are left with then is a film that we have seen plays really well to those that get it but leaves everyone else wondering why on earth people like Streep and Walters would make such nonsense. I personally disliked it but that does not make it a "bad" film, only a bad one from my point of view. For what it sets out to do though, it is a winning achievement – full of cheerful cheese and lots of colour. In fact, it is such a targeted film that you will already know whether you will love it or hate it long before you press play.