Aggiungi una trama nella tua linguaA man marries a seductive woman after a brief but intense relationship. During their honeymoon on the Oregon coast, however, he uncovers the terrible truth about his new wife.A man marries a seductive woman after a brief but intense relationship. During their honeymoon on the Oregon coast, however, he uncovers the terrible truth about his new wife.A man marries a seductive woman after a brief but intense relationship. During their honeymoon on the Oregon coast, however, he uncovers the terrible truth about his new wife.
- Regia
- Sceneggiatura
- Star
Robert R. Shafer
- Sheriff Fields
- (as Bobby Ray Shafer)
Mick Souza
- State Trooper
- (as Michael 'Mick' Souza)
Caitlyn Folley
- Vanessa
- (as Caker Folley)
Steffanie Sampson
- Marleen
- (as Steffanie Thomas)
Recensioni in evidenza
I've seen about 7000 Movies in my career (Cinema manager, art-house projectionist, art school, LOL) and normally i don't write reviews. This man got talent, writing skills are great, the overall tone of the movie works...Camera could be a little bit tighter (1:1,85 that means) and nowadays all editing programs come with filters, why not beef up the colors...But like said, this movie is really good! Reminded me of Hitchcock and Basic Instinct with a twist. If i was a Hollywood Tycoon i would invest in that talent... First of all, the story never stalls... Second, even when you start knowing who's behind all, you don't stop watching... Third the music is just set right and even manages to carry the editing...
Cheers peaky
Cheers peaky
This film really took me by surprise. I caught this in a hotel room while vacationing with my brother and his awful girlfriend (needless to say, the vacation was a total bust and this movie was the highlight - I should re title this review "Better Than a Week in Cancun!).
Considering the cast and the unnerving suspense, I'm flabbergasted as to why this movie didn't reach a wider audience. I won't divulge any of the plot information, but I will say that there's a final act reveal that you will NOT see coming. My jaw hit the floor, and it's still there, actually (I think my jaw is broken - it's weird).
The acting is uniformly excellent all around. The writing was twisty and unexpected, and none of it felt scripted. The movie just moved...and it was pretty damn good. I highly recommend this one.
Considering the cast and the unnerving suspense, I'm flabbergasted as to why this movie didn't reach a wider audience. I won't divulge any of the plot information, but I will say that there's a final act reveal that you will NOT see coming. My jaw hit the floor, and it's still there, actually (I think my jaw is broken - it's weird).
The acting is uniformly excellent all around. The writing was twisty and unexpected, and none of it felt scripted. The movie just moved...and it was pretty damn good. I highly recommend this one.
Strange film, some tidy actors, some people who think they can act and an editor who must have gone on vacation during the making of the film . The sound engineer must have recorded the sound in an aircraft hanger either that or the police interview room was set in an Amazon warehouse.
This movie was poorly written, poorly acted and very predictable. It was very low-budget and I can understand why it was never released and went straight to video. It wasn't even campy fun, it was just a complete disaster and I wish I could get the 1-1/2 hours back! The colors were horrible along with the plot which has holes so big in it you could drive a mac truck through them.
The plot itself had the young bride doing things that she absolutely was not physically capable of doing -- what a stretch! Skip this movie and watch something better in the horror genre. Just about any movie comes to mind that is better than this.
ejames6342
The plot itself had the young bride doing things that she absolutely was not physically capable of doing -- what a stretch! Skip this movie and watch something better in the horror genre. Just about any movie comes to mind that is better than this.
ejames6342
If you like intentionally bad movies, this might be your cup of tea.
I have a bit of a weakness for inspired camp, especially movies that can walk that fine line between plausible and over the top -- It's a difficult tension to manage, but 'Dark Honeymoon' manages it.
Lindy Booth is the real star of this one. Since her debut on the unfortunately short-lived sow,'Oyssey 5', she's made a specialty of playing crazy girlfriends -- sweet on the outside, but a bunch of broken marbles, once you get her home. 'O5','Wrong Turn', 'Cry_Wolf' and here, she plays the batsh#tinsane girlfriend and does a marvelous job with it.
What is impressive here is the support that writer-director David O'Malley got here -- Eric Roberts, Darryl Hannah, Tia Carrere and Roy Scheider -- strong almost A-list players, all -- each playing supporting roles in what would otherwise be a cheesy teen-age slasher flick. But the demographic of this flick is just a bit twisted, as the protagonists here, Kathryn and Paul are int their mid- to late-20's, already just a bit out of scope for the usual mall crowd.
The other oddity here is the emphasis, if not effort that was put into the music -- though the film has a cheap, raw look to it (think DePalma's 'Sisters') it has a world-class soundtrack that rivals anything executed by Bernard Hermann. The music definitely kicks this movie up 3 notches above whatever dreck it would have been without the efforts of Juan Colomer and his big string section.
If you like Lindy and you're a fan of early, Hitchcock-inspired DePalma, this is one that you probably want to investigate, if only for a fun ride.
I have a bit of a weakness for inspired camp, especially movies that can walk that fine line between plausible and over the top -- It's a difficult tension to manage, but 'Dark Honeymoon' manages it.
Lindy Booth is the real star of this one. Since her debut on the unfortunately short-lived sow,'Oyssey 5', she's made a specialty of playing crazy girlfriends -- sweet on the outside, but a bunch of broken marbles, once you get her home. 'O5','Wrong Turn', 'Cry_Wolf' and here, she plays the batsh#tinsane girlfriend and does a marvelous job with it.
What is impressive here is the support that writer-director David O'Malley got here -- Eric Roberts, Darryl Hannah, Tia Carrere and Roy Scheider -- strong almost A-list players, all -- each playing supporting roles in what would otherwise be a cheesy teen-age slasher flick. But the demographic of this flick is just a bit twisted, as the protagonists here, Kathryn and Paul are int their mid- to late-20's, already just a bit out of scope for the usual mall crowd.
The other oddity here is the emphasis, if not effort that was put into the music -- though the film has a cheap, raw look to it (think DePalma's 'Sisters') it has a world-class soundtrack that rivals anything executed by Bernard Hermann. The music definitely kicks this movie up 3 notches above whatever dreck it would have been without the efforts of Juan Colomer and his big string section.
If you like Lindy and you're a fan of early, Hitchcock-inspired DePalma, this is one that you probably want to investigate, if only for a fun ride.
Lo sapevi?
- QuizNew footage was shot, and the film was re-edited without the knowledge of writer-director David O'Malley who disavowed the film. He is credited as Phillip Leftfield.
- ConnessioniReferences Psyco (1960)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Тёмный медовый месяц
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
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