Un vedovo ha capito che il suo unico legame con la sua famiglia è stato solo attraverso sua moglie, in un improvviso viaggio in macchina per ricongiungersi con ciascuno dei suoi figli.Un vedovo ha capito che il suo unico legame con la sua famiglia è stato solo attraverso sua moglie, in un improvviso viaggio in macchina per ricongiungersi con ciascuno dei suoi figli.Un vedovo ha capito che il suo unico legame con la sua famiglia è stato solo attraverso sua moglie, in un improvviso viaggio in macchina per ricongiungersi con ciascuno dei suoi figli.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
Recensioni in evidenza
The story revolves around a father(De Niro), who's wife has passed away, and his desire to reunite his four children for the holidays.Now, when he's alone, preparing the house for the upcoming holidays, all of his children cancel the holiday meeting with no explanation.The lonely man sets on a journey around the States to find his children and learn the truth as well as to reunite the family again.The truths, he finds, are more painful, than he could ever imagine.
The story is obvious at the beginning-but then the viewer begins to discover painful truths, the now-grown-kids are keeping away from their loving father.There are some very inventing and innovating twists, that are merely unpredictable.The story is told beautifully, with some poetry in it, which improves on Robert De Niro's brilliant acting.I would say, he deserves a higher praise, for what he has done, because i personally think, that Jeff Bridges wasn't better than him, with all my respect, of course.De Niro's outstanding performance carries the movie until the end.
As for the other cast, i wasn't that impressed.Kate Beckinsale and Drew Barrymore were at the same level of quality, but that just wasn't enough.Sam Rockwell was mediocre, definitely not good enough.I know they were supposed to be cold, but even coldness can be portrayed better than that.
The director did his best, which wasn't that much, considering the cast and script he had to work with.Every director should be able to pull it off, when he works with an amazing actors (again, mostly De Niro in that case), and a solid script.But as a whole, he did a good job.
I felt, that the tragedy was a little to much in the end, but things couldn't have been better revealed than this.It was depressing, but necessary to say the least.And again, i'm looking at De Niro with new eyes now, he touched me so deep.
The pain is deep sometimes.But you have to fight with it to keep your family united, and together, no matter the distance.The distance in your heart is, what really matters.And in the end Everybody's Fine.
My rate: 8.5/10
*** (out of 4)
Robert DeNiro plays a widower who grows tired of his four children making excuses for not coming to see him so he disregards his doctor's orders and takes a trip to visit all four. Along the way he starts to think about their childhood and where their lives are at now. I remember when THIS BOYS LIFE was released it featured a trailer that would make you think you were walking into one of the greatest family films ever made even though the actual film was a dark one about child abuse. I mention that because this film is pretty much the same effect as the poster, TV ads and trailer makes you think that you're in for a good time but the film is actually an incredibly depressing affair but it finally gives star DeNiro a true character and he does great work with it. Now, I'm not one of those who thinks DeNiro has wasted one performance after another for the past twenty years. I think he's given several very good performances even though many of the characters weren't the strongest items for an actor of his range. The performance here is downright terrific and truly deserves to be called that "old DeNiro" style. DeNiro doesn't need words to show what his character is feeling and he perfectly brings to life this rather sad character who is smart enough to know there's a lot more going on with his children then they're willing to tell him. I found DeNiro to be perfect and one would hope he'd get some Oscar consideration but that probably won't happen considering how the film did at the box office (but I would ask why that should matter). DeNiro gets to interact with various characters and the amount of life he brings this character will make one remember the type of work he was turning in on a consistent basis years ago. I won't ruin DeNiro's big scene towards the end but it's certainly very overwhelming. The supporting cast has Drew Barrymore, Kate Beckinsale and Sam Rockwell playing the children and they all give fine performances and mix with DeNiro very well. I do wish the actual film would have been a bit stronger because it's extremely depressing but at times I felt the film was holding back. I really can't explain what but it just never really felt like a full movie and at times there were some plot details that were a tad bit over dramatic and other times that the film pushes too hard to get its point across. While the film does have its share of problems, the real reason for anyone to watch this is for the return of DeNiro and that alone makes this worth seeing. Again, not the happiest film out there but at least we get to see DeNiro playing his best character in quite a while.
Treading heavy territory to resemble films like About Schmidt, Everybody's Fine is a heartfelt, emotional film that will leave you in tears. Though the narrative could come off a bit over-dramatic at times, there's no denying the warmth that the film conveys to family and loyalty. DeNiro is most effective in his role of Frank Goode, the hard-working father whose long hours putting up coating on telephone wire may have cost him more than he thought. Director, Kirk Jones makes some great artistic choices, especially in the final scenes of the film. One thing however that is surprising is how the film is being marketed. Portraying itself as a holiday-comedy is going to be quite unexpected to viewers as the film is weighty with emotion and less on the laughs.
The supporting players, in this case the adult children, are all beautifully cast. Drew Barrymore has never been sweeter in the role of Rosie, a dancer in Vegas with a "Daddy's Girl" mentality. Kate Beckinsale is stunning in looks and adequate in delivery as Amy, a top advertisement executive. Sam Rockwell, who is long overdue for Oscar attention, plays Robert, the musician who painfully seeks his father's approval.
Enough can't be said about DeNiro who gives one of his finest performances of his career. Showing a softer side yet remaining in tuned with his fatherly instincts, DeNiro has redeemed some of his lesser works in the past years. He takes in some of the best and worst parts of all fathers' across the world. Worrying yet too hard at times it spills over into his children's decisions. Where the narrative misses in some aspects, DeNiro makes up for with his devotion and commitment to the character. It's an outstanding turn for him in his late career.
Over-dramatic, cliché, and a bit predictable, Everybody's Fine shows a beating heart. There's no stupidity or attitude in its form, just pure feeling. If you come from a family of secrets for the greater good (which may be the majority of us), this will speak volumes.
***/****
Lo sapevi?
- QuizBradley Cooper put himself on tape to audition for a role as Robert De Niro's son, with his own mother playing DeNiro's part. He lost out to Sam Rockwell.
- BlooperWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Citazioni
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Curiosità sui creditiThe photographs Frank took during his journey are shown alongside the end credits.
- ConnessioniFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- Colonne sonoreCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Están todos bien
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.208.876 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.852.068 USD
- 6 dic 2009
- Lordo in tutto il mondo
- 16.443.609 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1