Nella Londra degli anni '60, un anziano uomo delle pulizie sul punto di ritirarsi, chiede a una insoddisfatta executive di aiutarlo a derubare alla London Diamond Corporation una manciata di... Leggi tuttoNella Londra degli anni '60, un anziano uomo delle pulizie sul punto di ritirarsi, chiede a una insoddisfatta executive di aiutarlo a derubare alla London Diamond Corporation una manciata di diamanti.Nella Londra degli anni '60, un anziano uomo delle pulizie sul punto di ritirarsi, chiede a una insoddisfatta executive di aiutarlo a derubare alla London Diamond Corporation una manciata di diamanti.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Boland
- (as Simon Day)
Recensioni in evidenza
I had absolutely no idea how the robbery was done until the revelation: and, like most of us, I have watched enough heist movies to quickly go "Yup, got it!", more often than not, but not here.
Excellent understated performances from Demi Moore and Michael Caine, especially in the small facial gestures when stressed and so on. The settings etc; all add to a nice retro feel. You really get a sense that they tried hard to build the 1960s into this - very buttoned-down, very regimented, a very male world.
One of the major attractions for us was that the sense of pace builds slowly - and compared to the Bank Job I have to say this is the better movie.
All in all a clever, entertaining film, with a good script and very nice central performances, and even a human message.
Definitely recommended
When the story begins, Laura (Demi Moore) is an elderly woman in the present day being interviewed by a reporter about her extraordinary career. It seems that back in the 1950s, Laura was a real groundbreaker...an executive in the diamond industry in London when other women only became secretaries. But the interview goes in a way the reporter didn't suspect when Laura admits that long, long ago she was involved in a huge diamond robbery...one for which she managed never to be caught. Now, with the statute of limitations behind her, she's about to tell her story.
It seems that in the 1950s, Laura is a very talented and capable executive with London Di, a huge diamond firm. But again and again and again, men are being advanced to upper management and she has come to realize she has hit the so-called 'glass ceiling' and because she was a woman, she'd never go any further. This is rough....but imagine how frustrated she becomes when the company janitor, Hobbs (Michael Caine), tells her that he read a letter in the CEO's office...and it said that they were going to fire her and blackball her in the industry!
Why would Hobbs tell Laura this? Well, after showing her a copy of the letter, he lets her in on his plan...to rob the vault of many millions of pounds worth of gems. And, with her being angry and hurt, she reluctantly agreed to help. What's next? See the film.
There were some very good performances in this movie. Joss Acklund is wonderful as the soulless CEO....a vicious and imposing figure that few other living actors would be able to play well. Moore is also very good....and gave a much better performance than usual because she was given excellent material. And, well, Michael Caine is Michael Caine! Fine acting all around in this one.
So is the film worth seeing? Absolutely. But I must warn you....folks with short attention spans, teenagers and children or folks who need explosions and boobs instead of plot might not enjoy this picture. But I thought it was terrific...and I do like how it managed to make you feel no sorry for the victims (after all, the whole blood diamond angle is alluded to in the film) and breathe new life into the genre. My only quibble, and it's a minor one, is that Moore's character seems a bit wishy-washy about the robbery late in the movie...something I would have preferred hadn't been in the story.
I cannot, however, for the life of me understand why the film only has a paltry 6.8 average currently on IMDB...it's much better than that.
The story starts in the present day with the elderly Laura giving an interview about female executives of the past. She shows the interviewer an absolutely huge diamond and tells her story.
Her story begins in London at London Diamonds, the largest supplier of diamonds in the world, where Laura (Moore) has a good position but is constantly passed over for promotion into the upper echelon.
One day, the janitor, Hobbs (Caine) tells her that she's going to be fired. She doesn't believe him but finds out by snooping around that it's true.
Hobbs wants her to get the codes to the vault, which are changed weekly. He is then going to enter the vault, fill his thermos with small diamonds, which the company probably won't even miss, and leave. He is going to cut her in.
The next day the executives, including Laura, are called down to the vault. I'll leave it at that, but that was a pretty big thermos.
Really excellent film with a charming, subtle performance by Caine as Hobbs and Moore as the unflappable, cool, beautiful Laura, a career girl at a time when that was much more unusual than it is today.
The story will keep you wondering and intrigued up to the very last frame. Highly recommended. I originally watched this because Nathaniel Parker of Inspector Lynley Mysteries has a role. I'm glad I did.
The opening sequence of a diamond being extracted from the African mud and then it's transformation till it lands on a woman's finger may look familiar but it doesn't feel stale especially how it gets straight to the point in the following sequence where a pompous young journalist meets an aged Laura Quinn for an interview. The sequence thereafter takes us back to 60's London. Radford cleverly tackles themes of sexism, blood diamond, class etc by incorporating them withing the story and never sounding preachy. He deals with some heavy issues in a cleverly subtle way.
Through scenes in the bank, he also distinguishes the contrast between the status of men and women in 60's London. It doesn't feel to be such a long time ago yet it is surprising that Quinn is the only woman in the bank (and perhaps the world as is hinted) to work as an administrator while each and every one of her colleagues are men. Clearly she's a woman trying to survive in a man's world and continues to struggle as she is continuously passed over for promotion and soon learns that her employment at the bank will be terminated shortly. However, when the janitor comes up with an unexpected proposition, she reluctantly sees a way out.
'Flawless' is both story driven and character driven while being atmospheric. The writing is solid. The witty dialogues are loaded with dry and sarcastic humour and there's a philosophical element to most of them. The characters are wonderfully developed and the story moves at a smooth pace. The 60s atmosphere is well created and I liked how it contrasted with modern day London.
Caine and Moore are in top form. Caine's gentlemanlike Mr. Hobbes is not your typical criminal. He's polite, charming but eventually the viewer sees that things are not as they seemed. Michael Caine easily plays his part with élan. Demi Moore is fantastic too. Many have complained her accent bouncing back and forth between British and American but that makes sense because Quinn is an American who's been living in London for more than fifteen years. Thus it is believable that her accent would be distorted. Her reaction in the scenes with Hobbes and Finch are remarkable. Some of the best sequences in 'Flawless' are the ones between Moore and Caine and Moore and Wilson. Lambert Wilson delivers a very good performance in a strong supporting role.
I didn't know much about the film before seeing it. Unfortunately, such movies do not get the deserved attention during its release but I hope it gradually gets the well deserved recognition. What caught my attention prior to viewing was the odd but seemingly interesting pairing of Caine and Moore and when I finally got to see this refreshing gem, I was more than glad with a more than satisfying film experience. I've already included this little film treasure in my shelf of DVDs.
Lo sapevi?
- QuizEdward Anderson wrote the script with Sir Michael Caine in mind, and he was always his first choice for the part of Hobbs.
- Blooper(at around 30 mins) Sir Clifton Sinclair arrives at the formal gathering at the beginning of the movie smoking a cigar. The cigar still has a band on it --- it is considered extremely rude and pretentious to smoke cigars with the band still on among British society.
- Citazioni
Mr. Hobbs: May I give you some advice, Miss Quinn?
Laura Quinn: Well, you are the one holding the gun.
Mr. Hobbs: Life is for living. It's there for the taking. Grant yourself no regrets.
- Colonne sonoreTake Five
Composed by Paul Desmond
Recorded by the Dave Brubeck Quartet
Published by Derry Music Co/Valentine Music Group
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Un plan brillante
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.200.234 USD
- Fine settimana di apertura Stati Uniti e Canada
- 181.910 USD
- 30 mar 2008
- Lordo in tutto il mondo
- 6.819.587 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1